The grow is heading towards the end. This week I was feeding with 1.1 EC and yesterday I started giving only pH regulated water. I am not sure whether it is too soon, but we will see. I am planning to harvest next wednesday, if the trichomes are there. I've already vaporised some of the sugar leaves (without drying) and it tastes really amazing, the terpenes are very fruity. There is also some purple coming in this week. I actually might get my wish of purple weed fulfilled in the end:)

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Three weeks into flower and things are moving along. I defoliated some of the lower branches and spread out a few branches here and there. Other than that it's the same situation as always. Nutrients are pumping and lights are beaming. Everything is running smooth and all is well with the world. Like some namaste shit going on around here at the moment. Could very well just be the calm before the storm...

today is the harvest day.make pohot before chopping on 65 day

Noticed some wind burn 🍃 🔥 on the plant/leaves closest to the fan. Moved it and accidentally hurt the plant again. SCROG-adjustments-woes! UGGGH! Lesson learned... Once scrogged... Tough to readjust! Be extra careful. The red hairs 🌹 are showing up with some already leaning and wilting down. Really excited for them to fruit! 🍓 I am definitely growing at least two phenotypes of TD. One that is meant to be very tall and w very thinned out long leaves -- heavily sativa. And one that is the "more common" pheno. I now understand what this whole pheno-hunting term means. NOOB GROWER THOUGHTS, WEEK 8 -- This grow isn't even done and I am already thinking of my next. I've definitely bought too many seeds. And my grow space is waaay too limited. I will expand once I move to a new place.. and already have a plan for an eternal harvest. More tents 🎪, more seeds 🌱, more everything ... It's official, folks... I'm addicted to growing! And I love it!!! 😎

08/13/2019 Another rainy day. Recovering from topping and,fimming. Looking good for start of flower, soon. 08/18/2019 Did a little training.

🌱🌱🌱Comenzamos este primer cultivo, con esta hermosa cepa de FastBuds, Girl Scout Cookies Auto, germinación con ratio perfecto, 100%.🌱🌱🌱 Se utilizo método combinado de germinación, 24 horas la semilla en agua y luego se paso a un recipiente hermético plástico con toalla de papel absorbente por 32 horas a 22 grados Celsius app. Se planta la semilla con una radícula de app 1,5 a 2 cm en el sustrato Light Mix de Biobizz, mas la adición de micorrizas en el mismo lugar donde se planta la semilla (app una falange del dedo índice de distancia entre la superficie del sustrato y la semilla) Se humedece el sustrato con 150 ml app de agua declorada ph 6.2 app. 🚀Equipamiento🚀 Indoor de 60x60x159 cm y una iluminación BlackCob F320, pero en vegetación se activa solamente 1 modulo (160w) para luego a futuro en floración activar toda la potencia lumínica y aprovechar al máximo el espacio de cultivo. 👨‍🍳Nutrición👨‍🍳 Este cultivo será orgánico, con la linea Plagron completa (power roots, alga grow, alga bloom, green sensation, sugar royal y pure zym) + la adición de tricodermas liquidas de "Colectivo Científico" y utilizando la técnica de entrenamiento SCROG. Acompáñenme para ver los resultados de este hermoso desafío, un saludo cultivadores 🔥🔥🔥

#AutoBlueberry breed by #DivineSeeds #DivineSeedsSquad #DivineSeedsBreedingCompany Origin:Afghani/Thai Type:50% Indica/ 40% Sativa/ 10% Ruderalis Flowering:56 days THC:22% Harvest:400-550 g/m2 Height:110-150 cm Thier Growing under the #Growatt600w and in my #TopoLite 24×24×48 Grow Tent! I'm also using #TNBNaturals #TheEnhancer Co2 Despersal Canister and using thier Ph⬆️⬇️ for my Decolinated Tap Water! Green and Growing Up Great! She's leaving her 1st week of Veg and Stretching out into her 2nd week! She's Growing in my special blend of ProMix potting mix, a 1/2 bag of Earthworm castings and 2 light handfuls of Diatomaceous Earth mixed Up well for before transplanted! Diatomaceous Earth: Diatomaceous earth is made from the fossilized remains of tiny, aquatic organisms called diatoms. Their skeletons are made of a natural substance called silica. WHAT IS DIATOMACEOUS EARTH? In a nutshell, DE comes from the fossilised remains of small marine organisms called diatoms. Over a 30 million year period, these hard-shelled algae collected on the bottom of bodies of water, eventually forming into a type of sedimentary rock. Fast forwarding, it wasn’t until around 1836 that a German peasant Peter Kasten discovered the ivory-coloured, powdery substance while drilling a well in northern Germany. Ever since, the usefulness of DE for multiple purposes, including industrial and horticultural applications, has been well-reported. Just sprinkle some diatomaceous earth on top of your soil and watch mother nature's secret weapon work its magic.CONDITIONS THE SOIL When it comes to growing cannabis, everyone strives to provide the best soil to grow the best plants—but there’s always a way to make it even better. Making the soil a better medium is called soil conditioning, which is exactly what diatomaceous earth does. It works by improving the retention of moisture in your potting soil, holding a large amount of fluid and drying at a rate that’s much slower. This natural soil additive also helps to retain nutrients and allows for better oxygenation of the substrate. NATURALLY CONTROLS PESTS DE is an all-natural, safe-to-use substance that doesn’t harm the cannabis plant with toxic chemicals. The nature of diatomaceous earth makes it useful against most types of insect infestation you might be experiencing; and unlike chemical insecticides, insects can’t develop a resistance to the effects of DE. So once they’re gone, they’re gone for good. DE is an abrasive. and when used as an insecticide, it gradually scrapes away an insect’s exoskeleton, absorbs the fluids, and dehydrates insects and other critters to eventual death. IMPROVES PLANT STABILITY When using DE in your soil, it can be especially beneficial as it frees up nutrients so that they are made available to the plants as needed. This works via the silica content of DE being absorbed into the plant tissue, which helps improve the plant’s ability to respond and receive more nutrients as DE activates. This in turn results in greater yields and better stability under small pH fluctuations! https://divineseeds.net/ https://instagram.com/divine.seeds?igshid=osxe2v7en33v https://divineseeds.net/ Thanks Again to All my Friends, Family's, Teams, Sponsors, Followers and Subscribers!!! Your Genetics are Merry Magnificent, Mega Marvelous and Mighty Medical! Love um!!! I really Can't stress enough how Thankful and Grateful I am of All of you and what you've Shared with Us! Means the World!!! It's definitely a Pleasure being able to Grow with these Phenomenal Grow Lights! Please Enjoy! BudBrothers4-Life! Cheers Famz!!! Much Props and Much Topz!💯🔥 #Osree #GrowStarStore #Growatt #TNBNaturals #TNBTeam #GrowYourOwn #Bliss https://instagram.com/as420.ca?igshid=1f116alw054wp The Grow Bags: https://www.as420

