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@foxbberg
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Day 36 second day of 12/12 and no signs of flowering yet. Foliage is growing like crazy, but some could get an idea of how this is going to be a screen of green. To be exact - this will be a scrog plus four adult plants in the corners of the tent....😁. .......basically meaning : i've wasted time enough to cultivate 4 Plants 😯. Considering the experience from my last grow (rather indica-type bushy plants) i will overthink my method of scrogging for future grows. 1.) Build a frame to get a real tight netting 2.) Installing the net as soon as possible 3.) No more supercropping, LST or whatever....... only use the net to steer directions of growth 4.) Strictly remove fan-leafs, taking light from any other shoot this way i'll be able, to make better use of the shoots and branches pointig away from the center - whether mighty big sativas or small bushy indicas........ i'll have way better controll ........hopefullyšŸ˜Ž Nutrients: i'm on 50/50 growth/bloom fertilizer...... to get N down i'll fill up with bloom only during the week and leave away GROWTH completely when changing the nutrient-solution next time. Day 39 Visible signs of flowering…….. Time to give a P-Boost! Cut down N and raised P, so it should be something like 10-40-35 (N-P-K; roughly). Next week iā€˜ll switch to regular bloom-nutrition. The young ladies look wonderful. Shoots galore! Not too much of a stretch yet. Day 40 Lollypopped carefully and took some fan-leafs out the canopy. Tomorrow i'll remove weak branches from the canopy and organize my entire scrog. Now that'll still leave me with 4 trees standing in the corners........ and i made a decision: I'll cut'em!!! .....then i will try to make 'em clones and reveg them. This way i might have some pretty little plants, when spring arrivesšŸ˜Ž. Wonder wether they can produce roots fast enough to keep the entire top alive. Since this is just an experiment i'll keep it nice and easy - ill make a clean, diagonal cut and put them into a ALL ESSENTIALS-solution (0,3 g/l), then they'll have a cosy place on the floor of the tent while light's on and will move to my livingroom for the rest of the day. Either theyll show roots or die trying.... I'll let you know:-). Day 41 after getting so little N, getting the legs shaved and the hair cut, the young ladies look a bit pale.... nevertheless they drink like crazy and keep growing. Organizing the scrog was easy - now 80 of 81 squares are filled and hopefully i'll find a branch i can weave into the last one....... ROOTS!!!! there are roots reaching out of all 4 buckets into the reservoirs....... but yet the drainage seems to work........ wonder wether it will effect the water in the reservoirs....... reservoir No. 4 is way darker tha the rest........ maybe the pump didn't get the last drop when i changed solution (day 39). now it's time to let them recover a little bit and then i'll chop off their heads 😯. right now i got the idea of cooking some soil in the oven -to get it bug
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@DjHairy
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Week 12 and the plant is still going strong. It’s fading fast and plumping up. Trichroms are about 80% cloudy and 20% clear. Almost no amber. At this point I’m only giving the plant PH water. Plant still looks like it has some weight to still put on.
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Week 10 Flower — The Beauty Before the Finish This week marks a very special chapter in the Eternity Grow Cup. As we approach harvest, the garden is simply glowing with beauty. Every corner, every canopy, every branch tells a story — and this week, I’ve taken the time to slow down and capture that story as best I can through the lens of my camera. All the photos you’ll see in this update were taken with care and intention. I use my Sony camera in full manual focus mode, and I don’t just snap and go — I spend time with each plant, each angle, waiting for that perfect moment when everything aligns. These are not just photos to document — they’re my attempt to reflect the feeling of the room, the energy of the grow, and the soul of each plant. Just like with the videos, I don’t shoot randomly and decide later. I record what matters, and what I record, I use. It keeps me focused, organized, and deeply connected to the process — and I believe it helps me tell the story more clearly, whether through stills or moving pictures. All five Runtz phenos are finishing beautifully. Each one expressing unique traits, but all carrying the same stunning quality — dense, clean, colorful, resin-rich flowers that fill the room with pride. This garden is finishing spotless, and I couldn’t be happier. This week’s YouTube episode will reflect that beauty. If you’re seeing this here on GrowDiaries, I highly recommend checking it out in full 4K once it’s live — there are moments that simply can’t be translated in photos alone, even though I try my best. But for those who love the details, the full spread of pictures is right here, as always. t this point in flower, the girls are not eating — they’re just drinking clean water with nothing but System Clean in the reservoir, at a rate of 0.25 ml per liter. This is part of a gentle, prolonged flush phase I like to implement, giving the plants a chance to metabolize and fade naturally. The goal is to promote clean, vibrant flowers that finish with optimal expression, without