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Tag 77 | Blütetag 37: Die Frost-Explosion! ❄️🚀 7 Tage nach dem letzten Update hat sich das Blatt im 90x90 Zelt gewaltig gewendet im wahrsten Sinne des Wortes! Das Video von heute zeigt. Der Stretch ist endgültig vorbei, jetzt regiert der Zucker. Das Update vom Feld (Montag zu Montag): • Zapplez 2.0 (The Centerpiece): Sie hat in der letzten Woche massiv an „Frost“ zugelegt. Die dunkle Färbung bildet jetzt den perfekten Hintergrund für die weiße Trichomschicht. Ein absoluter Blickfang in der Mitte des Zelts! 🍇❄️ • Z-Vally Power: Die Buds schwellen ordentlich an. Man sieht deutlich, dass die Lichtausbeute nach dem Entlauben vor einer Woche die unteren Etagen jetzt voll befeuert. • OreoZ Milkshake: Hier ist der Name Programm. Die Harzbesetzung ist für BT 37 phänomenal. Die 30L Stofftöpfe leisten ganze Arbeit und versorgen die Damen optimal für den Endspurt. 🥛🍪 Präzision zahlt sich aus. Seit einer Woche gießen wir wieder präzise mit pH 6,0. In dieser Phase (BW 6) ist das entscheidend, damit die Nährstoffaufnahme für die Terpenbildung nicht stagniert. Das Living Roots Pro in Kombination mit der Feinjustierung lässt die Pflanzen vitaler denn je aussehen keine Mängel, nur pure Energie. Der „Forest-Floor“ Effekt Die Luftzirkulation ist trotz der dicken Kolben perfekt. Die Entscheidung, letzten Dienstag radikal zu entlauben, war genau richtig, um die RLF im Griff zu behalten, während die Blüten jetzt ihre maximale Dichte erreichen. Die Crew & Partner: 🌿 Genetik: @conscious__genetics & @positronicsseedsgermany 🤝 Support: @panova25.de & @living_roots_pro 📍 @cannacommunity.deutschland
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67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.
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Another solid week! I decided not to do a "hard" LST with these two.... I'll do some to open them up a bit but I'm going to let another grow go more naturally! They both grew a lot this week.... Chloe is 10 inches tall and Sofie is 8 inches tall... I watered them twice this week with 1.5 cups of water each time... I'll be moving them into the 4X4 flowering tent during this next week... I'm about to sow 2 Fast Buds Bruce Banner seeds... This will be the third and last grow in the start of my perpetual garden... State law dictates only 6 plants at a time... Anyways, on to another great week... cheers!!
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@SooSan
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90x60x140 (Mars Hydro) FC-E4800 (Mars Hydro) Easy2go Aquavalve5 (Autopot) Living Soil (Demetearth) Bruce Banner (PEV Seed) Gorilla GG4 (Ganja Farmer) Cream Caramel (Sweet Seed) Gorilla Gelato (Ganja Farmer) Blueberry (00 Seed) Kalini Asia (Zamnezia) Biscotti Mintz (Barney's Farm) Blackberry Cake (Sensi Seed) Amsterdam Amnesia (Dutch Passion) Gelato Cookie (Ganja Farmer) Purple OG Punch (Ganja Farmer) Sweet ZZ (RQS) Rainbow Road (Paradise Seed) Substrat ~50L: 30L Super Light Mix Biotechnologie 18L coco 2L perlite 1,7kg lombricompost 350g guano de chauve-souris 350g Zéolithe 350g Basalte 170g guano vers de farine 170g biochar 0,7g Endomychorise glomus intraradices 0,7g Bacillus Amyloliquefaciens Paillage de luzerne alfalfa Arrosage avec 2ml/L de mélasse de canne 1x par semaine Pulvérisation avec 1% d’huile de neem
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@Verbalist
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#30.8.2021 - 6th week of flowering in progress ~ it still needs another two weeks to finish. ~ 6th week - Last nutrient ramp up ~ ~ 7th week - *COMMING* ~ ~ 8th week - *HOPEFULLY HARVEST* ~ The foliage slowly finishing their lifespan. Leave tips are slightly burnt, looks like PK booster doing the job. 🥦 #1.9.2021 - Gave them first good flush to get rid of the excess Nitrogen and other unecessary stuff #2.9.2021 - Last week feed: Topmax, PK booster and sedweed/kelp extract — First test nugs were cut! 🤩🥦 #4.9.2021 - End of the 10th week — Flowering day: 45 (1-1.5 weeks more till harvest)
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24.04.2026 Ich habe eine wirklich harte Woche hinter mir, aber der Skunk geht es blendend! Sie ist nun schon richtig groß und die Blüten sind in voller Entwicklung. Später werde ich noch ein paar Fotos ergänzen, das Video schon mal vorab. Mittlerweile haben wir prächtiges Wetter, Sonne satt und schön warm, doch nachts rauscht die Temperatur auf fast 0°C ab. Die Skunk scheint es zu mögen 😅. Happy growing 🌸 💜
