We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Couldn’t manage the stretching anymore ... heartbreaking but this is the end for this G14.

Good. Simple.

J'ai l'impression que mes premier culture . Tailler trés jeune et sans engrais était plus jolie

Eine Woche ist schon wieder rum und die Pflanzen stehen kurz vor der Ernte. Ich hab ihnen noch etwas Licht gegeben und jetzt stehen sie 3 Tage im Dunklen. Ich freue mich schon auf die Ergebnisse 😁

I don't know what else to say. It was fun and hopefully the cheese was my fault and not the genetics of ilgm. But hell we will see. This my be my first journal but definitely not my last. Peace

Heute nur ein mini Update. Tag 56. Temperatur bei 23-25C und eine LF von 55-60%. Die Lumatek ist 40cm entfernt und auf 100% gedimmt. ---------- Hallo liebe Community wir sind am Tag 60 angekommen. Den Mädels gehts super und die Buds entwickeln sich immer weiter und werden größer und größer. Die Bud der RS 11 hat auffällig lange Härchen - sieht beeindruckend aus. Temperatur noch bei 23-25C und die LF habe ich etwas runtergedreht und auf 50-55% gestellt. 2.5L Wasser mit Hesi Bio-Bloom bekommen sie alle 3 Tage, mit einem Ph-Wert Zwischen 5.5-6.0. Die Lumatek 200W Pro ist nun 30cm entfernt und auf 100% gedimmt. ----------- Wir sind am Tag 62 angekommen. Den Mädels gehts super! Temperatur noch bei 23-25C und die LF habe ich etwas runtergedreht und auf 50-55% gestellt. 2.5L Wasser mit Hesi Bio-Bloom bekommen sie alle 3 Tage, mit einem Ph-Wert Zwischen 5.5-6.0. Die Lumatek 200W Pro ist nun 30cm entfernt und auf 100% gedimmt.

the weather this week was bad, little sun, a lot of rain, but the girl is growing well, big and bright leaves, thick trunk :) I really hope for a good summer;) I think she can be very beautiful :).

KICKASS AUTO by KANNABIA Week #8 May 21st-28th Week # Flower This week she continues to fill in her where it counts her bud sites are getting thick and her trichomes are like sugar dust and she getting a nice little arouma about her. She's got evenly spaced bud sites that run down the stem she's in a AC INFINTY 3 gallon cloth pot feeding her nuts twice a week until run off then water every other day. Thank you for stopping by!! Stay Growing!! Kannabia.com Kickass Auto

Cruising along. Two gorilla girls are very sativa pheno and are way behind in maturation. We will see how I will handle that. Some #indica leaning phenos are maturing nice and fast. I'm reducing EC to 1.4 gradually. I think some of them will have to be on plain water next week to have them ready for harvest. Cheers everyone! Have a nice Sunday! 😎

