Well the suns been out the last few days and the girls are loving it. I think I’ll start flush although it’s a little early for some others are ready. So a one or two week flush and then we are done. After that I’ll chop as each one is ready.

purple budz

Updating pics, diary to follow...

Lemon Cherry Cookies and Purple Lemonade looking not healty at all. But the Buds are quiete impressive Gorilla Cookies almost reached my light, was thinking about bend her 90° at the top main Bud (HST), but decided against. just let it grow👽👻

09/02/2019 Week 2of flowering let the fun begin!

Will update properly when it's all dried/cured

D50. The start of the fourth week of flower, and she is just doing her thing without much attention from me. She drank close to one-quarter of the reservoir in one day, so I expect to fill it again later this week. ------------------------------ D52. I've started removing some LST wires and removed a couple of leaves to increase air circulation. That's about it. ------------------------------ D54. I’m at Spannabis in Barcelona, so there is no plant news today. Completely mad here, though. There are loads of seed banks, many other vendors, and tons of people. Officially there’s no smoking allowed, but… there’s smoking EVERYWHERE, lol Heading back to the madness tomorrow. ------------------------------ D56. I literally came back home from Spannabis only a few minutes ago. The plant looks good and there's nothing to report. ------------------------------

Week 4 day 2 since i start germination, and i think they are evolving quite ok. CS1 is for now the queen in all aspects, shes the stronger, the most beautiful formation with no problems what so ever , CS2 is following and CS 3 also but with mutant leaves all over her, i will however keep giving her love and dedication, mb in the end she compensate with some beautiful flowers 🤞 As for the Tropicannas, TP2 its an amazing girl, no mutations and growing as it should, TP1 is recovering fast from her accident 😅🤞 and she is on the way to become a strong and beautiful girl. They are adapting super well to the new ligth 😅 one less solution to find 👌 Day 27 veg And I’ve been kind off busy, sorry i miss 2 days of updates, but between this 5 girls, my veg room and harvesting my flower run, time only stretches so much since one still have a life beyond the love gardens 😅 but non or less here we are and they look fantastic 🤩😆 all showing strong genetics and i thing i will have different phenotypes on the Chocolate department lets see😁 so far the strongest CS still is number one and number three still mutating her self from day one 😆 but she will take all my love till the end ( we never know ) on the Tropicana department, both looking amazing, number one completely recovered from the led accident 😅 end growing in a way t hat i start to think that she will catch up with the rest pretty soon 🤞TP2 is now the tallest plant of them all With 16cm high 👏 Day 28 veg No updates , all going as it should 😅🤞 Little battle between Topicanna Poisen from @sweetseeds vs Chocolate Skunk from @00Seeds (just for fun) TP = Tropicana Poison CS = Chocolate Skunk All i grow is medecine for myself, nothing to sell, dont even ask !!!! Stay safe and do it with love for the love ❤️ 🙏

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Only using water now as these ladies are now on their last leg of their lives. This so far is my best grow, being my 4th grow I feel like me and my wife have become somewhat knowledgeable to what nutrient are needed as well as problems that happen, we have dealt with quite a few mistakes and this grow was much better and the plants are showing us how well we did and I thank my Wife for getting the water ready and watering the plants I cannot reach. My Youtube where I document them every couple of days https://www.youtube.com/channel/UCLUke77QwIik22amHxq6JoQ

Dry weight of quality buds was 34g. I don’t wet weigh as it’s completely pointless. Quite a lot of trim for the hash bag. Tastes great

Hey So I had to harvest a little earlier now because I'm going on vacation, so I'm done with everything 2 weeks before :) It was quite easy to grow it has a very strong smell and generally a strong effect it tastes sweet/sour/woody It is sticky and the buds are quite heavy I harvested 146.5g dry weight from a plant :))

Due to prolonged bad weather, I decided to harvest them to avoid mold and other damage. There were three of us, and it took around 6 hours to trim about 80% of both plants. I ended up with a yield of 205 grams dry per plant. I'm more than satisfied with the plants. For my first grow, I couldn't be happier.

