Same as my other Wizard Trees grow, very slow germination in 22c: "After 48h and putting the seeds on the top of my Sanlight with a black towel to get the heat, she popped out and 4 days later she came out of the soil. I really had to add heat to her because I was seeing no Germination at 22c." After she popped from soil she seems also very healthy and this one specifically seems to be hungry to grow fast. But this will be a long vegetation of almost 8 weeks...

WELL three days in on week 11 look good no issues yet multiple buds forming and net is way to full but will see cut back on nutrient strength seems all good no yellow tops gone nice and green again I did a small prineva sobeys bag full again the ole guy next door loves me he makes butter or some crap out of it from his cancer not sure what else to add still on feed water schedule thinking on trying some black strap molasses towards the end everyhthing i read on it is good

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Week 9 for Amnesia Zkittlez by fastbuds Buds really starting to bulk up now really was worried about this strain with how thin she was but now that's changing😎 Shes handling the 35 degrees sun like a boss as well😁 Quite surprising how little water these girls drink... still only got fed once this week with a bit of (WCA) Water Soluble Calcium & (FFJ) Fermented fruit juice for its last few weeks of life now. Got a few yellow leaves after feeding the WCA wonder if its related...

******************************************** Week 5 Veg. ******************************************** Light cycle=18/6 Light Power=120w 50% Extractor controller settings High temp= Day 25c, Night 20c Low temp= c Temp step=0c High Rh= Day 58%, Night 62% Low Rh= % Rh step=0% Speed max=9 Speed min=2 Smart controller settings (during lights on). Lights on=4.00am Top fan on=+23.5c Top fan off=-23.0c Dehumidifier on= +60% Dehumidifier off= -55% Smart controller settings (during lights off). Lights off=10.00pm VPD aim=0.6-1.3 DLI aim=30-40 EC aim=0.2-2.0 PH aim=6.0-6.8 NPK(26-8-17) 💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧 Method= Autofeed 6 drippers. Feed=Veg Nutes. Neutralise=0.1ml/L Grow=4.0ml/L Roots=0.2ml/L Silicon=1.0ml/L Calmag=1.0ml/L Volume=9L Easy Ph down= 0.125ml/L Ec=2.0 PH=6.4/6.1 Runs=13 Run times=4min (240ml each) Gap times=16min Total runtime=52mins (3.1L each) Total flowrate= 120ml/min (60ml/min each) Auto start time=5.00am Auto stop time=9.04am 💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧 ******************************************** 📅16/6/24 Sunday (day 29) 📋 Leaf tucking. Doesn't look like the 2 tallest nodes are going to do anything so I may strip them and leave the lower node on. 📅17/6/24 Monday (day 30) 📋 Looks like weather is getting warmer. 📅18/6/24 Tuesday (day 31) 📋 Defoliate some large fan leaves as they blocked all the light and everything was suffering from them and i didnt want WPM issues. Also removed top colas as they hadn't developed since topping. LST, not mega happy about this one looks weak. 📅19/6/24 Wednesday (day 32) 📋 Got feeds out of sync, this should have been a watering. 💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧 Method= automatic Feed=Nutes veg Volume=9L Ec=2.0PH=6.4/ Volume left=3.5L Volume used=5.5L (120ml/min) Volume each=2.75L (60ml/min) Runoff. Total runoff=0L Ec= PH= 💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧 📅20/6/24 Thursday (day 33) 📋 Lst very hot day. 📅21/6/24 Friday (day 34) 📋 Hot again, I'm going to have to start prepping for summer now. Defoliate 2 low fan leaves. Adjust LST. 📅22/6/24 Saturday (day 35) 📋 H=25cm D=46cm Dli=26.7Ppfd=412 💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧 Method= automatic (4 extra runs). Feed=water Volume=10L Ec=0.2 PH=6.3/6.5 (PH D=0.012ml/L) Volume left=1.5L Volume used=8.5L (120ml/min) Volume each=4.25L (60ml/min) Runoff. Total runoff=0L Ec= PH= 💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧💧 Then 0.75L manually. Total 5L water with 100ml runoff. EC 3.7 PH 5.9 ******************************************** Weekly roundup. 📋 This weeks she's had some training to spread her out and a little defoliation. Quiet a weak plant and I'm a bit disappointed in her so far. The other plant in the grow is ready for flower but this one isn't quite strong enough yet, I had been hoping to switch today or tomorrow but I'll hold off a little longer. Temps have also started to rise again with the shift in the weather. Take it easy. Back soon. ********************************************

