🍊Bonjour les copains, 🍊Je vous l'ai peut être déjà dit mais je n'ai pas beaucoup le temps de m'occuper de cette culture, car je ne vis plus à coté. Je repasse la voir tout les 4-6 jours pour l'arroser, enlever les feuilles mortes et prendre quelques photos. 🍊Et jusqu'à présent j'ai l'impression qu'elles se sentent bien comme ça 😅 🍊Je suis si impatient des les gouter 😜 🍊-------------------------------------- 🍊Intensité de la FC3000: 90% 🍊Ventilation : Extracteur mars hydro 6 pouces avec filtre à charbon puissance : 4/10 (24h/24h) + 3 ventilateurs à l'intérieur ( ON 8/24h). ils s'activent à un 🍊horaire différent. 🍊Arrosage : Environ tout les 4-6 jours avec 1.5L d'eau. (+ 1gr de bioenhancer/L eau un arrosage sur 2) 🍊Température & humidité : NUIT : 16°C & 70% / JOUR : 23°C & 50% 🍊My Instagram 🌱🧡 https://www.instagram.com/hou_stone420/ 🍊🍊🍊🍊🍊🍊🍊🍊🍊🍊🍊🍊🍊🍊

Going nice;)))))

Giorno 49 Ultimi giorni di vegetativa poi giro e faccio una leggera defogliazione. A settimana prossima 💪🤞

Bubble og I still have 4 of these guys going. A few of them are still dark green and pretty decent growers they have thiner leaves. I'm sure a few of these will be on the chopping block later down a few of them just have crappy start growth and they need the humidity at 75% or above 100% the time with the light lower than normal or they start to shrivel up. That's not all of them just a couple. Also I am only going to flower 8 plants out if the 12 seedling and I have 5 strains going so can't have half my plants bubble og (wish I had room to grow the full 12 plants at a time) It's looking like a good start to a week the plants are strong they are getting to the point I can let the dried dry out completely. I'm thinking by the end of this week the plants will be starting to be sold. Last week I put all the plants into my bigger 2x4 tent with my medicgrow mini sun 2 the 500w version. Only a few of the plants were ready for that light. Seems like the only plants that really have good resistance and have a strong start are the weedseedsexpress.com seeds. Shout out to weedseedsexpress.com for the strong plants. I ended up putting all the plants back into my 2x2 tent with the 55w amazon light it has alot more blue light in its spectrum. It's kinda weird b4 I switched the plants to the 2x4 tent they were getting 220umol under my amazon 55w led then when I put them under the 500w light 25% strength about 50in from plants and they were getting only about 195umol in that tent but it was stressing most the plants. I assume a larger light has more side lighting hitting the plants. I think when useing larger lights it's good to measure umols from the top but also coming from the sides. I think durring seedling stage they only need about 50% the umols coming from the side the plants as the top is receiving. When I put the plants back in the small tent about the same umols as they were getting b4 the switch and they were still a little stressed. So for a few days I put the small light at the top the tent giving them 100umols for a few hrs then 130umols the rest the day.

This past week has gone without a hitch. Touch wood but my light timer blunder last week hasn't punished me... Yet... The girls are still bulking up, the lady at the back must be in the dark almost, those large colas at the back are actually from the middle plant... Proper bully! Unfortunately as I have to go under the lights to take some photos, all of the exposures and colours look a bit different from photo to photo. Exactly 4 weeks until the planned chop now :P I'll be making dry ice hash from fresh trim also, and will post some pics when the big day comes... P.s - https://www.youtube.com/watch?v=n765oOU_MMo - compelling evidence for adding UVB to your grows :)

Hi guys! It´s the beginning of v-weeks 1-2. She´s still in her little "incubator" for the humidity. I only watered her this time, round about 400ml. Can´t wait till she gets bigger!♡ CannaPeace Growmies!🌱😶‍🌫️ ------------------------------------------------------------------------------------- 🍀🍀 UPDATES WEEK 1- 2 🍀🍀 ✨16.01.2025- watering day, about 400ml ✨18.01.2025- feeding day for baby Runtzies; I fed her about 250ml, BB- AV 0,5ml; BB- RJ 1ml; BB- pH- 0,2ml (water being a bishh); PLAGRON. GS 0,5ml; PLAGRON. Grow 0,5ml I think she´s living her lil life, her leaves are growing like crazy. I also took the improvised incubator away- she does not fit in there ✨ 20.01.2025- she´s 4,5cm big now, doing great. Nothing too crazy to add today:) ✨ 22.01.2025- watering day, about 300ml. I´m really enjoying watching her grow. She´s starting to develop the 3rd node ✨ 25.01.2025- watering daaay! I watered her only about 150ml. As you can see she´s really pretty and living her planty life ✨ 26.01.2025- just fed her some BB-RJ (3-4ml/1L water- I gave her just 70-90ml)

