Hey everyone :-). There is not much to tell this week ☺️ A Wonder Pie was removed due to lack of space. So this is still going on here and the diary of the cup :-) It is growing very nicely, and I am looking forward to seeing what she is doing this week 🙏🏻 This week she is getting some Enhancer Green House Bio for the first time. I wish you all a nice week 👍 Stay healthy 🙏🏻 and let it grow ☘️🌱

Day 55! Just shy of the 8 week mark, I reckon next week the Lemon cherries will be getting the 🔪 buds swollen out nice, still lots of white pistils and very clear trichomes, but with the way there developing I’ll have to keep a close eye.. gorillas starting to bulk up now, as always I’m looking forward to what this week brings, untill next time! 👊🏻

No signs of flowering yet, maybe slight formation of calxys beginning. Been spraying with molasses, neem, cal mag and liquid kelp (bioweed) and superthrive just once to hopefully delay flowering to increase yield. P.S. if youre new at growing DO NOT try this unless you know what your doing with hormones etc. Theres a chance it can turn your girls hermie. Just be aware!

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Still having humidity issues it goes up to about 60 at night returned the last dehumidifier ordered another one I’m going try to place it outside the tent to see if that would work if not I’m going to try placing it inside and hang it in the tent. That’s kind of the only issues I’m having Amnesia haze #1 still having some type of issues but I’m going let it ride out I’ve gotten better with PHing the water got a better PH meter also the acinfinity self watering pots are dope I recommend if you’re want a easy automated grow filled them up yesterday Amnesia haze #2 is having a big stretch it seems a lil behind the other haze and she’s stretching as well and after the defoliation she grew more fan leaves I doubt I’ll defoliate her again

The girl looks pretty good:) I'm coming back from vacation this Saturday and I'll finally see her, I miss her :) good luck to everyone:).

I live in Brazil and it's almost year-round summer. Always had problems with temperature when growing in a closet and HPS with the internal closet temperature during the summer time hitting almost 45 degrees celsius or more! So this time I'm trying to grow in a Fully Working Fridge to keep the temperature down. I brew beer as well so this fridge has a temperature controller and it keeps on 20-23 degrees celsius. Using a 500w equivalent LED Panel. For the air flow and exchange, the idea is to use a Carbon Scubber to constantly filter the internal air, a CO2 tank and an air de-humidifier. The carbon filter will also reduce the odor and the fridge door is well sealed. I guess it's like a big sealed grow room with air conditioner, but smaller. -- Timelapse video shows the vegetative state, with an automatic plant flowering (not super lemon haze)

malheureusement je ne peut que montrer le résultat final très belles plantes 120 grammes recolte énormément de terpene prochain jour extraction HBO feuilles au congelateur de papaya

Hallo zusammen 🤙. Sie wächst sehr schön und macht keine Probleme.