Great week , really frosty, stalky fat plants. Hard to tell from the pics but it's only buds packed in there, strong smelling and sticky. Shorter than I like but should give a great weight for the size

: 1:🏼: 1:🏼: 1:🏼4992

En esta ocasión tenemos algunas plantas más grandes que otras, tenemos las red hot cookies miden 17 y 20 cm. Las tropicanas 15 y 20 cm y la purple punch og 16 cm. Vamos a hacer una agua con concentración de 1.35 para las grandes y de 1.2 para las que son un poco más pequeñas. Seguimos con un ph de 5.8 y se va notando ya la corrección de las carencias iniciales.

I thought i was going too hard so I brought PPM down to 246 diluted with some rain water PH to 5.8. Leaves were coming out weird not sure if it was from the fimming i did or idk...But i did go ahead and topped her on all sites that i could top and gave her a haircut to expose those sites that were lacking exposure to light from the fan leaves blocking direct contact from the lights. Tied her down to maximize all angles of light exposure. She is pretty tough from all the shit i been putting her through to not fuck up this DWC

Week 9

It is harvest day for Miss Sweet Skunk. Due to the excessive rain this week and two places of bud rot, Mother Nature forced me to take her down. 2 more weeks would have been nice but that didn't happen. If you have been following me then you know that Miss Sweet Skunk encountered a terrible misfortune. It hailed one evening and one of her two colas was broken. My husband found her damage first and taped her up and then put a wire tie around her. According to the grow diary question/answer platform, I was able to learn that we had done the right thing and changes were good that she would recover from her injury. Not only did Sweet Skunk recover, but she went onto growing at a height of 2 feet, 11 inches. That is just under 100 cm. According to Royal Queen website, "Sweet Skunk Auto seeds produce plants that grow to a very manageable height of around 60–100cm." AND even though Sweet Skunk had a broken stem, she GREW! This plant was a very tall and lanky plant. Her buds are plentiful but started out quite small. I wish I had another couple of weeks to see her reach her full potential, but that is left for another grow. For now, I am happy she survived all the weather that Mother Nature threw at her this week and it is a good day:) **The last two pictures are pictures of my indoor grow of Sweet Skunk that I did NOT record on grow diaries. However, it is a great way to compare an outdoor grow and indoor grow of the same strain. Stay turned for weigh ins.

With my 30x jeweler scope i barely see clear and it’s my first time inspecting trichomes so i hope she finishes at goal of 90%milky as in the eyes they look more clear but more attention to it i think it’s ready according to colors and fastbuds guide chart will intentionally harvest on week11 day1 (from seed) hope it’s not too early

Segunda semana a 12/12 para estas CREAM 47®️ De 35 a 46 cm aprox de altura a final de semana. Están cogiendo buen porte, olor y ya comienzan a salir preflores Hemos descartado 1 planta para incorporar el deshumidificador por la alta humedad ambiente. La solaris pro regulada al 100% potencia a 50/55 cm de distancia

