BIG BIG apologies to Heather from fast buds & to Growdiaries & anyone who follows. The past few months have been a massive struggle, not just with temperatures & growing weed but on a personal level. My wife has been very poorly & with covid and everything going on, it's put a massive strain on us all!! I've tries to maintain an active presence on Instagram but that's about all I've physically had time for. I've put this update together today, so far into the grow now it almost seems pointless. I lost my original Mimosa due to high temps & high RH. Moving into the attic at that time of year was a mistake. It has cost me a small fortune to keep things alive. I've had to purchase an air con unit, more fans & just more of everything to be honest. My purple punch is almost ready to harvest, any time within the next couple of days, followed shortly by Bruce Banner & Kosher cake. I wont be winning any awards for this Diary & I feel bad as I was supposed to be show casing what 420 Fast buds has to offer & I've failed...miserably. I hope you can make sense of all the pictures I've included....just a mass photo frenzy over the past few weeks. Thanks to everyone & all your comments. Wishing you all the best. One Love ❤️

I cut another part of the girls, and the total is even greater than the first part! We wait another week for the final sums, but right now the flavor is unique.

patience with her ... she grew 16 cm in the week and began its flowering process ... it has a good color and it will be a good example ... do not remove.sun esqueje of her .. because I want to focus only on her time and space ... it measures 97 cm in total ... and I know it will give its best potential outdoors ..she also .it is fed with fishbowl water I'm happy

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Arranca la semana con una solución más cargada y las plantas atadas al limite. No puedo imaginar lo que deben ser las raíces. Pero hasta ahora la solución está siempre limpia. Los EMRO están funcionando a la perfección. Espero que empiecen a formarse bien las flores. Día 17. Empezó el engorde. El estirón frenó. Ahora voy a esperar que las flores empiecen a tomar forma para luego hacer una defoliación y el último guiado, y así dejar todas las flores con una exposición a la luz de forma pareja. Estoy bastante contento y satisfecho con lo que vengo observando. Día 20. Hice una defoliación de las hojas superiores. Cómo solamente tengo hasta 3 nudos debajo de la cabeza con flores, saqué las hojas grandes de arriba que hacían sombra a las flores bajas. De esa forma las flores de arriba desarrollan un poco más las hojas pegadas a las flores, pero no tanto como para hacer gran sombra. Y las flores del 3er nudo, se siguen alimentando de las hojas grandes que dejé. Este corte lo hice hace años en un SCROG de critical mass, y obtuve muy buenos resultados. Ahora a esperar el tan preciado engorde. Día 21. Las flores ya empiezan a ganar volumen camino a su formación. Se las ve cambiando día a día. Por el momento sólo puedo agradecer que no ha habido inconvenientes. La solución se mantiene increíblemente limpia, siendo que por el volumen y amontonamiento de raíces que debe haber en los caños, debería haber aunque sea algo. Pero las EMRO vienen haciendo su trabajo bastante bien, así que fue una excelente inversión, y bastante accesible en precio. Mañana arranca la 4ta semana. Espero que sea una semana de grandes avances.

Day 44. Some girls have a bit too much N, leaves show very light curl and some girls are still in veg/preflower mode, so for two waterings it will be phed water with light CalMag added. But anyway, all took that heavy training easy and are blooming. Now i understand in what an absurd grow i created myself, but ... a journey is a journey and i like it ! ;))) Day 45. All good in the Neibourhood ;))) Day 47. Girls got a winner pedestal ;))) had to lift some, had to leave some on the ground, had to supercrop one skyscraper , she was going to the sealings ;)) Still light N overdose curl, but only on one most running to sun strain, so it will be a challenge to feed those 5 pots with other 10 girls in them ... Oh well, hope SOMEBODY will learn ;))

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Girls were welcomed by some shower of blessing... pistils poppin out girls filling out....upcoming week start doing some clean up and pruning

