Buenas cultivetas! Esta semana el clima tampoco ayudó mucho 😞 A pesar de que no llovio, se esperan lluvias los proximos dias y las temperaturas aun no son las adecuadas. Solo tuve 2 o 3 dias a pleno sol. De todas formas seguimos con los nutrientes de vegetacion el preventivo de plagas una vez por semana con jabon potasico, aceite de neem y canela en una solucion liquida. A pesar del preventivo sigo encontrando algunos bichos que muestro en un video. La tecnica deLST parece estar saliendo bien. Espero no estresarla mucho y que de buenos resultados. Buen cultivo para todos y gracias por leer mi diario! Actualización 5/10: Tengo algunos vecinos gatos que les encanta sacar el sustrato de mis macetas... Por suerte no han desprendido la planta pero casi... Las acomode de nuevo y parecen estar bien. No tuve mucha suerte con este cultivo sumado a mi falta de experiencia.

I had been feeding with a diluted solution and now after flushing with water last week I'm moving up to full strength. The pistils of the plants on the ends seem healthier. The smaller plants in the middle seem a little more scraggly. I'm making full use of the SCROG net. I also raised the light an inch or so and put it back to 100% from 75%. I'm going to see if I can keep it closer to 100 if I can balance the intake air temp. Some of the leaves are damaged. I have a feeling it's from the cold nighttime air coming in the intake. I'm going to keep the intake fan off at night while it's this cold and damp outside. Hopefully not too much smell escapes. Maybe I should seal it at night. Getting sticky now!

420Fastbuds FBT2308/Week 3 What up everyone. Weekly update for these two. They both are growing good despite the one looking like a mutant. Still feeding nutes every other feed with no issues showing up. Will up the feeding this week to 1 liter every other day and see how they'll respond. All in all Happy Growing.

Was out of town for a week filled up the basin and left the plants on auto pilot Got them hanging upside down in the tent with the lights to dry

Week 5 of veg: repotted into the final 12L pots using a 100% organic soil mix I made myself with dry organic amendments only — no bottled organic products. Watered with compost tea, and bent/trained the plants to shape the canopy for a SOG setup. For this keeper hunt (if we find one), we have three Easy Money candidates: EM1, EM2, and EM3. Structurally, all three responded well to my double topping so far — we’ll see how they develop from here. None is clearly standing out at this stage. Root-wise, EM2 and EM3 have slightly stronger root mass than EM1. Let’s see how the next weeks unfold.

D43. The start of a new week, and not much to report. ------------------------------ D46. The reservoir is finally just about empty after 17 days. I'll top water with compost tea and sprouted seed tea tomorrow before filling the reservoir again in a couple of days. ------------------------------ D49. We're at the end of the third week of flower, and things are on autopilot. I'm not completely happy with the soil I'm testing as I'm seeing clawed and burnt leaf tips. Maybe I'm being picky, as it's relatively minor, and the plant looks happy overall, but I have never seen this growing in my own soil mixes. I filled up the reservoir with 7 liters of water @ pH 6.0. I adjusted the pH to be on the lower end since it has a tendency to creep up over time. ------------------------------

LST DONE TODAY NEARLY ALL OF THEM 2 JUST SEEM POINTLESS TO PULL AROUND BUT

This is about when the last grow died, so i m doing better than ever I plan to keep flowering for a few weeks until i get nice big buds

My Purple Punch Auto turned hermaphrodite. Not sure if it was genetics or another issue but definitely bummed out. Harvest was ok besides that but definitely not how I wanted it to go.

Auto #2 ran into a slight speed bump (calmag def), last time I flushed my medium, bringing the ec down from 2.2 to 1.2 which in retrospect was too drastic especially in flower, rookie mistake on my part. Anyway to combat this temporarily until the pot dries back again, I misted the underside of the leaves with a 1.28ec nutrient solution; and the progression seems to have halted for now

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Nothing really much to say yet.

My light fell on my plants yesterday. , the pot of my plant in the first corner was broken, I bought it in a different pot. In my other plant, 2 branches were broken, I taped one of its branches, it became crippled.

I am going to push this plant 4 more weeks

They seem to be packing it on now

It is a very strong plant. It's just a monster. The branches are pretty big, it's still growing.... fuck... stop please :)) Still watering just water and some stimulants. Sugars are showing up and I think it's a very good result of the blooming time. Touching the flower with my hand, the smell is amazing, as my "perfumer" says - "I want a perfume like that".

June 14th : Didn't have a ton of time for photos tonight so I did a short video of the tent! Week 4 flowering is looking great! They are bouncing back from their defoliation with no problems! June 15th : Watered tonight, Seeing some Good Growth on the bud sites. I think all this love I've been throwing at them is working! June 16th : Was out of town and got home too late to take pictures. 😭 June 17th : Starting to wonder if I did something wrong. Been looking around at diary's and like everyone else has giant buds already formed by the end of the third weekish.. And mine aren't all that impressive.. Guess it's the cheap ass Amazon lights.. Fml..😕 June 18th : Welp now I don't know what to think. Lol Buds seem to be getting bigger every day.. Hope some of these large main stems start stacking bud sites. Come on girls!! Fat shout out to Crop King Seeds for some testers! 🙌 7 Dark Angel Feminized, 7 White Cookies Feminized, 7 NYC Diesel Autoflower, 7 Revolver Autoflower. June 19th : Man the Crystals are starting to really show all over these leaves.. Beautiful just beautiful. Didn't do anything tonight other than admire them for far to long. Feeding tomorrow! June 20th : Last night of the 4th week of flower. Did another nutrient feeding tonight at 2/3 recommended strength. Seems like they are starting to stack up on the bud sites. Loving how it's looking. Gonna start with some macro photo's next week I think. Loving this adventure!

The Fruity Donutz are doing great! Still stretching but not as much as last week. I turned on the airco in the growroom at a constant 21 degrees to keep the temperature under 25 in the GTools. Heat can also cause the plant to stretch more, and it has another advantage because it helps to keep the humidity down. The Sanlight is now fully raised to the ceiling and the plants have enough space to build those colas. Removing the suspension cords all together and just attaching the clips to the ceiling was a great solution. Silly that I never thought of this before. Now I don't have to supercrop! Supercropping is HST for the plant, but also High Stress for the grower (at least for me 😅). Not much more to say at this point, but I will post more pics of the developing buds later this week ✌️. Cheers and happy growing!