rushing the process. No forced flush, just time and care. Lighting-wise, the spectrum has been tuned with precision — we’re currently running 40% on the whites, with reds and UVs at 100% to drive trichome development, resin production, and color expression in these final days. The plants are loving it — they’re soaking in the deeper wavelengths that signal the end of their life cycle and responding with a final push of energy. And yes — we’ve been running 11 hours of light and 13 hours of darkness from the very start of flower. It’s not the usual 12/12, and it comes with its pros and cons. On the upside, it helps speed up ripening slightly, encourages more compact flower formation, and mimics the natural seasonal decline in daylight. On the flip side, it slightly reduces the overall DLI (daily light integral), so you need to ensure your PPFD and spectrum are dialed in just right to avoid sacrificing yield. For me, the trade-off is worth it — the plants are expressing themselves beautifully, finishing strong, and packing on the final magic. Now it’s your turn — I’d love to hear from you. Which phenotype is standing out the most to you in this garden? Which one is catching your eye with its colors, its fade, its structure, or just that vibe that speaks to your soul? Is it the frost? The density? The posture? Each of these girls has her own personality, and I know many of you have been following closely — so drop a comment, let me know: which one is your favorite? Which one would you take home? This run has officially earned the Dog Doctor Official Wax-Sealed Stamp of Approval. These genetics are beautiful — expressive, vibrant, clean. It’s been a joy to grow them, and an even greater joy to share this journey with all of you. Of course, we still have the final word coming after harvest, drying, and curing — that’s when the full picture reveals itself. But until then, based on everything we’ve seen and lived in this grow… this is the real deal. To everyone following the journey — thank you. To the sponsors, the community, the silent observers, the passionate growers, the haters, the lovers — I see you all, and I appreciate every bit of energy you send. This cup has been about more than just growing. It’s been about sharing. Connecting. Creating something beautiful together. And we’re almost there. Next stop: harvest? provably yes lets see ! Growers love always šŸŒæā¤ļø DD Genetics - Runtz https://www.zamnesia.com/6000-zamnesia-seeds-runtz-feminized.html Nutrients - Plagron https://plagron.com/en/hobby - Aptus Holland https://aptus-holland.com/ Controls - Trol Master https://www.trolmaster.eu/ LED - https://www.futureofgrow.com/en LED - https://www.thinkgrowled.com Soil - https://www.promixgardening.com/en Germination - Cannakan https://cannakan.com/?srsltid=AfmBOopXr-inLXajXu3QFgKXCXXos4F1oEvScjMKIB5MR5dk8-GJ-F49 DOGDOCTOR 15% off Smoking Papers - https://ziggioriginal.com/ Terpene saver - https://grovebags.com/ As always thank you all for stopping by, for the love and for it all , this journey of mine wold just not be the same without you guys, the love and support is very much appreciloved and i fell honored with you all in my life With true love comes happiness Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so As always, this is shared for educational purposes, aiming to spread understanding and appreciation for this plant. The journey with nature is one of discovery, creativity, and respect. Let’s celebrate it responsibly and continue to learn and grow together! Growers Love To you All šŸ’š #EternityGrowCup #RuntzHunt #GrowersLove #CannabisCommunity #AptusHolland #ProMixSoil #TrolMaster #Zamnesia #Plagron #ZiggiPapers #Grovebags
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Smell extra strong when snipping some leaves down ! 6/10 Dry done Cure start
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We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to ā€œcut throughā€. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book ā€œIntervals Scales Tones and the Concert Pitch C=128 Hzā€ claims conclusive evidence that 440 Hz and raising concert pitch above scientific ā€œCā€ Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.
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@valiotoro
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Hello everyone šŸ˜Ž Week 6 of flower for the Amnesia ZkittlezšŸ­ Only 1 plant left then finitoāœ”ļø Very nice smell super sweet🤤 The buds are super stickyšŸ”„
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Dear Growers , Welcome to Week 6 or Flower week 3 // Day 42-49 from Sweet Seeds Diablos Delights Auto. Incase of Moving to a New Home . I Decided to skip 3-4 Weeks from every Diarie of the 12x12 Automatic Project . Everything should be Normal in the next Weeks . Whether you're a beginner or an expert, you are warmly invited to join, ask questions, and share your own experiences along the way! Project Setup & Conditions: • Brand/Manufacturer: Sweet • Tent: 222cmx150cmx150cm • Light: 2x 720 Watt Full Spectrum • Humidity: 50% • Soil: Narcos Organix Mix • Nutrients: Narcos Products • pH Value: 6 If you want Germinitation results like mine , check out Kannabia Seeds with my link [https://www.kannabia.com/de?ref=61966] and grab the germination device or the strains I used . Trust me – it’s worth it for sure ! Get another 20% Discount at all products using the code [GGD] at the Checkout . Stay curious and keep up Growing —we look forward to welcoming you back for the next chapter soon!