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Flowering day 34 since time change to 12/12 h. Hey guys :-) The buds have developed incredibly nicely this week. The smell is getting more and more extreme :-) . The growth has slowly stopped as the full energy goes into the production of the buds. Watering was done twice this week, each time with 1.2 l (nutrients see table above) They were individually inspected and checked for their health. Osmosis water for the coming week was refilled in a 100 l tank 👍. Have fun reading the diary and stay healthy 💚🙏🏻 👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼 You can buy this Nutrients at : https://greenbuzzliquids.com/en/shop/ With the discount code: Made_in_Germany you get a discount of 15% on all products from an order value of 100 euros. 👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼 You can buy this strain at : https://www.exoticseed.eu/ Water 💧 💧💧 Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EC. Add Cal / Mag to 0.4 Ec Ph with Organic Ph - to 5.8 - 6.5 MadeInGermany
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This week was crazy with the weather for couple of days....2 girls didn't see much of light or water like one took it lil better than one.....the other one was left on the battlefield n she sure put up a fight
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Strawberry Gorilla is my little plant. I'm going to run this one again. I believe it didn't take transplant well, it's been a smaller plant but healthy. It's growing good, leaves look good, in every way it looks healthy, it's just smaller. I have no complaints about the strain, it's looking very good.
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Final week of Veg for my 2 Pinapple Express. These beautiful ladies have just started to show me their lady parts 😁 Everything going perfectly to plan thus far and FastBuds showing me the benefits of growing autoflowers. Lots of new growth appeared right before they start their stretch. I'd say theres over 30 bud sites on the biggest of the two plants and mabey 24 on the smaller one. Gives me plenty of space to spread them out under the net. After a week of stretching I'll be removing any growth that hasn't made it from under the net. Theres so much vegetation in the lower stalk area and i dont want any of that engery going to waste and making small popcorn buds. Feed wise they've suddenly become really thirsty. I was watering 6 litres every 3-4 days but this week they've urgently needed feeding after 48 hours. I'm going to keep a close eye and might even switch to everyday feed but slightly less at a time. Bloom nutrients from here on out. Check in mid week as I'll be updating pics as and when I get time or make any changes. Day 44 I've added a few extra photos of the full view in the tent. Canopy starting to fill out. These arent stretching too fast which I'm pretty happy about. Hopefully I'll be able to keep a nice even scrog.
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Ich bin mehr als zufrieden, es gibt ein paar trauermücken aber das is nicht der Rede wert am Montag ist erntetag, die Pflanzen sind so extrem harzig wie noch nie zuvor 😁😁😁😗
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@Hou_Stone
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24 Febuary The plant are going good, its just looks like she's getting a small carence in phosphorus, propably due on the bit too cold condition on the night for the roots I switch for an more powerfull lamp with 300W max but I put it at 75% of capacity or its getting too hot for my room.
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Week 9 Started this week flushing with plain water 4 times my pot size then followed directly with a 1ml per litre mix of Cal Mag and 75% recommended nutrient mix pH to correct value in order to treat deficiencies showed last weeks! I assume it was a PH issue... even so, i increased also the distance from my lights! The buds of pot1 seems to have fatten a lot and looking at overall progress of this girl i might harvest the top buds in a few days and leave the rest of plant to mature. Slower development on pot2, this one have huge space betwin internodes and i´m dissapointed with the small size of her buds so far ! The smell are delicious (subjective i know but i love it 😅) and it´s getting very strong 💪!