🌱 Amnesia Skunk — Grow Update Week 6 From Seed · 12/12 From Seed (Early Flower / ~Week 2 Flowering Transition) Quick Recap (for new joiners) This run is 12/12 from seed, and we are now at Week 6 from seed, which places us roughly in early flower / second week of flowering transition, depending on how one prefers to count. No aggressive interventions, no forcing. This grow is based on observation, leaf positioning, and letting the plant express herself naturally. Amnesia Skunk has shown: • Strong vertical intent • Beautiful internodal spacing • A structure that responds extremely well to simple leaf bending She is clearly in flower mode now and transitioning smoothly. ⸻ 🌡️ Environment Update (and Why It Matters) • Day temperature: ~28°C • Humidity: ~65% Outside temperatures are still on the cooler side, but inside the room things have shifted naturally. As plant mass increased, lighting intensity was raised, and under-canopy lighting was introduced, the room itself became a stable heat source. This allowed us to raise temperatures without adding external heating or forcing conditions. This balance is important because it keeps plant metabolism active but relaxed, especially during early flower. VPD Perspective At ~28°C and ~65% RH, we are sitting in a comfortable early-flower VPD range, supporting: • Active transpiration • Nutrient mobility • Strong gas exchange Nothing extreme, nothing restrictive. ⸻ 💡 Lighting & Atmosphere (Why These Numbers Work) • PPFD: ~600–850 (depending on plant size and position) • CO₂: ~900 ppm The PPFD range allows: • Smaller or lower sites to stay productive • Taller tops to push without stress This avoids the classic mistake of lighting only for the tops and forgetting the rest of the plant. CO₂ at ~900 ppm is intentionally moderate, not excessive. At this stage, it supports: • Faster carbon assimilation • Better light-use efficiency • No need to overfeed to “match” the CO₂ Everything stays balanced. ⸻ 🌬️ Airflow Strategy (This Is Not Random) • Vortex extraction • Cross-winds with multiple fans • Constant, gentle movement across the canopy The goal here is movement, not wind. Vortex extraction keeps fresh air cycling efficiently, while cross-winds prevent: • Microclimates • Stagnant humidity pockets • Weak stem development Leaves move gently, stems strengthen naturally, and flowers stay dry and comfortable as they form. Fresh air, no stress, no stagnation. ⸻ 💧 Feeding & Nutrition Strategy (Why the Change Now) • EC: 2.4 • pH: 6.5 This week marks a clear nutritional transition, guided by plant signals rather than calendar dates. Why pH 6.0+ from now on? As plants enter flower, nutrient uptake priorities shift: • Less focus on pure vegetative nitrogen pathways • More demand for elements tied to flower formation, enzyme activity, and energy transfer A slightly higher pH improves availability and balance of these elements in soil-based systems. The plant is clearly asking for it — posture, color, and growth rate all confirm this. ⸻ 🌱 Nutrient Change Explained • Removed: Terra Grow • Introduced: Terra Bloom — 5 ml/L Why remove Terra Grow now? Terra Grow is nitrogen-forward, designed to push vegetative mass. At this stage, excess veg-driven nitrogen can: • Delay flower focus • Encourage unnecessary leaf production • Blur the plant’s hormonal transition Why introduce Terra Bloom now? Terra Bloom supports: • Flower site development • Structural energy needs • Balanced nutrition without over-pushing foliage This is not a shock change. It’s a handover, and the plant is responding cleanly. ⸻ 🌿 Plant Structure, Leaf Work & Expression Amnesia Skunk continues to show excellent structure. • Leaf bending is the primary training method • No topping chaos, no forced stress • Just guiding light and space This method has: • Opened the canopy naturally • Preserved apical dominance while improving lateral exposure • Allowed the plant to stay confident and upright A few fan leaves were removed during photography — not as a defoliation event, but because they were funky, expressive, and worth documenting. Those leaves tell a story: • Healthy venation • Strong turgor • No deficiency signals • No toxicity They reflect a plant that is fed, lit, and aired correctly. ⸻ 🔮 What to Expect Next Expect: • Continued flower site stacking • Gradual stretch control through posture, not force • Increasing resin activity as flower identity locks in Do NOT expect: • Aggressive defoliation • Sudden stress techniques • Chasing numbers for the sake of charts This run stays calm. The plant leads, we follow. ⸻ 🙏 Final Words Thank you to: • Newcomers discovering this diary • Old souls following quietly • The curious, the critical, the supportive • Genetics, gear, sponsors • And the community as a whole It’s genuinely a privilege to share this space and this process. Amnesia Skunk is doing her thing — and she’s doing it beautifully. More soon 🌱✨ FOR DISCOUNT CODES AND MORE JUST FOLLOW THE LINK https://website.beacons.ai/dogdoctorofficial 📲 Don’t forget to Subscribe and follow me on Instagram and YouTube @DogDoctorOfficial for exclusive content, real-time updates, and behind-the-scenes magic. We’ve got so much more coming, including transplanting and all the amazing techniques that go along with it. You won’t want to miss it.GrowDiaries Journal: https://growdiaries.com/grower/dogdoctorofficial Instagram: https://www.instagram.com/dogdoctorofficial/ YouTube: https://www.youtube.com/@dogdoctorofficial ⸻ Explore the Gear that Powers My Grow If you’re curious about the tech I’m using, check out these links: 🔆 Lighting & Environmental Control • Future of Grow — Advanced LED lighting technology https://www.futureofgrow.com/ DISCOUNT CODE: DOG20 • Lumiflora — Under-canopy LED lighting https://lumiflorade.com/ • TrollMaster — Environmental controllers and automation gear (past collaboration) ⸻ Genetics • Zamnesia Seeds — Genetics used in this project https://www.zamnesia.com/ ⸻ 🌱 Soil, Substrates, Boosters & Root Support • Plagron — Substrates, bio mixes, and supportive products https://plagron.com/en/ ⸻ 🎒 Storage, Curing & Preservation • Grove Bags — Curing and storage solutions https://grovebags.com/ ⸻ 📸 Photography Equipment & Tools (Not sponsors, but part of my creative toolkit) • Sony A6700 • Sony full-frame macro lens + few more • Stacking photography workflow - learning • iPhone (for behind-the-scenes shots) We’ve got much more coming as we move through the grow cycles. Trust me, you won’t want to miss the next steps, let’s push the boundaries of indoor horticulture together! As always, this is shared for educational purposes, aiming to spread understanding and appreciation for this plant. Let’s celebrate it responsibly and continue to learn and grow together. With true love comes happiness. Always believe in yourself, and always do things expecting nothing and with an open heart. Be a giver, and the universe will give back in ways you could never imagine. 💚 Growers love to all 💚 📸 P.S. – The Eye Behind the Lens All photos in this diary (for now — except for the ones showing the camera, which I took with an iPhone) are taken with a Sony A6700 paired with a Sony full-frame macro lens and a few more. Photography is part of the story — it’s how we share the fine textures, the glow, and the quiet details that words can’t always capture. I’ve also started experimenting with photo stacking — a technique where multiple images, each taken at a slightly different focus point, are layered together to create one perfectly sharp image from front to back. It’s not digital enhancement or AI; it’s pure photography — a way to reveal the plant’s beauty in microscopic depth, from trichome to petal. You’ll even see a few shots of "ghost me" capturing the shots — camera, lens, setup — because every grow deserves not just to be cultivated, but documented like art. FOR DISCOUNT CODES AND MORE JUST FOLLOW THE LINK https://website.beacons.ai/dogdoctorofficial NEW DISCORD - Official Server Invite Link : https://discord.gg/ksjAkA5T74

