Checkout my Instagram @smallbudz to see the Small budget grow setup for indoor use, low watt, low heat, low noise, step by step. 25/10/2019 - First feed I gave her 0.25ml on 250ml of water of Biobizz-Grow, with 6.5ph. 26/10/2019 - Leafs looking a bit crooked, and some pale spot lets hope its not fungus. (gave her 100ml of just PH 6.5 water) 27/10/2019 - Feeding day, gave her 250ml water with 0.25ml Biobizz Grow, 6.4PH (changed feeding to once every 2 days with a plain water interval) 28/10/2019 - Started LST 30/10/2019 - Feeding day, gave her 250ml water with 0.25ml of each Biobizz - Grow,Bloom and Max, 6.3PH, added carbon filter and it raised the temps to 29c 31/10/2019 - A tad too much of nuts, little burn tip. (Sensi Seeds warned me but I still goofed it)

Day 65 - Pics/Vids..... Everything looks good......stress bent them into position and defoliated ..... lots of flowering now..... ..... hadn't actually measured them for awhile, and updated the height, 44 cm .... tested out the lights higher, 40cm away, and seemed to slow down growth... so moved em back, 20-25cm... watering is the same, bottom saucer feeding, 850-1000 ppm dutch master one flower 5-8ml/lt.... actually using about 12-15ml / 1.8l....... Day 70 (10 wks) - Pulled em both out of tent, flushed em and trimmed em abit, took some pics/vids in the sunshine. ...... the soil started smelling bad, - stale, moldy, damp, soil smell..... so i did a full flush out on both.... noticed afew gnats, been afew since the start, but haven't really been many.... i'm going to try out a UV bulb, and also a usb uv led bug trap ..... just ordered them.... posted a pic of both... see if they are any good..... 😎

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Used too much bloom nutes and some top leaves were starting to yellow so I flushed and have Been gentle since Few days later it was t from nutrients it could actually use a little more the lights I have were putting 1700-1800 ppfd on top canopy and was cooking my leaves I lowered the plant so it would get 1200 ppfd on top and it’s back to normal

Alls been good flushed 2 plants and chopped them also got new feed so letting 1 go a bit longer think I'm seeing a resin gland appearing on a bud but not sure yet,I'll let use know the overall weight at the end

Week 2 and the girls are looking more yellow and funky than I like. I'm pretty sure my soil is just way too hot. I tried flushing it through, but that just seemed to lead to general overwatering issues. I'm planning on transplanting to larger pots with more neutral soil this weekend and hope that will help straighten things out.

Hi liebe growmies die Woche lief auch wieder gut das letzte mal für diesen Grow gab es Nährstoffe Anfang der Woche in Form von pk compost Tee von Bio tabs ansonsten war nur zu gucken und einmal am Ende der Woche reines Wasser ab jetzt gibt es auch nur noch Wasser denke mal das ich 2 wochen fertig bin und die angegeben Zeiten von Green house hin hauen werden. Bin echt begeistert was Bio tabs so leisten kann und werde definitiv einen nächsten Durchgang mit der Nährstoff Linie fahren um zu erfahren ob die Ergebnisse konstant auch auf anderen strain's funktionieren aber wie gesagt bin zufrieden mit dem was ich sehe und riechen kann. Euch noch ne schöne Woche und fette Glitzer Kugeln an euren Pflanzen wünsche ich euch. Bis dahin und bis nächste Woche ihr growmies und grow Kollegen

Hi there, We have definitely seen some good growth since last update. Patient and the longer veg period paid off as many bud sites appeared. I mean 4 plants filled the whole 120*120 tent. Genetic traits are starting to show. Marshmallow Og has thicker stems and has grown taller during the stretch while Candystore RBX is a much darker green has a medium-long internode spacing. It was necessary to use a plant trolley to lift the Candystore for a uniform canopy level. The tallest Candystore is 67cm, Marshmallow 73cm. On day 21 after the switch to 12, I took off a bunch of leaves to get more light on the lower nodes. At first I was afraid I had gone a little too far because I had also done an aggressive lollipoping on these girls. Next week we'll see how offended they are haha. They became hungrier and we started supplementing their watering with the Booster. The above mentioned units except the Silica are grams not ml. They drink like 5 litres every four days. Running the light on 80% , 44 cm above the canopy. Par.: 540-770 Ppfd Vpd.:1,05-1,2kpa. Happy with how everything looks, until next time.🌱🌞

Incredible colors dank sour strawberryis the smell tricomes are massive on this genetic and tones of them she is hardy and turns pretty colors during the cold can't wait for harvest med man Dan 420

Rc#1 has started its flushing today for about a week and half before the snip. Rc#2 has picked up the pace now and will go on longer than rc#1 has. Rest of the tent is coming along nicely. All the plants are on full nutes other than rc#1. Both of the girls have had heavy defoliation. Looking forward to see how it tastes. 16.03.20 RC#1 had its final flush last night of around 12 litres of water. 80% of the trichomes are cloudy. Once the pot is pretty much dried (4days) I'll be throwing her into dark for 36hours before harvest. I'll be sure to get some good pics in the natural light before and after the chop. All branches look like they can barely hold the weight of the buds now, few branches have been supported with cable ties off of the main stem. Sugar leaves are turning a nice purple. I guessing roughly 4-5oz dried. Week 10 coming this week....

22/11/21 thanks to the grow diary community realised there was a slight over watering issue and nitrogen toxicity. Have lowered the bio grow to 0.5ml per litre and introduced 0.5ml bio bloom as will start flowering period next week. defoliated the plants on the bottom branches to promote growth of the higher ones. Will now only water once every 3 days not every other day. 350ml of filtered water. - Lights are at 80% brightness for final week of veg. 25/11/21 defoliated largest fan leaves near the base of the plants - bud sites are appearing in light green

5.20.25. 3rd week of flower! Plant is starting to fill in nice after rough start and being stressed out! Putting on nice new healthy growth! Watering everyday about 3/4 gallon! Thanks for checking out !

The Bananas are hanging! Stay tuned!

I can tell you that it's rare but this variety smell so so so strong my god the odor pass though wall you can smell it from 50 meters around 😯unreal 😂😋

Va un poco lento el engrosamiento de esos cogollos, pero la planta se ve bien en general, pudo haber estado mejor si hubiera recibido más luz creo yo, pero huele delicioso 😋 y tiene unos colores hermosos, ya quiero ver el resultado final 🌱

Сорт однозначно рекомендую к выращиванию, стойкий и сильный, растет без проблем 😉 Дальше хочу попробовать вырастить два куста этого сорта в горшках по 3 литра, один будет расти без всяких вмешательств, второй будет с LST Всем спасибо и удачи 🍀 ✊