Diy Growbox: 60*60*160 cm Light: 150w led Light Cycle: 12/12 Soil: CocoPerlite in diy Hydrobucked Extractor: 120mm PC vent Running 24/7 Bloom has begon, together with the Sweet Zombie in a small space. My bro and I are really happy with the results till now with our diy project

Blütewoche 3 Die volle Blüte Die Blüte ist in vollem Gange! Die Pflanze hat sich kräftig gestreckt und entwickelt schöne Blütenstände. An Tag 18 wurde gelollipoppt. Das DLI wurde sukzessive auf 40-45 angehoben. Der Düngeplan bleibt unverändert. * Zustand der Pflanze: Kräftiger Blütestretch, wunderschöne Blütenstände sichtbar. * Wichtige Ereignisse: Anhebung des DLI. * Düngung & Messwerte: * Gießwasser: pH ca. 6,3. Leitwert 1,3 mS. * Drain: Wir stellen sicher, dass der pH-Wert nicht unter 5,5 und nicht über 6,8 liegt und der Leitwert die +/- 500 myS Abweichung einhält. * Anpassungen: keine

TRIPLE G ROYAL QUEEN SEEDS WEEK #24 overall Week #7 Flower This week she she really starting to show her genetics she's covered in trichomes her buds are nice and dense and she smells great 👍!! She's a bad little plant!! Stay Growing!! ROYAL QUEEN SEEDS TRIPLE G

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

2026-01-07 Looking good and getting there

In the week between Christmas and new year, Elsa Show me every day how much she fight. Nice Little flower Buds and a really really nice oder what I smell… Like lemon… what the fuck 🤣😅… she should smell like mint… but for me it is okay. See you next year 🤗

Start 25/10/2024 Harvest Day 74 - 06/01/2025 92 cm jet fuel was the taller No flush, flawless finish 2 ml a week an half before harvest then just watering with pH 8. Smelling exactly as described in Sweet Seeds site, a fruits explosion, special thanks! They sent me a lot of free stuff Thanks! Also thanks to Grow Diaries as my best professor ever...and obviously all of you sharing your magic experience, see ya next two weeks maybe

Loving da terps on this squaty lil thing not loving da leaf 2 bud ratio goin on like mad leaves over lapin tight in bud sights a (blue dream nightmare) i like to call it trimming or defol. Jus a pain in the dick hole yall know what I'm saying lol 😆 happy new years to many

Week 8 12/22-29: Getting close to chop day.. planning to start the “flush” soon.. Trichomes looking cloudyyyy

Erfolgreicher Grow/ernte. Würde die Melonade Runtz jeder Zeit wieder machen. Einfach zu growender Strain der wunderschön aussieht!

Week 5 And the banana purple punch and the gorilla cookies are flowering nicely. The strawberry banana is a little bit behind but starting flower now.

I’m overjoyed with the phenos this strain is producing, strong vibrant purples with some serious flavour profiles! Scent Profiles we have: Candy Lemon Sherbet 🍬🍋 Sweet & Piney Diesel 🍭🌲⛽️ Sweet & Tangy Tropical Punch 🏝️🥊 Alongside this, these beauties are the frostiest and the most insanely dense koala looking nugs I’ve ever produced!

MIMOSA ZKITTLEZ FF / GANJA FARMER WEEK #8 OVERALL WEEK #7 VEG This week she is growing like a weed!! Lol She's a big girl that just keeps growing she's looking good with many tops another good week of growth worth this lady!! Stay Growing!! Thank you for stopping by and taking a look it's much appreciated!! Thank you GANJA FARMER!! FOOP.COM BUDTRAINER.COM MIMOSA ZKITTLEZ FF / GANJA FARMER