🌱 Germination Journey with Terpyz Mutant Mentha de Croco 🌱 Hey Grow Fam! Today kicks off an exciting adventure with Terpyz Mutant Mentha de Croco genetics. I’ve got 10 regular seeds ready to sprout, and I’m looking forward to discovering some beautiful female phenotypes—and maybe even a standout male for potential future breeding. It’s been a while since I’ve worked with regular seeds, so I’m thrilled to dive in! Germination Process Overview: Here’s a step-by-step rundown of the germination setup and process, with a special focus on the equipment and nutrients that are helping these seeds thrive right from the start. Step 1: TheCannaKan Germination Pod 🌱 For germination, I rely on TheCannaKan—a device I’ve come to love and trust. It’s designed to create the perfect microclimate for seed germination, and within just 24 hours, the seeds started showing signs of life. By the 32-hour mark, they were all ready to be transferred to the next stage! I can’t recommend this gadget enough for anyone serious about getting strong, early growth from their seeds. • Why TheCannaKan? • Humidity Control: Ensures seeds stay hydrated without oversaturation. • Stable Temperature: Maintains an even temperature around the seeds, so there’s no shock or stalling. • Enhanced Oxygenation: Keeps fresh air circulating, helping prevent mold and ensuring seeds don’t suffocate. Step 2: Transfer to Root Riots & Aptus Holland Supplements 💧 Once the seeds were sprouted, I transferred them into Root Riots, known for their excellent water retention and structure that encourages strong root growth. Root Riots also have a pH-balanced, spongy texture that makes it easy for roots to penetrate, promoting sturdy, healthy root systems. At this stage, I started using Aptus Holland’s Regulator and Startbooster at 1ml/L each. Here’s why I chose these products for early growth: • Aptus Regulator (1ml/L): Helps strengthen the plants against environmental stresses by supporting cell wall structure. It’s a fantastic choice for giving young seedlings an early boost in resilience. • Aptus Startbooster (1ml/L): This product provides essential microbes and nutrients that stimulate root growth and early plant vigor. Especially for regular seeds, the early root development makes a noticeable difference in later growth stages. Step 3: Lighting with Future of Grow (FOG) LED at 200 PPFD 💡 For lighting, I’m using a Future of Grow (FOG) 600W LED. For the germination stage, I’ve dimmed it to around 200 PPFD (photosynthetic photon flux density), which provides just enough light for healthy, strong seedling growth without overwhelming them. • Why Low Intensity? • 200 PPFD ensures that young plants aren’t exposed to too much light, which could cause stress or stunting. This level of intensity is perfect for encouraging healthy development without risking “stretching.” • The FOG LED provides a balanced spectrum tailored to plant growth, setting up these young sprouts for success as they grow. Step 4: Environmental Control with TrolMaster Tent X Controller 📲 For monitoring and control, I’m using the TrolMaster Tent X Controller, which lets me dial in every aspect of the environment to make sure these little ones have the perfect conditions for germination and early growth. • TrolMaster Benefits: • Precision Control: Adjust temperature, humidity, and lighting all in one place. • Notifications: Sends updates in real-time to my device, so I can make adjustments as needed without being physically present. • Consistency: Maintains stable conditions around the clock, reducing stress on seedlings and ensuring they’re thriving. Grow Tips & Reflections: Germination is one of the most crucial stages in a plant’s lifecycle. Starting with strong genetics like Terpyz Mutant Mentha de Croco, combined with a solid germination setup and the right nutrients, creates the foundation for a successful grow. 💡 Quick Tips for Fellow Growers: • Hydration Balance: Don’t oversaturate! Moisture levels should be high enough for the seeds to sprout but not so wet that they drown. • Light Management: A low PPFD for young seedlings prevents stretch and keeps nodes tight, preparing them for a healthy vegetative phase. • Environment Consistency: Use a reliable controller like the TrolMaster Tent X to manage your settings, and consider monitoring tools for real-time adjustments. Shout Outs to the Community: Big thanks to Terpyz Genetics for these incredible seeds, Aptus Holland for their top-notch nutrients, Future of Grow for the stellar LED lights, and TrolMaster for the amazing controller. Also, shout out to all of you in the growing community—you make this journey exciting and filled with endless learning. Let’s keep growing and sharing together! That’s it for the germination update! Next up, I’ll be monitoring growth closely to identify strong females (and maybe a standout male for breeding). Stay tuned for updates on our Mutant Mentha de Croco adventure—this is just the beginning! Genetics - Mentha De Croco https://terpyz.eu/products/menta-de-croco-fern-type?_pos=1&_sid=e9237cbcb&_ss=r DogDoctorOfficial Discount Codes @ terpyz.eu - DOCTOR 15% off Nutrition - @aptusholland https://aptus-holland.com/ Led Power @ F.O.G. Future Of Grow https://www.thefuturofgrow.com/en/online-store/BLACK-SERIES-600-p489093171 Controls @ TrolMaster https://www.trolmaster.eu/tent-x As always thank you all for stopping by, for the love and for it all , this journey of mine wold just not be the same without you guys, the love and support is very much appreciloved and i fell honored with you all in my life With true love comes happiness Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so Growers Love To you All 💚

Welcome to week 3 📅 Day 15 6/21/2021 She is now feeding from the reservoir and things are going great. The micro top has almost fully recovered and the undergrowth is growing nicely. I would like to say a few words about Mars Hydro. the TS 1000 is a great light and I love the fact that the power supply is capable of being separated from the light and located outside of the tent to keep the heat down. I also like the fact that you can control the light intensity and daisy chain with another light witch is what I plan on doing. Update Day 18 6/24/2021 she is growing fast and drinking lots as I have had to top up the res. I have also put the TS 1000 at 100% and the plants love it

I seem to be improving every time -based on the quantities obtained (70g of buds +15g of leaves) 😁 - this time a marvel of smells and flavors came out 😍 the apical top is decidedly fatter than GG1 (this time I avoided messing with the pH) as well as all the other buds 😍 I don't have much experience with the various strains for now, but I definitely love this one

Day 58, 11th of November 2020: I set the lamp 15 minutes shorter to switch off earlier so she receives 11:45 of darkness. I would like to imitate the nature when longer nights come with time till the 4th week (when she will receive 13 hours darkness a day 15 minutes minus 4 times = 1hour) so every week 15 min longer darkness for 4 weeks and then back to 12/12 to have bigger buds from the 4th week.... My cute Red Mandarine. Hopefully streching stops bud sites are appearing pistils are coming out showing her sex. Good job Sweet Seeds..... Nice lady I wanna see that red colour lol Fertilization happens every 2nd day with the mix and ratio above. Let's go ;)

Hello everyone, Been busy this week working around the house so not much I can say. Heres a little video of there growing... See you guys next week

Runtz is almost done ✔️ I will cut her between Sunday and Monday Balance going good let’s see the final result… Colas are pretty nice !