Sour Diesel — The Ascension of a Legend 🙂 Week 13 | Flowering | The quiet final stretch Sour Diesel was never the easiest girl in the room. From the beginning, she was the one that lagged behind. Smaller, tighter, less vigorous, less willing to stretch into the room the way the others did. She never had the same natural momentum, never claimed the same canopy space, and for most of the run, she looked like the plant that simply got outpaced. But this is exactly why this week matters. Because despite a slower start, despite a more compact frame, despite being the smallest girl in the room, she never stopped building. She just did it differently. And now, near the end, she is showing exactly what resilience looks like in flower: a compact, dense, intensely stacked Sour Diesel with real weight, proper frost, and far more character than her size first suggested. She may not be the tallest plant in the room. She may not be the widest plant in the room. But she earned every gram she is carrying. And that deserves its moment. Small frame, full intention Sour Diesel never became a large plant structurally. She stayed shorter, tighter, and more compact from the start, which naturally put her at a disadvantage in a room where the rest of the canopy climbed higher and intercepted more direct top light. In a standard top-down setup, that usually means one thing: the lower half underperforms. Less penetration. Less useful PPFD below the crown. Less productive lower flower development. But this is exactly where the layered lighting approach changed the outcome. Because while her top canopy remained below the rest of the room, she was never truly left in the shade. The inner canopy bars and under-canopy support kept usable photons moving through the lower structure, which meant the lower sites still received enough energy to remain productive. Not equal to the top, of course—but productive enough to continue building instead of stalling. And on a smaller plant like this, that matters even more. She did not need extreme stretch. She needed access. And access changed everything. That is why this plant still developed visible lower flower mass, proper side stacking, and much better density through the mid and lower zones than a compact plant like this would usually produce under top light alone. She stayed small. But she never stopped producing. Why we are now running only water + enzymes At this stage, the job is no longer to push growth. The structure is built. The flowers are formed. The plant has already done the heavy lifting. Now the goal is not to feed harder. The goal is to finish cleaner. From here forward, Sour Diesel is running on plain water and enzymes only. That means no more base nutrients, no more bloom push, no more unnecessary inputs—just hydration, biology, and a clean finish. And at this point in flower, that makes sense for several reasons. 1. The plant no longer needs to be pushed Late flower is not the time to force new production. The plant is no longer trying to build a new framework. It is finishing, ripening, and reallocating what it already holds. At this stage, overfeeding usually does not create better flowers. It more often creates excess residue, unnecessary salt accumulation, and a dirtier finish. The bulk is already there. Now we let the plant finish what it started. 2. Enzymes help clean the root zone This is where enzymes earn their place. At the end of the cycle, enzymes help break down leftover organic material, dead root matter, and residual waste in the medium. That helps keep the rhizosphere active, reduces unnecessary buildup, and keeps the root zone cleaner during the final stretch. The goal here is not “feeding” in the classic sense. It is maintenance. Cleanup. Biological support. We are not trying to push more into the pot. We are trying to help the system finish clean. 3. We reuse this soil This matters. Because this medium is not being treated like disposable substrate. It will be reused, and what is left in it matters. By finishing lighter and keeping enzymes in play, we are not just thinking about this harvest—we are also thinking about the biological life left behind in the soil after harvest, and how that soil transitions into its next job outdoors. Instead of ending with a heavily loaded, overly salted medium, we finish cleaner, keep the biology more intact, and make that transition back into living use much easier. That matters now. And it matters later. Why the light is also being reduced now This is another late-flower adjustment that often gets overlooked. At this stage, they do not need the same intensity they needed during peak production. Earlier in flower, stronger PPFD made sense because the plant was actively building mass, driving expansion, and converting light into structural output. Now the job is different. Now we are finishing ripeness, not chasing stretch or bulk. So light intensity is being reduced accordingly. Not because the plant is “done” —but because she no longer needs to be pushed like she is still in peak construction mode. Softer finishing light helps reduce unnecessary stress in late flower, lowers excess demand, and better matches what the plant is actually doing now: ripening, maturing, and closing. Less push. More finish. What to watch now: trichomes, calyx, pistils, fade This is the week where patience matters more than feeding. Not every sign of maturity happens at once, and not every visible change means harvest is immediate. This is where people rush. Do not harvest because one sign changed. Harvest when the plant begins aligning across multiple signals. That is what matters now. Trichomes Trichomes are still the clearest indicator of maturity, but they need to be read correctly. What we are watching now is the shift from clear → cloudy, followed by the first meaningful amber development. * Clear = still immature * Cloudy / milky = peak cannabinoid maturity * Amber = oxidation / deeper ripening The goal is not “amber everywhere.” The goal is a mature field. We want the majority developed, mostly cloudy, with the first real amber appearing in context—not isolated, not on sugar