Weak smell is finally starting to develop and it is amazing. Also starting LST this week on all four plants. I need help with the Royal Jack. The plant that started out so well is really struggling and I have no idea why. Any tips are more than welcome. Also I'm having a bit of a pest situation. Ive looked under the leaves and around the plant but was unable to find anything that could be capable of doing this damage. Does anyone have any advice? Thanks in advance

Hi everyone 😁 Welcome back in another week update! Thank you all for this amazing support on this bananas journey💚💚💚 Uploading and updating each week content on daily bassis so please revisit this diary if week not over yet. So far all going great. Girls looking very healthy and happy. Due to my short trip had to leave my 🍌💜👊 girls unsupervised for 3 days. Was stunned when opened my cabinet on the Dec 5th. Athena stretched like crazy. Good 3 inches. She better slow down as not much roof space left for her. May tie some taller branches to netting if necessary. Introducing blooming nutes for the first time this week on December 6th at smaller dosage and on the second watering as listed. Week 8 Dec 4 - Dec 10 Dec 5 Leaves tucking Dec 6 Heavier selective defoliation on both girls. Athena fully lolipopped and Xena at 75%. Watered with 8 ltr beetwen both with perfect runoofs PH 6.4. Girls were very thirsty 🤤 Dec 7-8 Just enjoying how my girls developing. Frost has landed and they are start showing colours. All is looking great. Dec 9 Second watering for this week 7 ltr beetwen both. Runoffs PH 6.4 Even with so much difrence in size of my 🍌💜👊 girls it seems that they are drinking my juice almost equally. Dec 10 Applied selective defoliation and tied 3 tallest branches of Athena to netting to avoid any potential burns on these beautiful baby colas. It's the end of the week! Thank you all again for such a great support, all the likes, dm's, comments and follows 💚💜💚💜 Stay tuned for coming week update 😁✌️💚

We’re at Day 37 and the lady is just starting to show those first pre-flowering signs, still vibing in late veg. The growth is insane: she shot up from 25cm to 50cm in just 10 days. It’s crazy because she looks like a totally different plant compared to my other Sticky Broccoli in the tent—this one is a real skyscraper! 🚀 Since my grow is a wild mix of sizes and strains, I’ve got her sitting on a riser for now to keep the canopy even. As soon as she starts the real flowering stretch, I’ll just lower the stand or drop her to the floor to keep her in check. Keeping the levels balanced while she preps for the big bloom!

Loved growing this unknown Indica Strain the effects are medicinal, the experience is euphoric and pleasant being surrounded by flowery herby scents while you bliss out. A true gem and pleasure to grow

its week 3 of flowering and all 4 plants went trough the early stages very well 💚 two plants are building up frost already, i am pretty sure this will be the ones, i'll keep. i took clones before the light flip, so no need to re-veg those beauties 🌱

Transplantes a macetas finales de 7lts realizados tempranamente para que se acomoden bien para pronto pasar a floración, no más de los 30 días de vegetación 🍀👨‍🌾🏻

It's slowly coming to an end. I check the trichomes every 3 days. Most are still glassy. I think the first two plants that are ready to harvest will be RedHotCookies #2 and Ayahauscapurple #1 The buds are slowly getting thicker^^ I got an upgrade. The AC Infinity fan. Great impression so far. In the future I will get the complete AC infity set. Exhaust air, controller, humidifier so that I can set the VPD correctly in the future.

Momma is just about ready for her 36-hr pre-harvest dark period. Going to give her 1, maybe 2, more short light cycles (~10 hrs). Trichomes are mostly cloudy with some amber. Pistils have darkened and curled in. Buds are plump and firm. It’s time! 😎

Started flush. Mostly white trichs with small amount of amber. Will harvest on Wednesday and hang them up in an open tent. Will wet trim the big leaves and let dry for 7 days then cure for three weeks. If I learned anything from this grow is to defoliate the lower buds more. My canopy was great but I had a lot unusable immature bud. This is my third grow using my A.B.L.E. Grow Chamber and it was the best. Hoping to get about 5 ounces worth of dried bud.

Hello m8 welcome to this journey with me in this diary will have very interesting strains hope u find something useful O.G. Kush Titanium - [ ] 1st week Veg: germinated in substrate lighting very close so it jets medium high humidity after the 3rd day they started sprouting - [ ] 2nd week Veg: this week my ventilator broke down and as the temperature stayed very warm nothing developed much - [ ] 3rd week Veg:fortunately this week i had fixed the ventilation and the temperature has go down a bit allowing the little plants to develop and reinforce - [ ] 4th week:very good developments in this week I already started feeding a bit two times but i didn’t have to…once was enough - [ ] 5th week Veg:this week they were very strong green i only had to water them good and keep the ventilators going no stop .They have good hight already ,but as i have to strains together. I want to transplant them when the hight of the other one have stretched… I’m thinking to transplant next week if not the next one - [ ] 6th week Veg: this week it went great fortunatly i dont have pests that eat my buds i’ve givven a fed once the substrate is very rich already the plants streached very well i will transplant today so be ready m8 i cant wait to show you the progress - [ ] 1st week Fl:they started stretching and looking very healthy just transplanted - [ ] 2nd week Fl this week I’ve been away i had a friend taking care of them they stretching very well i hope that she starts putting energy into the flo - [ ] 3rd week Fl:they are streaching very well ..getting the light very well - [ ] 4th week Fl: - [ ] 5th week Fl - [ ] 6th week Fl - [ ] 7th week Fl