Coming along,.. roll on next week

Week from 3/07 to 9/07 Big things, mainly repotting in a new 100L pot mixing with: •40L Coco Coir, ph 6 •60L Evergreen TS Golf, which is for lawns, ph 7 I didn’t really care to buy new soil, so I used lawn soil, composed of: -Irish moss peat (turf) -Silica -Manure All good things that help growth anyways Also added 50g of Mycorrhizae which isn't hardly enough but it’s better than nothing

To get higher temperatures I placed the growbox near the radiator, dimmer still at 25%, boiled tap water also this week, this guaranteed me an ideal for the beginning, from now on I will use mountain water which will allow me to use less fertilizer.

Week five has arrived. So far so good she is doing great and smelling dank.👌👌👌👍

Awrite troopers am shit at filling in ma diary someone seems to hav noticed ma diary’s hav sad face well Bob has a happy face happy 😃 rite troops waiting for the ladies at the bak to finish hav started to pot up the next run because a just want it started am fighting for space n am working oota wan tent so no got a veg flower system that I had before but enjoy trying new things so revenging and takin clones from flowering plants

AMAZING WEEK! The environment is reading for flowering. Lighting, feeding, watering, air temp and CO2 are all stable and should give my plants a stress free life. Humidity is still high, so I'll need to come up with a plan for dealing with that ASAP. I've introduced CO2 into the grow with my brand new AirBomz unit. It uses a light sensor that releases CO2 when the lights turn on, and then uses a timer to release every 2hrs until the light switch off. I doubt I'll reach the 1200PPM stated by the manufacturer, mainly because I'm running an extraction, but I figure some is better than none. Cool controller also included. After doing some reading I can see there's two things that I need to look out for: A) Switching off the extraction so it doesn't suck away the precious CO2 before the plants have had a chance to absorb it B) Making sure the room doesn't get too hot whilst the extraction is off, causing heat stress My solution is: A) Switch off extraction for 15mins at the AirBomz 2hr interval B) Use the Temp Controller the switch off the circulation fan when temp exceeds 27C C) Controller then switches on the active intake when temp exceeds 28C D) Temp is held at 29C whilst the extraction is off D) Extraction turns back on after 15 mins, temp drops below 27C E) Temp controller switches off active intake... F) ...And switches on the circulation fan G) Repeats every 2hrs NEXT WEEK: Work out how much the girls are drinking! I'll know when I change the reservoir.

Final de la sexta semana, corto la primera con 40 días. El resto están sacando los pelillos marrones, unas mas unas menos. Parece que falta poco, olor fuerte.

The ladies are going on 12 hours from today and Ready for massive buds can't wait to see them flowering 😍 🙌 🥦🥦🥦🥦🍀🛫👽💪

* Buds progressing good, no deficiencies except stomper #1 with burn tips , no stretch except stomper #3 the stressed one ( 👈 check week 3), SODK looking good 5 days later though. * LST stopped at day 35 ,🔅 lights still 24/7. Temps steady at 25 c° and humidity 50-60%. * Day 39 watering 1l /pot with active vera, EMs and co2 tablet. 🔅Lights 20h -> Days 38-39 Trying to control VPD, maybe 🤔 transpiration in the lasts weeks wasn't on good levels and missed some stretch.!? We ll try to understand what we missed or it's just the genetics under these circumstances! ⚠️ So Day 42 end of week 6, had low temps and high humidity later this week. As we cant check the grow tent all day except few hours per day we've missed some highs and lows of the temps and humidity but overall we were ok. After looking closely back in the dairy infos and the signs of the plants, the overall progress, our rich soil composition, early bloom phase etc, 🔜 We came out with some interesting thoughts to share with you about our meph heads organic try, stay tuned at the next update ( 1st update of week 7)⚠️ Last update--> Day 42 🔚

Started flush on plant #3. Harvested plant #2 on day 91. Trichomes were all cloudy. Plant #1 is going strong and fattening up. She’s a thirsty one too, watering every other day.