leaves, and not misread from damaged tissue. Sugar leaf trichomes mature faster and are not the best harvest reference. Watch the calyx heads. That is where the real read is. Calyx swell This is one of the most overlooked end-of-flower signs. The calyx is what we want to watch now. As the plant finishes, the calyxes swell, stack tighter, and begin to look fuller, rounder, and more pressurized. That final inflation is one of the clearest visual signs that the flower is actually finishing. This is where the “weight” often really appears. Not because the plant suddenly grows more structure, but because the flower tightens and finishes filling itself in. Pistils / white hairs White hairs are useful, but only in context. Fresh white pistils still mean the plant is actively expressing new growth. Darkening pistils suggest progression. Receding pistils suggest maturity. But pistils alone are not a harvest signal. Some plants throw fresh hairs late. Some oxidize early. Some mislead entirely. Watch them—but do not trust them alone. Leaf fade Late flower fade is expected now. As the plant winds down, it naturally begins reallocating internal resources, and leaf color starts to shift with it. Greens soften. Some leaves pale. Some yellow. Some lose intensity. Some anthocyanin expression may begin to show depending on environment and genetics. This is normal. Late flower should look like a plant reaching completion, not like a plant still trying to look vegetative. The goal now is not perfect green. The goal is proper finish. What to expect next week Expect ripening. Expect more calyx swelling. Expect more pistils to darken and recede. Expect more visible fade. Expect aroma to deepen. Expect the plant to look less “fresh” and more finished. That is what you want. Do not expect explosive new growth. Do not expect dramatic stretch. Do not expect massive visual change overnight. The final week is rarely about expansion. It is about refinement. Less building. More finishing. And Sour Diesel is finally entering that part beautifully. Thank you for being here And before she closes, thank you. To Zamnesia for the genetics. To Plagron for the support. To Grow Diaries for the platform. To everyone following since day one. To the old heads who have been here for years. To the new faces who just arrived. To the growers watching quietly. To the ones learning. To the ones sharing. To the ones supporting. To the ones questioning. To the lovers. To the critics. To the long-time supporters. To the silent observers. Thank you for being here. For watching the process. For following the work. For caring enough to pay attention. Sour Diesel may have been the smallest girl in the room— but she still made sure she would be remembered. 📡 DELETED @ 1K Please stay tuned.we never quit https://www.youtube.com/@TheDogDoctorOfficial NEW 🙏 Thank you for your patience and continued support. FOR DISCOUNT CODES AND MORE JUST FOLLOW THE LINK https://website.beacons.ai/dogdoctorofficial 📲 Don’t forget to Subscribe and follow me on Instagram and YouTube @DogDoctorOfficial for exclusive content, real-time updates, and behind-the-scenes magic. We’ve got so much more coming, including transplanting and all the amazing techniques that go along with it. You won’t want to miss it. GrowDiaries Journal: https://growdiaries.com/grower/dogdoctorofficial Instagram: https://www.instagram.com/dogdoctorofficial/ YouTube: https://www.youtube.com/@dogdoctorofficial Deleted by Youtube - https://www.youtube.com/@TheDogDoctorOfficial NEW Vimeo : https://vimeo.com/dogdoctorofficial Under construction stay tuned ⸻ Explore the Gear that Powers My Grow If you’re curious about the tech I’m using, check out these links: 🔆 Lighting & Environmental Control • Future of Grow — Advanced LED lighting technology https://www.futureofgrow.com/ DISCOUNT CODE: DOG20 • Lumiflora — Under-canopy LED lighting https://lumiflorade.com/ • TrollMaster — Environmental controllers and automation gear (past collaboration) ⸻ Genetics • Zamnesia Seeds — Genetics used in this project https://www.zamnesia.com/ ⸻ 🌱 Soil, Substrates, Boosters & Root Support • Plagron — Substrates, bio mixes, and supportive products https://plagron.com/en/ ⸻ 🎒 Storage, Curing & Preservation • Grove Bags — Curing and storage solutions https://grovebags.com/ ⸻ 📸 Photography Equipment & Tools (Not sponsors, but part of my creative toolkit) • Sony A6700 • Sony full-frame macro lens + few more • Stacking photography workflow - learning • iPhone (for behind-the-scenes shots) We’ve got much more coming as we move through the grow cycles. Trust me, you won’t want to miss the next steps, let’s push the boundaries of indoor horticulture together! As always, this is shared for educational purposes, aiming to spread understanding and appreciation for this plant. Let’s celebrate it responsibly and continue to learn and grow together. With true love comes happiness. Always believe in yourself, and always do things expecting nothing and with an open heart. Be a giver, and the universe will give back in ways you could never imagine. 💚 Growers love to all 💚 📸 P.S. – The Eye Behind the Lens All photos in this diary (for now — except for the ones showing the camera, which I took with an iPhone) are taken with a Sony A6700 paired with a Sony full-frame macro lens and a few more. Photography is part of the story — it’s how we share the fine textures, the glow, and the quiet details that words can’t always capture. I’ve also started experimenting with photo stacking — a technique where multiple images, each taken at a slightly different focus point, are layered together to create one perfectly sharp image from front to back. It’s not digital enhancement or AI; it’s pure photography — a way to reveal the plant’s beauty in microscopic depth, from trichome to petal. You’ll even see a few shots of "ghost me" capturing the shots — camera, lens, setup — because every grow deserves not just to be cultivated, but documented like art. FOR DISCOUNT CODES AND MORE JUST FOLLOW THE LINK https://website.beacons.ai/dogdoctorofficial NEW DISCORD - Official Server Invite Link : https://discord.gg/ksjAkA5T74

