We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Week 10 not long now these smell amazing like sweet blueberry and there's definitely something I've had before when I've bought some personal but can't quite get my head round the smell. started introducing overdrive now as they start to finish fattening and ripening up can definitely see swelling going on over the last 3 days thanks for viewing and happy

11/26/24 11/27/24 this plant is blowing all expectations. this was the least promising looking pheno. these buds are so fucking dense. the trichomes are visibily standing ontop of the buds. the plant is 75% bud with 15% stem and 10% leaf. she is visibly fattening daily. i cant get over how hard these buds are though. the nodes are all growing into eachother and turning into long fat colas. absolutely beautiful genetics and im excited to see what the other phenos

What else to add to that already mentioned above? we have reached the end of the cycle, I will smoke it shortly, it is drying in a WEDRYER bag that I recommend to everyone (photos and review in the coming days). I followed the nutrition program provided by Royal Queen Seeds and did not notice any signs of excess or deficiency until the plant's nature discoloration after the final flush. I will evaluate the fertilizer difference when the other honey creams have bloomed as well. I didn't really like the capsules as I had to keep them still for days between irrigations and the color of the water was not the best to see if you don't have a continuous oxygen pump. For the rest, a very simple and resistant variety, a nice yield overall, considering my cultivation size. 9 out of 10 for this variety, but I reserve the right to change the vote after the smoke report: p 😜

I gave her a trim 3 days ago exposed as much productive bud sites as possible and just gonna watch her grow. some very smelly buds it will give me hopefully... The humidity is giving me no issue yet but i need to drop her some more trying for 30% ... Dinafem genetics are spot on very happy with this plant as my first grow..

Sehen einfach wunderschön aus, habe die für die letzten paar Tage rein geholt da es sonst zu Kalt draußen war Heute wird der Rest im Zelt geerntet und dann bekommen die ein neues warmes, sonniges Plätzchen im Zelt um nochmal ordentlich Blüten auszubilden… Von der Optik absoluter Stunner, Purple in Kontrast zum knall Grün der Blüten, welche später noch Purpeln werden 😍😍

Girl Scout Cookies Auto was suddenly ready to get chopped - I would've like to see a few more amber trichomes, but the fan leaves started yellowing faster, and more sugar leaves got crispy tips. Also, the smell got pretty strong over the last week or so. It was a very nice grow, and I'm curious on the yield and effect after drying and curing. Yuhbar Auto still needs a little more time, and will enjoy a few more days or weeks under the (artificial) sun, giving the trichomes more time to ripen.

April 12th, - steady progress in drying the substrate - working towards a mini-flush tonight, in order the bring the pH of the Soil down. Its pH has been steady just above 7, rinsing with 6 - true leaf looks like shit on most of the plants. Probably partly due to foliar misting i’ve done and the dark liquid. Yellow-mottled. Anxious to get the soil pH-thing balanced and to get some nutes involved - sneak peak on a couple of pots and the roots are out the bottoms. Not real busy, but they are there! (when the pots are wet I will take a few pics) 13th - becoming more of an official Flush ie: Ea plant taking 4-5L to drop the run-off pH - newbie seeds will also be flushed tomorrow. Same substrate… - big fan keeping RH in motion. Lights out for a few hours after a long nite. 14th - Finished flushing 11 plants, tent is done and the ladies flushed yesterday are looking Perky already. Back to normal 18/6 and some nute planning for 4 days from now lol - a few are building their 5th nodes already Apr 15 - foliar mist at lites-out *** This is the first time I have ever used DynoMyco, and the results are insanely fantastic. - 2 weeks in a 1 gallon pot that was treated with D’Myco and there's a Root System far larger than the plants in the Pots. Every one of them! Even with a tough hi-pH scenario that has temporarily stalled the veg growth, this Root system had flourished ! Looks like a Transplant will be in order later this week (asap) * this is not a paid promo people, its just that DynoMyco has worked Really Really well !!! Extensive roots, incredibly quickly*** even with a pH deviation involved. Apr 16th, - new Foliar spray is ready, applying shortly - prepping the soil, 80+ Litres for the 1gal pot to 3Gal pot transition. - Amending Pro-Mix HP with Gaia Green All Purpose Fert 4-4-4, Azomite, BioChar, Worm Castings, Perlite & 8oz of old, dry-Dope from 2019

Well growmies ive been looking forward to the Cream and Cookies 🍪 🍪 🍪 If it werent for my issues earlier in the grow she would have been quiet the plant 👈 Buds are tight and full of frost 👈 She definitely came with the cookies and cream terps , very sweet cookie dough with a vanilla terpy smell 😁Couldn't of asked for better Genetics 😉 The smell coming from this girl during the entire grow was just dreamy 👈.. 😍 Would definitely recommend 👌 👉 Big thanks to all my Growmies out there in GD land 👈 Much appreciated 🙏 Thanks To MarsHydro for the TS1000 x3 www.marshydro.ca 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14👉 All Weeks NutriNPK Grow 28-14-14👉 Weeks 2 & 3 NutriNPK Bloom 8-20-30👉 Weeks 4 to 8 NutriNPK Bloom Booster 0-52-34👉 Weeks 4 & 9👌👌

The buds are really starting to form now, I’m getting a lot of purple and some black sugar leaf this is gonna be a wicket show. Oh my freaking sticky icky and I thought growing weed was tricky

Everything is going well, as it should be, I expect a nice and big yield 😊🍀

Great week 3 for my lovely Gorilla Melon

What can I say the ladies are looking good forming up nicely Im really glad i trained them because they are going to get big ahah Other then that we are on schedule and things are kicking up it up a notch in the garden . Thanks to everyone who comes down and checks out the diarys means alot to me . I wish y ou all the best through the hollidays ! -Happy Growing!

Another solid week of this lady just vegging along. MegaCrop is fueling her growth and she's really guzzling down the water, nearly 16 oz every 18 hrs. If there was a mini hydro category in this grow off I'd decimate all 🤣... Stay tuned I'd say we'll be seeing pistils within a few days, then the fun begins!!

Same soil

Day 85 since seed touched soil. Trim jail !!! More than 2 meters of hanging buds , a bit airy, but amazingly smelly !!! Happy Growing !!!

💩Holy Crap Growmies We Are Back💩 Well growmies we are at 42 days in and everything is going as good as can be 👌 👉 Sadly I'm thinking I may have something wrong with my Medium as i am having issues with all my girls this time around👍 Lights being readjusted and chart updated .........👍rain water to be used entire growth👈 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14 NutriNPK Grow 28-14-14 NutriNPK Bloom 8-20-30 NutriNPK Bloom Booster 0-52-34 I GOT MULTIPLE DIARIES ON THE GO 😱 please check them out 😎 👉THANKS FOR TAKING THE TIME TO GO OVER MY DIARIES 👈