6/30/26 50% strength Strive ph 6.3 tds 600 ec 1100 water temperature 69 degrees Fahrenheit. The indoor tent seems to be doing generally good. Split my z42 down the middle and duct taped it back together. I expect a full recovery. Started runningbthe small dehumidifier in the tent again. It makes it warmer but it also gets the vpd kpa cranking. 1.9 was the high yesterday. Thats high. Easing them into the strive w a half strength dose to start. Happy growing friends ✌️

Xs just killin it out here

#Cannabislivesmatters #inthailand

Sorry for the delayed post I honestly forgot I started this one lol...they’re doing great I had some of those biodegradable starter pots that I used n prolly let them stay in too long tbh but now they’re both in their new homes! One is all coco and the other is top-half coco/bottom-half soil..thanks for reading/looking

Oreoz Milkshake fenotipo #4, a ver como se comporta en indoor ya que la tuve en exterior y me parecio buena para probar en la carpita. Estos clones estuvieron todo el verano afuera, desde enero hasta abril en vege en vasito por eso entraron tan mal a la carpa pero en cuestion de dias mejoraron un monton, me encanta recuperarlas

Jedna jeví znamky přepapání jinak všechno ok

Harvest: Everything dried up to 347 grams + 96 grams of super high quality trim. Overall I am not too pleased with the smoke of the product. Although the bud size, bag appeal, smell and taste are pretty much all there, the shitty burn is a deal breaker for me and the majority of this weed is quite frankly useless. Another downside is while smoking I’ve found 4 seeds in an ounce from almost every strain. Light leaks? At least I learned a ton, including how to get super good burn for my next crop. I’m hoping that curing for a month or so will improve the burn but I wouldn’t really count on it. I have seen weed dried for 4 days with no cure and no flush smoke clean and not go out once. I have been told that the key to white ashes/clean burn is proper mineral content in the soil and there is tons of scientific studies on cigar ash going back 100 years. Plants grown in a medium with high levels of decomposing organic matter, phosphorus, magnesium, chlorine and heavy metal ratio tend to produce black/grey ash. Whereas plants grown in a medium with a higher ratio of trace minerals like calcium carbonate and potassium in the form of wood ash, rock dusts, oyster shell flour and lower levels of decomposing organic matter will produce a dense, uniform white ash that rarely goes out. But this is still all theory until I test it to confirm for myself a few times. My last few outdoor harvests did not improve with curing at all so I’m hoping this will be the missing link. Plain peat moss and coco clearly lack essential minerals that help burn. If said theory is correct I should find a synthetic nutrient line with more trace minerals. Makes me wonder if growing if rockwool/basalt rock could improve burn in a hydro setup. I think I did a fairly decent job for my first grow. I went wrong in a million different places but I still stuck it out and got some decent herb. Things went wrong early when I got black spot mold, nitrogen/magnesium deficiencies and powdery mildew. I corrected most of it but things didn’t get really bad until mid veg when I intentionally skipped a few feedings and defoliated quite heavily stunting the plants. I also didn’t even top or start LST until the 6-9th node which