Nothing special. Its sis in south facing solo cup smells amazing and sticky but that one is farther ahead. Gonna do just organic ferts and water see what happens im getting lazy

Week 4 and she is in the last week of training as we can see all the side colas coming out nicely. She has taken 2 lots of feed no problem and is now flowering. I think this is going to be a good plant.

It's been a wonderful journey, I'm very happy about this lady's performance, she has produced a high quality harvest, low quantity but I didn't maximice the space as good as I should, but definitely a wonderful genetic to grow, the flowrs are super sticky, full of trichomes and the smell is just the clasic amnesia smell you expect.

Most eventful thing this week was getting invaded by strayan wildlife! I left the tent open with the portable air con running just outside it cause we had a few days of 35C+ weather, was the only way to keep it cool in there. Next morning there were 20 odd flies and a skink in the tent. Took me two days to get the skink out - I was dropping water on the floor for him to drink which he seemed to appreciate, but the slippery little sucker just didn't want to be caught! Got him eventually though, he made it outside safely. :) Also FYI watching skinks wee is hilarious, both the back legs come off the ground and they do a little wiggle. The 4 Assed Monkey seemed unaffected :P Starting to get some chunk slowly!

***Note that I started to count the days when I placed the seeds between paper towels. The seeds were planted 3 days later and sprouted from the ground 2 days after being planted. D49 (12/04/2021): I bought Gaia Green power bloom 2-8-4 and top dressed the plants with 2 tbs. / gallon of medium. After showing deficiency, I felt that my plants needed more then just hen manure. I also bought shrimp compost to make proper compost tea. D54 (17/04/2021): I made a compost tea with shrimp compost, sea weed extract and phytoplankton soil enhancer. I continue to defoliate and remove leaves randomly when leaves are blocking light to bud site. Glue Gelato is amazing!😍 She's starting to bulk and her pistils are getting longer. She's also starting to have some trichomes. I'm expecting the smell to ramp up this week 👌 Banana Kush has stretch a lot and she is as tall as Glue Gelato but less bushy. Gelato is really smaller so I lifted the pot with wood block so she can get more light. It's been only few days and I can already see that she appreciate receiving more light 👍 - Light: the lights are at 100% and at 12 inch form the plants. - Temperature: during the day: 24-26C ; during the night: 19-20C. - Humidity: the humidity is maintain around 48-50% all the time. - Air circulation: There is an oscillating fan on the ground, one fixed fan pointing on top of the canopy and one fixed fan to help cool the lights. - Water: I gave water every other day or when the ground feel dry or the pots feels light. This week, I almost gave water everyday.

Pic was taken 2 days into the other week..all I can say that they are doing their thing have no complaints whatsoever....jus have to tighten up on feeding abit but results are great for the lil that's being done...have to work on increasing resin production and continue to dense up dem bugs Until next time happy growing

Veg54, riego con 6.2 pH y EC 1.5, drenaje de 2.0 EC y pH 6.3, todo ok. Las plantas ya alcanzaron entre 25~30cm, en 2 días más comenzará la pre floración. Veg56, están casi de 30 centímetros de altura, último día de vegetación, mañana entrarán a pre floración, necesitan una defoliación.

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Hello everyone, how is growing? I'm pretty happy if the results of the plants without trimming, its hard to keep the canopy even, however, I believe the final production can surprise me! Day 36 - Both plants were watered and trained.

Another strong week, opted to do some last minute defoliation just to help afew bud sites get light. Shes frosting beautifully ;)

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Gorilla cookies is extremely easy to grow, it does good all on its own, minimal trimming or training. I'd definitely recommend it as a first grow.

Sa fleuri tranquille, rien a signaler, très belle plante

Added an humidifier to keep a constant humidity level of 55% in the grow room. The temperature just outside the grow room is 10C, and even more outside is 0C!! It's a miracle I can keep a temperature over 20C inside the room ;) UPDATE: TOPPED! A nice cut just over the 3rd node. She’s still kinda small and fat, and this is because of the light that was too close to the plant last week. Now she’s 60cm far away from that. Because of the top, I gave her 2ml of Voodoo Juice to help her radicate a little bit more. Let’s see what happens!

Combined the very last week and harvest into one entry. Plants did ok other then the yellow plant or plant #3 gong hemi and pollinating the tent. I would try out their genetics again as they look descent, if I hit another hemri though I think that would be it for them. I reach out to them and asked if this was normal and got no reply. I will check the tent once its clean and free of stuff for light leaks aorund where plant #3 was to confirm it was not my environment. Plant #1 Red took it the worst. it had issues from mid flower but did not finish strong and was hurting a bit. Nice smell over all. Will be transforming all this into bubble hash with a machine I got and some bubble bags. Don't know when I'll do this but that's the plan. God about 10oz of buds 293.5g/10.48oz It was not 100% dry yet but popped it into the freezer to keep it fresh. Big shoutout to Medic Grow for sponsoring the lighting in my tent, They have provided me with 2x Mini Sun 2's in the 240w configuration, They use the v1 growing spectrum that is a all purpose seed to harvest spectrum so their is no hassle of switching it mid grow. If you're interested in learning more about Medic Grow products please visit the web link below. https://medicgrow.com/ https://growdiaries.com/grower/MedicGrowLED

All good was draping a little but just needed water and Nutrients so I watered and fed them

So the soil plants have reached the flushing stage. Hit the with the last dose of kleanse two days ago and then a big bath of straight ph water this evening. Will flush them for about another week. The plan is to cut the four soil plants down next weekend. The trichromes are all cloudy and starting to get some Amber’s. The buds especially the tops are all dense and sticky. All four plants even tho being same strain have very unique characteristics. But all have the same sticky gas smell. The frost production is pretty amazing with the cyco I was a little nervous about the bud density at first but they really packed weight in the last few weeks. The hydro plant is about a week behind but man is it big AF! It’s got as much bud as two of the soil plants easily! The roots have been kinda out of control but it will be fine with how late it is. The hydro buds already have more density I. The buds compared to where the soil plants were at this stage but so that is exciting. I have a good feeding of the flowering nutes in the res now. I’ll keep an eye on it and start flushing it here shortly as well. Hopefully the next update will be some harvest pics! Thanks for stopping by and as always cheers 🍻.

Plants are absolutely exploding out of the closet and ready to be put in the flower tent!