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70 days:) I haven't seen her this week:( the photos and video were taken by my friend, it's been very hot all week, 35°, I'll be back to her in a few days ;) then I'll be able to assess how she's doing, good luck to everyone,

***Sponsored Grow*** = Medic || https://medicgrow.com || Grow = ***Sponsored Grow*** Everything is looking good on this plant this week, it has a different growth pattern then the others in the tent, its way more bendy and lengthy. When I place the steel forks on the stems to keep them from growing up this strain will go all noodle like and bend more fluidly then all the other plants. its like spaghetti or some other pasta related wet noddle thing. Still giving them a 2:1 or 2.5:1 grow vs bloom nutrient. Its helping with some of the pink stems from last week. Feeding strength is up .2 point to reach 900ppm or aorund 1.8EC will leave it here fro the remainder of Veg. Prob will do for 2 more weeks then flip to flower as I just topped them and want to give them some time to recover. NPK ratio of 7-7-14 1:1 equal parts grow/bloom. Grow=8-4-15 Bloom=6-10-14 Boost=1-15-30 "not yet used it yet" Also took some clones from the plants as well, took two main cuttings from each plant, forgot to do the one so its not shown in the first video up the updated clone pics later in the week. If any of these impress me then the clones will go outside and grow there all year for a extra special harvest. Or I'll give them out to some friends and family maybe a little gorilla gardening project, but I will wait before getting ride of them all as I'm still kicking my self in the ass over the Blue Cindy loss. really liked that plant and wish its clones I gave out where still aorund. Lights doing well. The V1 spectrum is good on the medic grow mini sun-2's 240w. No issues so far, dimmed at 80% till flower is initiated then up to 100%, Will test out 13/11 I think as the schedule to give them some more photons for an extra hour vs 12/12 . Till next week. ***Sponsored Grow*** Official Website: https://medicgrow.com/ Facebook: https://www.facebook.com/medicgrowled Twitter: https://twitter.com/medicgrow Instagram: https://www.instagram.com/medicgrow420/ YouTube: https://www.youtube.com/channel/UCNmiY4F9z94u-8eGj7R1CSQ Growdiaries: https://growdiaries.com/grower/medicgrowled https://growdiaries.com/grow-lights/medic-grow

Week 10

We are in flower for this 💚 ORION F1 AUTOFLOWER GROW 💖 The Organic Dry Amendments plant has really grown tall, I should have trained the plant earlier, aside from topping, which I did early on. I LST'D the plant yesterday on the 11.7.25, I tied down the branches with soft garden twine to the grommets I added to the pots. As the plants have been left for too long, they have grown tall, and now it is more difficult to train them. 💖 ORION LIQUID NUTRIENTS PLANT 💖 I LST'D on the 11.7.25 as above. This one is starting to stretch from flowering and had gotten taller as with the other plant. Let's see how the training goes. They are looking a bit straggly. So hopefully, they will fill out with some more leaves and flowers. You can check out the other diary to see how I cared for each plant, and the comparison if you're interested 🙂 💖 ORION F1 LIQUID NUTRIENTS 💖 Here is what I did this week. 8.7.25: I watered with 2ltrs of dechlorinated water PH'd to 5.9 and containing the following nutrients; 💜 1/2 TSP Cal-Mag 💜 1/2 TSP Mega Crop Part A PH: 5.9 PPM: 1500. 12.7.25: I watered again today with 2ltrs of dechlorinated water PH'd to 6.0 and containing the following nutrients; 💜 1/2 TSP Mega Crop Part A 💜 1/2 TSP Cal-Mag PH: 6.0 PPM: 1440 Thanks for checking in this week and hanging out in the comments 😊💚✌️🌱🙏🍃

Hello week 3 lets gooooo

This was a brilliant plant, it kinda stunted a little bit, but that was my fault. It was so beautiful during flower, and the smell is not like weed at all, but more like juicy fruit chewing gum. Amazing and smooth to smoke as well.

Transplantes para o solo,vai ficar no sol direto, estamos indo para a flora mais umas 2 semanas de transição,grande e saudável.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.