was really stupid and hurt my yield. My temperatures were all over the place from the learning curve. I was severely overwatering without realizing it. 100% peat moss is a shitty medium. I also fed way too late in flower (not what caused shitty burn). I also used synthetic nutrients in soil. Zkittlez bonsai Yield: 1.9g Smell: 7/10 - sweet, candy, berry, gassy, piney hints Bag appeal: 7/10 - slightly leafy/stemy Crystal coverage: 7.5/10 - very impressed Ash: 6/10 - flaky, mostly white/grey Fire holding: 4/10 - stays lit for 10-30 seconds Smoke: 6/10 - taste is decent, needs curing High: 6/10 - indica dom Comment: looks nice, smells nice, tastes nice, burns like shit. 43.5/70 = 62% 👎🗑️ Black Garlic #1 Yield: 53.6 Smell: 8/10 - gassy, piney, earthy, skunky Bag appeal: 7/10 - slightly leafy/stemy Crystal coverage: 7.5/10 - very impressed Ash: 8/10 - thick, uniform white ash Fire holding: 7.510 - stays lit for 45+ sec Smoke: 7.5/10 - taste is good until the end High: 7/10 - sativa dom Comment: looks nice, smells nice, tastes nice, burns great but quite leafy. 52.5/70 = 75% 👍🔥 Black Garlic #2 Yield: 42.3 Smell: 7/10 - woody, earthy, tea Bag appeal: 6.5/10 - slightly leafy/stemy Crystal coverage: 7/10 - impressed Ash: 6/10 - flaky, mostly white/grey Fire holding: 4/10 - stays lit for 10-30 seconds Smoke: 6/10 - taste is decent, needs curing High: 8/10 - sativa dom Comment: looks nice, smells nice, tastes nice, burns like shit. 44.5/70 = 63% 👎🗑️ Zkittlez Yield: 39.4 Smell: 7/10 - sweet, candy, berry, gassy, piney hints Bag appeal: 6.5/10 - slightly leafy/stemy Crystal coverage: 7.5/10 - very impressed Ash: 8/10 - thick, uniform white ashes Fire holding: 8/10 - stays lit for seconds Smoke: 7.5/10 - taste is decent, needs curing High: 7/10 - indica dom Comment: looks nice, smells nice, tastes nice, burns great but smalls didn’t fill out. 51.5/70 = 73% 👍🔥 Blackberry Breath #1 Yield: 57.5 Smell: 9/10 - sweet, grape, berry, gassy, earthy, hashy Bag appeal: 8.5/10 - dense, sparkly buds Crystal coverage: 9/10 - super impressed Ash: 5/10 - flaky, mostly grey/blackish Fire holding: 4/10 - stays lit for 10-30 seconds Smoke: 5/10 - tastes like chalky shit High: 6/10 - indica dom Comment: looks amazing, smells amazing, tastes like shit, burns like shit. 46.5/70 = 66% 👎🗑️ Blackberry Breath #2 Yield: 76.1g Smell: 6/10 - musky, tea, berry, herbal Bag appeal: 8/10 - slightly leafy/stemy Crystal coverage: 7.5/10 - very impressed Ash: 5/10 - flaky, mostly grey/black Fire holding: 4/10 - stays lit for 10-30 seconds Smoke: 5/10 - taste is shit High: 6/10 - indica dom Comment: looks nice, smells shitty, tastes shitty, burns like shit. 41.5/70 = 59% 👎🗑️ Slurricane #4 Yield: 34.5g Smell: 8.5/10 - gassy, deep piney, fuel, earthy, Bag appeal: 8.510 - slightly leafy/stemy Crystal coverage: 7.510 - impressed Ash: 6/10 - flaky, mostly white/grey Fire holding: 4/10 - stays lit for 10-30 seconds Smoke: 6/10 - taste is decent High: 6/10 - indica dom Comment: looks amazing, smells amazing, tastes nice, burns like shit. 46.5/70 = 66% 👎🗑️ Badazz OG Cheese Yield: 43.5g Smell: 6.5/10 - musty, woody, cheesy, piney hints Bag appeal: 6/10 - slightly leafy/stemy Crystal coverage: 6/10 - very impressed Ash: 5/10 - flaky, mostly white/grey Fire holding: 4/10 - stays lit for 10-30 seconds Smoke: 6/10 - taste is decent High: 6/10 - sativa dom Comment: looks like shit, smells decent, tastes decent, burns like shit. 39.5/70 = 56% 👎🗑️