🌸🍭✨🍬🌈🍭✨🍬🌸🍭✨🍬🌈 Hi and welcome to a first @KanOrganics run! This time I’m running Fantasy Feast (6x regular seeds). Gonna veg them under 24hr light with a mix of LST and topping — might let one go wild for fun. Still prepping the tent, need to transplant all my tomatoe and paprika plants to free up some pots, gonna sow tomorrow (14.04.25) 🌸🍭✨🍬🌈🍭✨🍬🌸🍭✨🍬🌈 💭❗💭❗💭❗💭❗💭❗💭❗💭 ❗Events & thoughts worth noting❗ 💭❗💭❗💭❗💭❗💭❗💭❗💭 12.04.25 (GW1) Cleaning old coco coir & prepping pots. Might need to hydrate extra bricks. This is how I recycle my coco coir — fast, cheap, no BS. 🌿 Harvest plant ✂️ Chop roots small — they stay in for structure (organic perlite) 💦 Hot water rinse — remove salts & dust 🍶 Pre-soak with light feed: Micro 10ml Grow 0ml Bloom 0ml GreenBuzz 10ml Cal-Mag 60ml FPJ 10ml pH down (citric acid) ♻️ Media stays — Roots stay — Back in service. 14.04.25 (GW1) Sow 6x Fantasy Feast ✅ 16.04.25 (GW1) did final tent clean up and all set up now ✅📸📸📸 18.04 25 (GW1) All 6 germinated 🎉👌♥️📸 🙏@resi_max 26.04.25 (VW1) using the new Batch of FPJ/FFJ https://growdiaries.com/diaries/266849-grow-journal-by-yan402 00.04.25 (?W?) Transplant to...WIP, ✅ 04.05.25 (VW3) Topped all of them to the same size except #4 which probably won’t make it. #5 is showing classic small pot symptoms, all 6 are droopy so left them to dry a bit,I overwatered them apparently, I'll be repoting tomorrow in bigger pots probably 9l, *repoted in 11l pots✅ 30.04.25 (VW2) – Increased TriPartMicro & GreenBuzzBloom 10ml → 15ml 03.05.25 (VW2) – Increased TriPartMicro again 15ml → 20ml 13.05.25 VW4 Increased TriPartMicro to 30ml and GreenBuzzBloom to 20ml. 24.05.25 VW6 increased GreenBuzzBloom to 30ml 01.06.25 VW7 At least 4 are female 🎉🥂 by next week I'll be choosing 2 or 4 to finish off. 05.06.25 VW7 Did a cleanup 📸📸 10.06.25 VW8 kept #1-4, #5 and #6 are going to the balcony with a new diary📸📸 14.06.25 VW8 did a cleanup HST session 📸📸 (VW9) 21.06.25 VW9 Switched lighting to 12 hours. 28.06.25 VW10 Girls a stretching nicely and are eager to show their pistils. 29.06.25 VW11 increased GreenBuzzBloom 30→ 60ml 06.07.25 FW1 TriPart Micro: 50→ 30ml TriPart Bloom: 0 → 20ml Home-made FFJ/FPJ (Watermelon + Pumpkin): 10 → 30ml 12.07.25 FW1 GreenBuzzBloom 60 →40ml, TriPart Bloom: 20 → 40ml, fpj 30→60ml 22.07.25 FW3 TriPartMicro 30→20ml , TriPartBloom 60→80ml , GreenBuzzBloom 40→50ml 24.07.25 FW3 Cal-Mag 60→40ml 26.07.25 got thrips but handled them with extra airflow and defoliation. 29.07.25 FW4 GreenBuzzBloom 50→20ml, Home-made FFJ/FPJ (new batch) 60→120ml 04.08.25 FW5 Fantasy Feast #3+4 are showing signs of maturity so I created nutrient schedule #2 just for those two. 05.08.25 FW5 decided to harvest the tops of Fantasy Feast #3+4 for two reasons: no1 I want a "speedy" high, no2 I have thrips in the tent and even though they are under control it doesn't harm to get the tent dryer with more airflow and 2 "half" plants less, 📹 Fantasy Feast #1 wet trimmed: dry trimmed Fantasy Feast #2 wet trimmed: dry trimmed Fantasy Feast #3 wet trimmed:104.3g, dry trimmed: Fantasy Feast #4 wet trimmed:, dry trimmed : 🌱💦🌱💦🌱💦🌱💦🌱💦🌱 🌿 Day to day tasks & actions 🌿 🌱💦🌱💦🌱💦🌱💦🌱💦🌱 02.08.25 FW4 – Fed 3l of #1 → 1.5l runoff 03.08.25 FW5 – Fed 3l of #1 → 1.5l runoff 04.08.25 FW5 – Fed 3l of #1 → FF#1+2, – Fed 3l of #2→ FF3+4→ 1.5l runoff 05.08.25 FW5 – Fed 3l of #1 → FF#1+2, – Fed 3l of #2→ FF3+4→ 1.5l runoff 06.08.25 FW5 – Fed 3l of #1 → FF#1+2, – Fed 3l of #2→ FF3+4→ 1.5l runoff 07.08.25 FW5 – Fed 3l of #1 → FF#1+2, – Fed 3l of #2→ FF3+4→ 1.5l runoff 08.08.25 FW5 – Fed 3l of #1 → FF#1+2, – Fed 3l of #2→ FF3+4→ 1.5l runoff 09.08.25 FW5 – Fed 3l of #1 → FF#1+2, – Fed 3l of #2→ FF3+4→ 1.5l runoff (*RUNOFF reused for tomato plants) 🍶💧🍶💧🍶💧🍶💧🍶 💧 Nutrients in 30L #1 only for FF #1+2 🍶💧🍶💧🍶💧🍶💧🍶 💧 TriPart Micro: 10 → 15 → 20 → 30 → 40 → 50 → 30 → 20ml = 0.67ml/L 🍶 TriPart Grow: 0ml = 0.00ml/L 💧 TriPart Bloom: 0 → 20 → 60 → 80ml = 2.67ml/L 🍶 GreenBuzz Bloom: 10 → 15 → 20 → 30 → 60 → 40 → 50 → 20ml = 0.67ml/L 💧 Cal-Mag: 60 → 40ml = 1.33ml/L 🍶 Home-made FFJ/FPJ (new batch): 10 → 30 → 60 → 120ml = 4.00ml/L 💧 pH Down: Citric acid (BuxXtrade) — adjust to ~pH 6.0 📦 TOTAL: 280ml per 30L 🔬 9.33ml/L 🍶💧🍶💧🍶💧🍶💧🍶 🍶💧🍶💧🍶💧🍶💧🍶 💧 Nutrients in 30L #2 only for FF #3+4 🍶💧🍶💧🍶💧🍶💧🍶 💧 TriPart Micro: 10 → 15 → 20 → 30 → 40 → 50 → 30 → 20ml = 0.67ml/L 🍶T.A FinalPartRipen 20ml = 0.67ml/L 💧 TriPart Bloom: 0 → 20 → 60 → 80→ 0ml = 0.00ml/L 🍶 GreenBuzz Bloom: 10 → 15 → 20 → 30 → 60 → 40 → 50 → 20ml = 0.67ml/L 💧 Cal-Mag: 60 → 40ml = 1.33ml/L 🍶 Home-made FFJ/FPJ (new batch): 10 → 30 → 60 → 120→ 200→ 100ml = 3.33ml/L 💧 pH Down: Citric acid (BuxXtrade) — adjust to ~pH 6.0 📦 TOTAL: 200ml per 30L 🔬 6.67ml/L 🍶💧🍶💧🍶💧🍶💧🍶 ⚙️✂️⚙️✂️⚙️✂️⚙️✂️⚙️ ✂️Tools & equipment✂️ ⚙️✂️⚙️✂️⚙️✂️⚙️✂️⚙️ ✂️ 2× MarsHydro SP3000 ⚙️ MarsHydro 150mm ACF Ventilator ✂️ Trotec dehumidifier (big unit) ⚙️ Mini no-name dehumidifier ✂️ Kebab skewers (LST – stainless) ⚙️ Wire + roast skewers (LST assist) ✂️ Scissors (HST) ⚙️ Vacuum (for spills & cleanup) ⚙️✂️⚙️✂️⚙️✂️⚙️✂️⚙️ 🌈🍒🍭🍬🌈🍒🍭🍬🌈🍒🍭🍬🌈🍒 🦄Fantasy Feast(@resi_max Seeds)🦄 🌈🍒🍭🍬🌈🍒🍭🍬🌈🍒🍭🍬🌈🍒 Species: Hybrid (Regular) Genetics: The mother is Unicorn Whip by Dirty Bird Genetics. The father is Charcuterie by Cannarado Genetics. Effect: Unknown WIP Flavor: Unknown WIP Flowering: Estimated 8–10 weeks Resistance: Unknown — Testing phase Notes: Expect weird phenos, candy terps, possible outliers