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Look at the stretch šŸ’ŖšŸ½ all the changes happing at once, I got to admit I was not expecting to see flower sites develop so early in stretch considering i only spotted pistols a day after last dairy entry, two day after that flower sites everywhere. She is incredible. I scraped back mulch layer this morning and spotted some friends. First time I’ve seen them in a while I’ve added another net just cause I’m limited to space and I’m not sure when she will stop stretching, Water is now everyday solid a little knf now and then. Other than that very little work this week, possibly will be the case from here to harvest, Until next week let’s get it šŸ’ŖšŸ½
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@valiotoro
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Let’s start with my favorite part the smell! It’s like a citrus candy dipped in diesel. The aroma grabs your nose and your throat it’s that intense! Even in a small pot, the buds came out rock hard, absolutely covered in trichomes. A truly galactic result. šŸš€šŸ”„
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Comienza la Floración el día 13/08/23 Se monta malla Scrog Se cambia el agua y la proporción de nutrientes
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@AsNoriu
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Day 43 since seed touched soil. Hard week past. Those long not drinking days when cycle was taking 8 days to dry out made damage, i still see magnesium, but now added some rusty spots and i cant understand is it calcium or my spraying of Leaf Coat and burn. No spray this week, will check if new will appear. Because of troubles i postponed flip and top up till next watering. It should be in 4-5 days. Done huge clearing, a lot new ties added. 3.5 liters of 6.3 phed dechlorinated water went in after training. Twins grow okeish, but i see some damage on them too, canopy forms very nicely tho, thin, but very well spaced. Planning to create scrog this week too. Mars Hydro TSL2000 is on 70% output, thinking to increase it with flip to 75. Light is working fine , really covers all space , great affordable light for colder climate. Day 45. Girls recovered from training very nice ! In few days flip . Day 47. Girls got top up. Put first level of scrog. Flipped to 12/12, tent is rammed ;) light output on 75%, 4 liters of 6.3 phed water went in. Top up was dosed, mixed well and laid on top, then i rough and mix top lair of soil with top up and only then i water. All pots are 30 litres ( grams and ml , have in mind ) : Ecothrive - Biosys - 5 ml / pot Ecotrive - Charge - 120 ml / pot Ecothrive - Life Cycle - 60 g. / pot Ecothrive - Bio Blend - 200 ml / pot. Think this will be my standart top up, i run out of Great White, have for one top up, will do it in 2-3 waterings seperately from all. Planning to repeat same top up at begining of week 4 of flower. Girls look better without spraying, most prob burn from too intense light, despite me giving 30-60 min of reduced to minimum after spraying. From now on - only when lights off. Will apply in few days, think Saturday. Happy Growing !!!
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1 plant was very ripe, 1 plant was almost perfect to harvest and the 3rd could take another 1-2 weeks...but it was end of 10th week of flower and i had to go on vacation, so i perhaps choped 1 plant abit too early....still awesome result!
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Day 24: Watered each plant with 0.5L with nuts 1010 ppm, 2148 us/cm, 2.1 EC Day 26: Watered each plant with 0.75L with nuts 1045 ppm, 2223 us/cm, 2.2 EC
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@Zzaps94
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Going to pull the greener 2 bubbas and the biscotti on the right Sunday and let the other ones finish up together
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hellooo growers,ā¤ļø crazy week last week, from police helicopter flying again around and near my growlocation from diffrent hights but not for 15min but more like 6 hours...That's really abnormal so we will see... and with growing last week was a heavy one because I had my first fungus gnats infestation ,(mystery where they come /came from I think some teleportation lol ) it started really slow but within couple of days it was not a couple but dozens so that was not funny, with some research I came 2the conclusion yellow sticky papers/plates and canna cure was not solving the problem but more running behind the problem.. so that was a mistake.. I read about mites and little nematodes , fascinating stuff, I know very little about them and they where a eye opener on a lot of different ways. love to learn new things.. I think the infestation did some damage in slow grow but I'm not sure because I never grew amnesia auto before and this is my second grow in total so.. but after a couple of days after I released the nematodes and mites i saw i huge diffrent in flying around gnats, and now 11-12 I only saw 2 or 3 in total last 3 days so that's great! the smell is strong already a fine sweet but strong present aroma with a hint of citrus smell, amazing... now and then I close my eyes and focus on the great smell it gives and sometimes with fascination thoughts.. 12- 12 I see already some of the girls are growing very good now so that's great to see I give the lady's all 700ppm from canna call/mag agent 20ml a 15 L or Atami callmag 20ml a 15L Canna A& b 35ml a15L rhizotonic 25ml a15L cannazyme 25ml a 15L BAC sillica power 5ml a 15L canna cure spray every 3the day lights power draw is 150watt of 480w quantom boards and the viparspectra p4000 also 150watt and the rubol Josephine 50 watt farRed cob is always on 50watt stay tuned new updates in progress! CheersšŸ¤›šŸ»ā¤ļø
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@Zig20
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More bud sites. Lil stretch.