The girl is huge, the buds are huge and meaty😃The smell is overwhelming, breathtaking :) I can't wait to finish😅

420Fastbuds FBT2304 Week 9 Hello everyone from far and wide on this beautiful planet. Weekly update for these twins. Both seem to be in mid flower on cruise control with no big issues present. I'll most likely stop feeding nutes this week and just go with ph'd water after that till harvest. All the colas on both are super chunky so it'll be exciting to see how the next week or two turn out. All in all Happy Growing

Hi everyone 🤗 This week it looked more and more astonishing after opening the box a wonderful sweet smell wafts through the room 👍. A few days ago the Blue Cheese Phenotype 1 was harvested and placed in the dark room :-). This week both Kosher Tangie Kush phenotypes will be harvested 👍. Next week the Blue Cheese phenotypes 1 and 2 will be harvested ;-) everyone else needs a while 😀. I wish you all a nice week, stay healthy 🙏🏻 and let it grow 🌱👍

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Update 14/11 - plant has now dried for a week. Will wait for branches to snap and start jarring After 2 days of darkness. Plant was wet trimmed loosely and chopped as a whole. Currently hung up to dry for the next 7 ish days. Nice looking colas this time around :)

One more week is now finished, let's have a look as what happened during this last 7 days and nights Used the weekend to make a nice cleaning again - I like to take all from the tent and clean on Sundays. Gives a good feeling. The plant is still full flowering, finally some yellowing and browning pistils. The color of the bud is gorgeous. Flush has started officially, 2l water every second day for a week, and then probably should be ready a few days after. It's a great smell coming from this plant, so sweet. Is amazing! Temps and RH are very stable, which is great. 27c day 60%Rh 24c night ~70%RH That's all for now, next week there'll be more. Have a nice week, happy grows to all, and better smoke :D

4/2/23 - Filter put on my intake vent. Both plants watered with campden + RECHARGE + CalMag water pH'd to 6.3. Day 7 of flower / Starting week 2 and they're both just showing their first wispy white pistils. I will start slowly adding bloom to the feeding schedule weekly starting next week. I moved the Trellis netting down a bit since they're not stretching too bad so far. 4/4/23 @ 12:30pm - Both plants given 7 cups of water with their firsts 1/2 dose of Bloom nutes from TPS, plus 1/5th of a campden tablet pH'd to 6.2. This is the fastest the soil has dried out before after only 48 hours they were completely dry. That's why I bumped up the amount of water both plants were given from the last few times. If they continue to dry out after only two days I'll keep upping the amount of water they get slowly each watering. Pheno #1 is popping through the trellis now and Pheno #2 is stretching more since it's shorter. Since they are so bushy I am thinking of defoliating sooner than the start of week three (4/9/23), maybe this Friday - we'll see. Smells are getting hazy smelling in the tent and no herming so far - fingers crossed lol - I am also going to be spraying both plants down right before lights out tonight with Earth's Ally 3-in-1 Organic Plant Spray as a pest / mold prevention measure. 4/5/23 @ 12:30pm - Both plants looking very nice after getting their pesticide spray down last night before lights out. I rotated the plants about 45 degrees to form boxes to help spread the tops out when they start weaving through the trellis. 4/6/23 @ 10:30pm - Checked on my girls before lights out and realized they were overdue for a defoliation. Took a decent off to open up some more bud sites and I am happy with how they look. I plan on letting them grow normally and just watering with bloom + recharge + CalMag going forward. I also completely adjusted my light setup, set it to 75% and moved the light down to 20" above the canopy to get a better PPFD reading. 4/7/23 @ 4pm - Both plants given 7 cups of Bloom + Campden water pH'd to 6.3. Should be on cruise for the remainder of the grow - just need to water whenever they're thirsty :)

I return in a few days and will take down the first one

July 5 - The girls are still doing awesome. temps are between 21-26. Humidity is 40-50. Still feeding every 24-36 hours with 3L per plant. July 6 - They are doing good. Showing lots of flower sites now. Unfortunately I did not get any pictures today. July 7 - Tons of progress since last week. I don't see any signs of any problems, and still no pests! The smell is getting A lot stronger as it starts to flower more July 8 - Still doing there thing, no problems, temps and humidity is fine. Have been feeding every 24 hours now as they seem to be really thirsty July 9 - Super happy with how they are doing. No issues yet. Smell is heavier, and tons of bud sites showing up. Only issue is they are growing pretty uneven. July 10 - Time to get a even canopy! First time doing some HST. I also did some defoliation. One of the stems split open a bit but it seems to be doing just fine. I did he HST and defoliation in the morning, i then took pictures of 12 hours later and everything seems just fine! July 11 - Everything seems to be a lot more even and the broken stem doesn't seem to affect the growth.

Welcome Back!💚 Nach der dritten Blütewoche sieht man die Blüten/Stigmenansätzen deutlich. Es sind keine männlichen Polensäcke zu sehen 👍 Die Pflanze an sich hat ein sehr zwergenhaften Wuchs, daher bin ich sehr gespannt, was die Pflanze nun an Blüten entwickelt. Ansonsten habe ich die Pflanze nun Mal stark ausgedünnt, damit die besser gewachsenen Triebe besser beleuchtet werden. Die Struktur der Pflanze ist sehr knotig und fest. Sie ist bisher echt der krasseste LowGainer, den ich seit ich Growe gesehen hab. Mal schauen ob die Pflanze noch was reißt 😁 🙈 Der PPFD wird würde diese Woche auf dass Maximum gefahren. Die Umgebungsgegebenheiten sind top: ————— 🌞 Temp: 23°C 🌚 Temp: 18°C bis 19°C 💨 RH: 51% VPD: 1,05 kPa 😎 PPfD: 830 mqm ————— Viele Grüße 👋

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.