Good weather here. The branches that show advanced signs of multiple nutes deficiencies (N + K) are almost ripen, I consider this as phisiologic signs of age, the others are perfectly normal but immature. Maybe this is due to the rose roots near the plant that are sucking nutrients. As she has lost apical dominance the buds are very omogeneus, big, fat, frosty. Lots of thin pistils. Found 4 little spots of bud rot promptly removed. This issue is related only to the partially shaded side of the plant til now, not good. Gotta lay with her for the next week, divorce is around the corner. Mayor defoliation on Sunday. Last nutrients on Monday. Now the whole sun is for her but only for three days, ripen or not I'll crop her the next Sunday as a rainy and cold week is coming and this fucking plant is prone to bud rot and couldn't survive under the tent. Damned plant. I have no more room to dry weed, everything in my home smell of weed, my family too. Special Kush is still drying...

LST this week. Bout to flower.

420Fastbuds FBT2311/Week5 What up grow fam. Sorry for the late weekly update but was having some technical difficulties. This week has been eventful to say the least. My heater went out letting my Temps drop to high 40'f for a night or two and wow did the plants tell me they're angry. Definitely starting to bounce back but just goes to show the reselants of Fastbuds genetics. I lollipoped and did one more defoliation this week so hopefully flower stage will be smooth sailing. All in all Happy Growing

What's happening growmies, hope your well. She's a small plant but hopefully will make up for it in bud size. In full flower power mode now so I'll adjust the nutrients accordingly this week. On another note, I've started to clear my new outdoor spot, where I'll be gorilla growing 🤫😱 Thanks for stopping by as always. Please check out my other diaries and feel free to leave a like, maybe even a follow and I'll be sure to check out your diaries to. Drgreen13#6724 (discord) Stay high, stay fly, #420everyday.

