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@BLAZED
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Week 3 (27-11 to 3-12) What's good everyone? We started this week off with removing the 2 bottom shoots. The next day Santa came early 😁 Got 2 new clip fans and the AC5 Power strip from Spider Farmer. The power strip has 5 outlets you can control in the app, they can be turned on based on a time cycle, humidity or temps. It comes with a sensor that monitors light, temperature, and humidity. And a soil sensor that monitors soil moisture (VWC), temperature, and electrical conductivity (EC). It also has a light adapter to connect 2 lights, that can be controlled in the app aswell. The app shows the current VPD, i try to keep this around 1.0 In the middle of the week we topped her aswell. The next day we increased the light intensity from 30% to 35%. LUX: 13.000/13.500 to LUX: 15.000/15.500 This week's growing conditions were 17.9°C to 22.4°C with a humidity of 55.5% to 67.6% and watered 2 times with 0.5L. See you next week!
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@Roberts
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Super Skunk is doing good. I had to hst her again today. I also did a solution change. She is ready to go for the final stretch. Thank you Spider Farmer, Athena, and Spliff Seeds. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g.
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Primer dia desde cambio de fotoperiodo, recien se pueden ver los primeros pistilos indicando el sexo de nuestras plantas🌱. En unos dias se veran las primeras preflores que nos indicaran que partio la floracion🌺. Muy contento con los resultados obtenidos hasta ahora con tan solo 4 semanas de vegetacion, hemos llenado el espacio super rapido🔥. Se pretende sacar este cultivo en menos de 3 meses, asi como vamos se cree lograrlo!. Las proximas lavores a realizar sera desfoliacion a los 21 dias de floracion ✂️. Iluminacion Sodio 400w al 75% se aumentara en una semana a 100% 💡. Fertilizacion con linea @topcropchile 💥 Potenciadorgenetico @knactive_ ⚡ Royal gorilla🦍 by: @royalqueenseedsrqs 🦁.
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Chopped at day 60. They’re sweet and gassy. And sticky as 🍯
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Pues ya esta es su ultima fase de floracion, tiene unos olores muy apetecibles!! La proxima semana tendremos fotos y video de las flores maduras y de la cosecha!! :)
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@knicko
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Auf der Waage im getrockneten Zustand waren es 130g somit habe ich mir den Fixkosten ein €/g von 2.55€/g das finde ich nicht schlecht
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Day 35 from seed. I drained the res and gave everything a good clean as im about half way through this grow now. Were in the preflower stage now so the nutrients are a transition feed also gave them a light defoliation.
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@DreamIT
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🍋🥧🏎️ LEMON PIE AUTO BY FAST BUDS 🏎️🥧🍋 🍋 6.5 Just a few contest memes to start the week, yeah! 🍋 7.5 🍋 8.5 🍋 9.5 Go with the new format! what a great technology 🤣🤣🦄 🍋 10.5 🍋 11.5 🍋 12.5 ____________________________________________________________________________________ ❓ Are you new to the world of the cultivation and don't know where to safely buy your seeds? 😮 Fast Buds is literally shipped all over the world, and totally anonymously !!! check out their amazing genetics !! ✅http: //bit.ly/FastBudsgood _________________________________________________________________ 👀 Are you looking for a good lamp to start with? 👀 🌞Viparspectra has something more than the others, take a look at their site. ✅ http://bit.ly/pro-seriesproductspro-series-p1500 ⏩Use "GDVIP" for an extra discount, or "DREAMIT" for an extra 5% discount💯 👀Search for it on Amazon ✅http://bit.ly/ViparSpectraXS1000Amazon ⏩ Use the code - lt10gdvip - for an extra 10% discount 👀 Watch my ViparSpectra XS1000 unboxing on YouTube, leave a like and write to the channel 🦄 ✅http://bit.ly/UnboxingViparSpectraDreamIT __________________________________________________________________________________ 📷🥇 Follow the best photos on Instagram 🥇📷 https://www.instagram.com/dreamit420/ 🔻🔻Leave a comment with your opinions if you pass by here🔻🔻 🤟🤗💚Thanks and Enjoy growth 💚🤗🤟
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@most_dope
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This is just for the gorilla zkittlez so far I will probably try to put all 5 on here but started 2 about 45 days apart from each other and the 5th seed about 3 weeks after the 2nd round. The 5th seed died from transplant shock (won’t be transplanting autos anymore) but the 2nd round of 2 plants just started flowering. I got 85 grams from the zkittlez and 60 grams from the afghan kush after drying. Not great but I’m happy it’s smokeable and smells/ tastes good. starting 2 bloody skunk today (5/11) because the gorilla cookies never germinated unfortunately :( . all out of seeds now so i will be maknig an order this week. still have 2 more strains to figure out when flowering kicks in more tho so that will be my fun for the next 1-2 months lol
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Been too busy to update the last few weeks, but they’re surviving longer then I expected. When I received my new light I did not take in consideration of the heat output and within the first night of use the tent reached a scorching 88 degrees
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Hey everyone 👍. Unfortunately, a big mistake happened to me. I forgot to do the update weeks ago and have now lost the old pictures 😭, so unfortunately there will be harvest pictures of the leftovers on the whole grow 😥. I can report positives about the strain as far as growing is concerned, but unfortunately not my type of strain that I like. I will definitely try the variety again one day from another supplier :-).
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@Roberts
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I just did a solution change yesterday. I was having a issue getting the right amount dialed in. She has shifted into flowering, and is still making progress. She is under the Medic Grow Mini Sun-2 320 watt. I have her in Athena blended line nutrition she hopefully bounces back now fast, and makes some great progress. Thank you Medic Grow, Athena, and Fast Buds. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g If anyone needs to purchase fastbuds here is a link for my affiliate program https://myfastbuds.com/?a_aid=60910eaff2419
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@PapaNugs
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After topping last week we've just been watching them grow. Bending down the branches to help them spread out. Over this next week I'll start my lst ties to help pull them down and out.
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This is one of the best looking plants I have grown yet. I wish I had performed some LST on it but overall it is massive and has no issues with development or nutrient deficiencies. Roots have taken over the res and it looks like old lady’s hair inside the nutrient solution. Air stone is providing oxygen to the submerged roots so no signs of issues there. About two weeks left on this grow and then onto the next SweetZZ by RQS 👍
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@goeser
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All plants growing well , buds developing well. Fat banana much stronger against the feeding then the Bubble Kush Auto, but still both growing well and dense buds .
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Wow wow wow this plant its just inasane its by far my biggest one ,starting to packing up on weight now and boy smells so good and her colours are just amazing defo showing her sativa roots with them long colas not long till we can test this beauty💪🎄🔥💚💡
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We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.
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All going well now, just lowered my setup by 35cm to gain more space for the ladies... also now my reservoir is below the cabin instead of inside, so much cooler water now (in fact I had to pace a heater to avoid temperature below 18˚C)
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Not long untill we chop these some plants i flipped a little sooner than the rest but everyyhing is on course for a brillant finsh