Day 15 - Gave the girls 500ml of plain RO at 6.3(ish) PH. Watered in a ring around 'em to encourage the roots to spread out. Day 16 - Didn't do anything today just monitoring grow environment Temp, RH, Leaf Temp, VPD etc. Day 17 - Waterred 'em down again, 500ml plain RO at ~ 5.9 PH. Days 18 &19 - Nothing done, just monitoring the grow environment Temp, RH, Leaf Temp, VPD, etc. Day 20 - Waterred 'em down with around 700ml plain RO at ~ 6.1 PH. Day 21 - Didn't do anything today just monitoring grow environment Temp, RH, Leaf Temp, VPD etc. Notes: I'm starting an Arduino project that automatically waters the plants based on the soil moisture and will calculate weekly water consumption. I already have one setup that does all of that and has a water level indicator that alerts me when the water level is low. Automatic Watering Kit: https://www.adafruit.com/product/4746 Soil Moisture Kit: https://www.adafruit.com/product/4241

Hello growers -May 30- Watering 0.3L every 72 hours. Nothing added just water until she ready to flip. Showing lots of lateral growth. -Mother plant update- She has hit her 8th week of flower and will be getting the chop in a few days. 90% red hairs and ambers trics started to show. Looking forward to this plant again as the grow was easy and issue free.

Hola amigos verdes, Beelzebub is in safehouse with her green sisters for the last few days, bc of bad weather and 💩 Its now dry for a minute but lots of rain is expected.. Luckily safehouse is nice and cosy 🙏 i think (hope) next week gonna have some sunny pix again...😎👊 She has done some 'demonic' stretching this week, she doubled in size, to make room 4 her demonic buds 2come 👹👌 Happy growing 4all ✊ *KISS! growingtechnique: KeepItSimple, Stupid!

Some kind of deficiency going on. Threw some organic nutes at it and good ol cal mag plus. Trimmed those nasty leaves. She looks better, time will tell.

Plain sailing this week , just water for the Sweet n Sour and the Blackberry Gum, the Cheesy auto just had one last feed of Iguana Juice and PK booster BAC . Few more days and the SNS and BG should be done.

6. Woche So langsam legt sie mit dem Stretch für die Bloom los. Jetzt wirds in nächster Zeit interessant zu Beobachten, wie sie sich entwickeln wird. Auf das Training hat sie gut reagiert und jetzt darf sie sich die Zeit für die Bloom nehmen 😊

Plants are growing! But so is my mold problem I recently got a hygrometer and noticed that my humidity was ranging from 64-70 percent which I realize is too high and maybe that is where my mold is coming From im starting to see it coming from the drain holes on the bottom of my pot. I’m going to get a dehumidifier and see how that works. Also I attempted lst to both plants . The doc og is a week older and definitely bigger than the apples and bananas but but are coming along nicely.

This is the week right before the 24 hour dark period and switch to 12-12 looking very healthy

That's how I know the crop was harvested too early:( ..... but only because someone started visiting my place of cultivation and took my two girls, and left two, so that he wouldn't come back a second time and take them, I decided to cut her down earlier:( that's it such news awaited me when I returned from vacation, but overall the girl looked very beautiful, although she got a lot of stress when the snails ate her, but she endured it and recovered very well:) I will dry the bigger flowers and make bubble hash from the rest, good luck to everyone be careful in nature :).

02-02-2026 Third week of 12/12 for Colombian Gold. Her buds are developing nicely, she has nice, white hairs. I saw some brown tips but didn’t find any herming in the tent. It’s probably some stress or me touching the plant. It’s quite crowded in the tent! I defoliated her today big time. I didn’t know where to start so I started cutting some branches. Cutting branches hurts! Some of them where lime green, have never seen any light in their short lives. I also found some dried leaves. She already started defoliating herself a bit 😉 It’s a pity I forgot to take some pictures before defoliating, but the short video gives an impression of her bushy structure. I love how she grows ❤️❤️💚💚💛💛

Did a bit of LST, did a bit of trimming of the fan leaves to expose the bud sites. Hopefully it won't affect her too much. Kinda regret putting her in a small pot but hey, experiments right?

Week 3 (27-11 to 3-12) What's good everyone? We started this week off with removing the 2 bottom shoots. The next day Santa came early 😁 Got 2 new clip fans and the AC5 Power strip from Spider Farmer. The power strip has 5 outlets you can control in the app, they can be turned on based on a time cycle, humidity or temps. It comes with a sensor that monitors light, temperature, and humidity. And a soil sensor that monitors soil moisture (VWC), temperature, and electrical conductivity (EC). It also has a light adapter to connect 2 lights, that can be controlled in the app aswell. The app shows the current VPD, i try to keep this around 1.0. In the middle of the week we topped her aswell. The next day we increased the light intensity from 30% to 35%. LUX: 13.000/13.500 to LUX: 15.000/15.500 At the end of the week it looks like there is a deficiency going on, if anyone has a idea what it could be, please let me know! This week's growing conditions were 17.9°C to 22.4°C with a humidity of 55.5% to 67.6% and watered 2 times with 0.5L. See you next week!

Я так и не понял FastBuds, может потому что в моей стране война, каждый день были ракетные обстрелы и я не смог нормально выращивать. Обновления 13.05.2023 русские террористы продолжают убивать мирных людей. Очередной ракетный обстрел Украины 🇺🇦🇺🇦🇺🇦. Моё утро началось не с кофе а из 13 взрывов ракет. россия и русские это террористы, убийцы, преступники.

💩Holy Crap We Are Back At It And Loving It💩 Growmies we are at DAY 14 and she's just killing💀it👌 So I'm starting to see she needs watering every single day and now need nutrients 🙃 Lights being readjusted and chart updated .........👍rain water to be used entire growth👈 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14 NutriNPK Grow 28-14-14 NutriNPK Bloom 8-20-30 NutriNPK Bloom Booster 0-52-34 I GOT MULTIPLE DIARIES ON THE GO 😱 please check them out 😎 👉THANKS FOR TAKING THE TIME TO GO OVER MY DIARIES 👈

She grow bushy, and i think about small defoliation before week 4 of veg. I need to understand coco better because i was growing in soil. Day 15 end of root boosters

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Nearly there........

Week 3!!! Tied down the main branch. Giving them more nutrients 6ml per l I also increased the light intensity by 10% so I think I’m at 50% now My nutrients 1 x Adam: Base nutrient to use from start to finish | NPK: 3 - 0 - 1 1 x Eve: Base nutrient to use from start to finish | NPK: 0 - 4 - 3 1 x Lush: Veg stage additive | NPK: 5 - 0 - 0.5 1 x Rapture: Early Bloom / Flowering stage additive | NPK: 0.7 - 3 - 3 1 x Heavenly Harvest: Additive to enhance Flowering before harvest | NPK: 0 - 7 - 6 I am using 2ml /l Adam and Eve and 1ml / l lush. I feed the girls everyday, watering the nutrient water until I get 15% runoff. Hopefully that’s okay. Jiffy girl has got really big and seems healthy, but coco is a runt I think… it’s half the size of jiffy.

73 Day 10 Weeks to Harvest