It's time. The trichomes have clouded over, a milky haze obscuring the clear heads. The smell is faint. Very herby of thyme and salvia. The buds are small and round.

Inizio nuovo ciclo Giovedì 26 settembre 2024 Aggiungo 75 lt acqua osmosi inversa ec 146 ph 9 Aggiungo tutti I nutrienti ottenendo ec 908 ph 6.5

2000 ml alle 2 Tage pH-Wert: 6,1 EC-Wert: 1,2 Temperatur: 22ºC Luftfeuchtigkeit 62% Schädlingsbekämpfung: PPFD: 500 µmol/m²/s DLI: 33 Düngemittel: Mineralischer Dünger 3.5-6-6 PK 13/14 Besonderheiten: Wurden direkt in die erde gepflanzt in einer Kokos-Quelltabletten. -Tag 85 Wir haben mit dem Flusch begonnen, So wie es aussieht sind es noch so 10 bis 15 Tage bis zur ernte. Wir haben die Trichome kontrolliert und es sind schon einige Milchig aber es gibt noch viele Durchsichtige. 😍 -Tag 87 Sie hat heute wieder Wasser bekommen und die Härchen sind Brauner geworden. Der Duft nimmt auch immer mehr zu und wir sind schon sehr gespannt wie sie wird 😝

I think they got one more week left