Very fast seedling process, seeds stayed soaking for 24h and in the water they were already showing the first white root hair, another 48h in the paper towel and the day I potted them up they showed cotyledons. They took around 11 days to reach third node and complete germination but honestly I belive it could be faster if in better enviroment, mainly the humidity which was low and I transplanted them a day late. From day 5 I started feeding them exact same nutrients and ratio from the first vegetative week but starting at 0.4EC and increasing by 0.1EC/day until 1.1EC

Yeah somthing is going on. Candida and Nightingale are not happy with there newts. Well if it continues I will flush them. Orinoco is doing great.

Great Strain and Pheno for low height tents. Citruses oranges and Gass terpZ.

Emerald Fire OG Auto from Humboldt Seed Company. Took a sample last week and smoked a couple, spicy, it hits hard. Still maturing, I am getting anxious for the final product. Has a peppery smell and sweet at the end. Kind of like a peppery cucumber.

Legend Timestamp: 📅 EC - pH: ⚗️ Temp - Hum: 🌡️ Water: 🌊 Food: 🍗 pH Correction: 💧 Actions: 💼 Thoughts: 🧠 Events: 🚀 Media: 🎬 D: DAY, G: GERMINATION, V: VEGETATIVE, B: BLOOMING, R: RIPENING, D: DRYING, C: CURING ______________ 📅 D22/V18 - 07/05/24 ⚗️ EC: 0.7 pH: 5.3 🌡️ T: 22 °C H: 50% 🌊 🍗 💧 💼 🧠 🚀 🎬 1 TL video ______________ 📅 D23/V19 - 08/05/24 ⚗️ EC: 0.7 pH: 5.3 🌡️ T: 22 °C H: 50% 🌊 🍗 💧 💼 Topping and LST 🧠 🚀 🎬 1 TL video of grow and one of the topping ______________ 📅 D24/V20 - 09/05/24 ⚗️ EC: 0.9 pH: 5.4 🌡️ T: 19 °C H: 50% 🌊 🍗 💧 💼 🧠 🚀 🎬 1 TL video ______________ 📅 D25/V21 - 10/05/24 ⚗️ EC: 0.9 pH: 5.4 🌡️ T: 19 °C H: 50% 🌊 12 L 🍗 Calmag, Grow A-B, B52, Hydroguard, Rhino Skin, Bud Candy 💧 💼 🧠 🚀 🎬 1 TL video ______________ 📅 D26/V22 - 11/05/24 ⚗️ EC: 0.9 pH: 5.4 🌡️ T: 19 °C H: 50% 🌊 🍗 💧 💼 🧠 🚀 Out of Home 🎬 1 TL video ______________ 📅 D27/V23 - 12/05/24 ⚗️ EC: 1.0 pH: 5.3 🌡️ T: 20°C H: 50% 🌊 🍗 💧 💼 🧠 🚀 Out of Home 🎬 1 TL video ______________ 📅 D28/V24 - 13/05/24 ⚗️ EC: 1.0 pH: 5.2 🌡️ T: 20°C H: 50% 🌊 🍗 💧 💼 🧠 🚀 Out of Home 🎬

2024/04/26 : feeding with 1L Orgatrex&Bactrex (third flowering week from Biotabs' schedule). I bought a space booster kit and a web plant support from Secret Jardin : plant doesn't touch tent and second net will help me guide the colas and avoid defoliating for the moment. Blueberry is stretching a bit yet nothing alarming. It drank about 15L this week! I set LED to 30~38 DLI and adjusted temperatures to 26°C/19°C (I want purple! 😉).

Constantly taking leaves off all these girls. Trying to make space for those buds! These are some leafy genetics overall but some are starting to change color nicely for week six of flower! I checked some of the trichomes but they aren't close to ready so I didn't snap any pictures of those. But some good trichomes production from them. Got the UVB 310 in full effect right now at 4 hours. Will be boosting up to six tomorrow and continue to push for the next two weeks.