Hope it’s done soon need to move a few plants out 3*3 to in 4*2 to make room

👌

Plants look great, was hoping for more of a stretch last week but still fairly happy with the plants. Day 36 - I’ll be adding a seed sprout tea this week(awaiting germination) with malted barley and corn. I’m chasing after the amino acids that will increase nutrient uptake as well make my plants more tolerant to environmental stress as I cannot fully control my heat and humidity. As per my humidity pic on 36 - there was a massive mountain fire in my city that raged out of control and burned a few establishments, houses and part of a University. My humidity remained 30-37 all. I wonder if that was the effect of the fire. Day 37 - Fire has been successfully put out by this morning and humidity is back to where it needs to be. The plants look great today although of heat and low humidity of yesterday. Seems like the very resilient now and will be pushing the plants here on out Gave the plants a light water (500ml with full kelphos dose(2.5ml per 500ml) today as with the heat and how thirsty they are, I’m sure they will be ready for another water tomorrow. hoping the barley seeds sprout overnight for a lovely 420 treat for the girls tomorrow. Really excited by about LP#1 which has about 7-8 tops - my money is on this plant to be the top yielded of my tent🎰 Day 38 - humidity and temp is perfect 29* high and an average humidity of 48-50. Fed my plants a Seed Sprout Tea with recipe below. 1. Rinse and washed seeds (barely and corn) 2. Place in a paper towel after 24 hour soak in dechlorinated water. 3. Store in a warm dark area for germination. 4. Once germinated, blended up and diluted in water for final product. I added 1 part SST, 9 parts water Day 39 - plants have responded well to SST, and humidity climbing to high 50s, tough to regulate humidity without any AC and humidifier but hopefully with the amino acids I have just fed the girls, the nutrient uptake will remain optimal. White residue- it was only found in areas where water could be stored on leaves eg. Where stem meets leaf, in the center of the leaves and came off very easy with a light dry rub even. I removed the leaves anyway in case of a fungi problem such as Powdery Mildew Day 40 - plants responded well to SST and continuing to stretch. The buds look amazing and only in 2 week flower. These fastbuds continues to amaze me Happy Earth Day to all organic growers out there🌍 Day 41 - adjusted the plants to make more room for them to grow. The strawberry pie in the top right was late to surface to about 2-3 days but starting to fill out now

noice.

Здравствуйте За эти дни ни каких изменений не было. Девочка растет хорошо. Еще не определился со временем перевода на цвет. Хочу чтоб боковые подросли немного. Единственное что меня беспокоит, это то что свет отключали три дня подряд. Во вторник не было света 5 часов, в среду не было света 40 минут, а вчера 4 часа. Как мне сказали было какое то повреждение в кабеле. Надеюсь это ни как не скажется на моей девочки и она не поменяет пол)))) Хотел добавить информации о свете. Большая лампа 3500K, маленькая 5000K, мощность стоит на 50%. На цвет добавлю еще одну большую или на 3500K, или на 3000K. Полил ( 786 ppm) -3л Carboload - 2мл/л 36 день веги Полил ( 702ppm )- 3л Carboload - 2мл/л; B-52 - 2мл/л 38 день веги Видео бонус:)) моего прошлого грова. Сорт называется The New Feminised от компании Humboldt. Сорт очень не плохой, шишки не большие но очень плотные. Недостатком этого сорта я бы назвал нестабильную генетику. То есть, из купленных в одно и тоже время, и в одном и том же банке семян, были получены как очень хорошие растения, так и очень плохие. Не смотря на это, в будущем я с удовольствием еще раз их приобрету обязательно. Кстати, вы заметили кольца(хамуты) на стебле, они были сделаны за 3-4 недели до сбора урожая. Кто бы что не говорил, кольцевание работает. Следующие фотки и отчет думаю сделать через неделю. Раньше не вижу смысла.

Any questions just ask away guys 👍🏾