Has a very fruity smell

The fourth week of flowering went well. The buds are really starting to smell strong and get sticky now. They’re not the biggest buds, but that’s kind of what you’d expect with Zkittlez in the genetics. I bumped the EC back up to 3.5, and the defoliation is done as well.

I did not top this girl, yet. Her top lowers started catching up to the top so I didn’t want to stop her yet lol. But all in all she’s looking healthy.

Two phenotypes - one purple and one white/green. The purple was very difficult to train and resulted in a couple inadvertent breaks - luckily it was repairable. The other trained very well, very flexible and worked very good for SCROG. Both produced heavily and are beautiful. The purple tends to be much more fluffy, with very long pistil hairs - the longest of any grow I have done. The white was super dense, very crystally and sticky. It will be very interesting to see how they smoke. Also, the purple tended to do very well with some nute mistakes I made as well as fluctuating pH in my water feeding. The white did not do as well in this regard but was able to get to harvest fine. Wet bud weight is prior to trimming. The buds off of these plants were HUGE!!!! Plant #1: (Purple): Wet weight - 76.58oz prior to trim; 15 colas; Terps: White - 60%, Clear - 20%, Amber - 20% Plant #2: (White): Wet weight - 71.65oz prior to trim; 16 colas; Terps: White - 70%, Clear - 30%, After 3 days of drying, took them down to trim for my jars. After a few hours filled mostly quart jars 3/4 full but also tried an Infinity jar and a gallon mason jar to minimize the number of smaller jars. Dry weights into jars: Plant #1: 14.79 oz Plant #2: 11.76oz I did pull them after a day to dry rack them for 12 hours due to a little bit higher moisture content then I would have liked ( 70%rH). Re-jarred on 6/1/23 and now holding steady at around 60% rH. Cure Check In (Week 2): 6/10 - 6/12/23: rH ~ 63 - 66%. Daily air exposure & fanning. Very smelly. Looking good - another couple weeks and will be ready.

Week 10.

This was a beautiful strain to grow. With her flowers getting big towards the end of harvest as well as the purple colours! I would definitely recommend that you try grow this strain. The buds are super dense and very well formed. An absolute treat to smoke and look at.

She started the flowering weeks. We removed few leaves from the plant lower part.

2/7: Did a thorough feeding today, and also foliar fed with Microlife Maximum Blooms. Added humic acid. I spotted a couple of nanners on the main cola of the older/paler one and they had already popped... 😒 Might be some interesting hybrid beans in the garden, but hopefully the recent foliar feedings killed off any stray pollen before much damage was done to the crop. 2/12: Fed today..no time for anything else..