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The Lemon Cherry Gelato #2 just harvested from Zamnesia has given us a main cola worthy of the Prince of the Amazon. Jokes aside, we're dealing with the SOTY strain of the year, and even my not-so-huge vegetated plant doesn't really give you a glimpse of what this plant can do, which relies on the extremely high quality of its buds and resin production as its strong points. The trichomes are particularly large-headed, which is always a sign of great flower quality overall; you can clearly see the potency from the microsphere. They're around 20% Amber, 50% Cloudy, and 30% Clear. The plant is slightly more Indica, and I don't want to let it ripen too much; that's fine with me. The pistils are very, very ripe, around 90%. The aroma it releases is truly complex; it's definitely sweet and fruity, but there's also something woody. It's a plant with well-proportioned, medium internodal spacing. This strain is much loved; there are many good and famous versions, but ours here at Zamnesia is the best of them all. We grew it in a classic 11-liter square plastic pot. The flowers are all top-quality, and the yield is excellent. I think they're 50-70 grams, cleaned and pruned, not a normal-sized plant. This one was left to grow naturally to see what it does and preserve the main cola we always like. The soil we chose is the recently launched Plagron Bio LightMix, which will allow us to start with more gradual and consistent watering, without the sudden changes that liquid fertilizers can cause. A week of soil is enough, so don't overdo it. Choose your favorite style and calculate your results on the website: www.plagron.com Z - https://www.zamnesia.io/en/531-growshop SOTY (Strain of the Year), quality flowers and large trichomes, what can I say... try it. Z - https://www.zamnesia.io/en/11242-zamnesia-seeds-lemon-cherry-gelato.html Z - Lemon Cherry Gelato is an extraordinary hybrid capable of offering a complete and satisfying experience to all growers and cannabis enthusiasts. This premium strain is the result of crossing Sunset Sherbet and Girl Scout Cookies, two strains renowned for their high quality and delicious aromas. With a genetic makeup composed of 60% indica and 40% sativa, Lemon Cherry Gelato produces stimulating and dynamic effects. With 26% THC, it infuses deeply relaxing vibrations, keeping the mind clear and alert. Lemon Cherry Gelato adapts easily to any growing environment. Indoor plants maintain a compact structure, reaching 110 cm in height, making them ideal for limited space. Outdoors, this strain grows up to 140 cm. Extremely adaptable, this strain responds well to growing techniques such as topping and low-stress training (LST), allowing growers to optimize space and increase final yields. Indoors, a minimum of 600 g/m² is possible after a flowering period of 8-9 weeks. Outdoors, plants will reach maturity in September and, in optimal conditions, will produce approximately 1000 g each. Thanks to its innate resistance, Lemon Cherry Gelato is perfect for both beginners and experienced growers. You already know this, but I recommend it: here you will find many beautiful things, essentially "the best that nature has to offer." Z - www.zamnesia.com Music // www.radionula.com + Feng Shui Music
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@Kingseeds
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This strain has a yield of extra large, compact colas that are heavy in weight and covered in extra adhesive trichomes that stick to your fingers. Cherry Punch's exterior is dark green and exhibits small amounts of midnight purple leaves Cherry Punch's exterior is dark green and exhibits small amounts of midnight purple leaves. Its aroma is fruity but skunk-like, and has a soft, sweet berry taste that resembles its parent Purple Punch
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These girls are becoming very vigorous in their growth cycle I defoliated last week and the lady's bounced back so quick in under a week. Everything is looking extremely healthy and I can't say enough about this new light of mine definitely glad for this investment.Mars hydro fc 4800 har been everything I expected plus some. The plants are thriving and seem to love this lotus nutrients. Will be taking clones next week. Very happy with ethos genetics, so much so I went out and bought 4 more strains from them planet of the grapes, 10th planet, booberry muffin, and banana hammock just started a run on all but 10th planet follow my other diary for the next weeks to come for new grow. As you can see the front right plant of mine is a little behind but hopefully will se her catch up a little this week.