We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Clones got transplanted into 1gal Rapid Stack pots, this will facilitate the next transplant into the live soil grow bed with no stress. Quick and easy transplanting with no root shock or damage to the plant. Plants still drinking rain water, top dressed with Bokashi Pro-Gro, the soil is recycled and organic :) Check my Instagram for more grow content @GirlGoneWeed

5 day flowering , deleted big leaves

Divine indica has sprouted on the second seed. She stretched a lot due to the seed husk was giving her trouble. She got that off with a pinch of help and has opened up. So far she is looking good. Already on a journey. She will get moved to another area in a few weeks if not sooner. She will be really fighting for light with the stretching autoflowers she Is in with now. Thank you Divine Seeds, and Spider Farmer. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g

Huge stretch this week! They really want to touch the light. Ended up removing ff9 from the room was a bit over full. Even with the 3 strains the room is full! Lots of smells from the three strains. Lots of different phenos as well. Ff 1 and 6 and very stretchy plants ff1 has good node spacing but ff9 got a bit lanky on my. Branches do look nice and solid on all plants. The buds are starting to form nicely

Week 1 - The Plants Are Looking Nice & Healthy, I’m Very Satisfied With How The Grow Is Going So Far, It’s Quite Fascinating Watching Them Grow Right Before My Eyes. #OwlGang

Off and running with some flowers starting to show up and swell. Had some nutrient deficiencies I had to address but looks like all is dialed in now. Started using Fish Shit and some Grow Big to help with deficiencies and this seems to have helped, but I will continue to monitor and update. 🌱🤙

Weather had been crazy good the last days. Plants are growing like crazy. Used a little Boom Boom Spray of Biotabs on the plants and now they look all nicely green again. Plant 2 and 3 where looking a bit light green before. Also going to give them some Orgatrex and Bactrex solution this week. Like the biotabs manual says in week 5. Growth: Plant 1: 12cm --> 21cm in 7 days (1.3 cm a day) Plant 2: 11cm --> 23cm in 7 days (1.7 cm a day) Plant 3: 10cm --> 20cm in 7 days (1.4 cm a day) Weather: MON 8/26 33°/ 17° actual temperatures TUE 8/27 33°/ 19° A thunderstorm in spots WED 8/28 28°/ 17° A strong thunderstorm THU 8/29 24°/ 12° Partly sunny; not as warm FRI 8/30 23°/ 12° Clouds and sun; pleasant SAT 8/31 28°/ 14° Clouds and sun; very warm SUN 9/1 20°/ 10° Clouds and sun; cooler

Yo! Week 3 is rolling along, and things are looking pretty sweet! The plant is vibing well with the Canna Terra nutrients. I’ve been sticking to that medium dosage, and honestly, you can see the difference in just three days—those leaves are popping! I've also kicked off some low-stress training this week. Just gently bending and tying things down to give it a nice shape. Can't wait to see how it all turns out! Excited for what’s next on this green journey! 🌱✌️mm

Transplant week! Some of the girls in the tent started to droop but this one didn’t! She’s looking pretty good to me Come hang out with us in the discord!

Plants looking healthy and happy. Side shoots are stretching out faster. Stems nice thick. I am happy. Hope to see some more growth before flowering takes over completely

Week 8 Day 1: how did we get here?! No major issues. Still learning the ropes when it comes to LST, so the focus these next couple weeks is getting this canopy flat and ready for flower. Any advice is much appreciated. Still need to get those clones out of the tent and need to think about any changes to fertilizing schedule over the next couple weeks. Kids were fed liquid nutrients for the second time 9/8, and will be recieving them once a week moving forward (hopefully every other watering). Gotta find a way to make watering a smoother process tho, might invest in a home RO filter 😂 Big dreams being discussed, this could be the start of the only cultivation, breeding, and distribution center that has a primary focus on re-entry and subsequent business development.. That’s how you do socially responsible business and policy. You heard me?

Alle sehen sehr gesund aus. Wachsen wie sie sollen und fangen langsam an herrlich zu duften. Mainlineing und toppen habe sie sehr gut weggesteckt, aber bei den Genetiken von @fastbuds ist es auch kein Wunder. Wir sind gespannt wie es weiter geht.

Seeds all germinated. I think I stuck 3 too deep 1 seems to be having visual issues coming out the cube. Left those see what happens. Where fed with the same lights solution as before as well as some real growers recharge help those roots explode. Thank you all that have been following I appreciate you all. Have a great weekend. Oh yea. In case you’re curious the clones are Dante’s Inferno by tiki. :)

***Sponsored Grow*** = Medic || https://medicgrow.com || Grow = ***Sponsored Grow*** Still have some issues with the feed and this pineapple dream, they are getting some burning in the sides on some of the larger fan leaves, I would say it could have been over feeding but the runoff is not that bad, and I would expect more burning on the other plants as well. Its smell has changed a bit as well, its not as fruity as it was earlier on or its diluted by all the other smells in the tent, might be a sign I am giving them to much water at a time as well. Still giving them a 2:1 or 2.5:1 grow vs bloom nutrient. Its helping with some of the pink stems from last week. Feeding strength is up .2 point to reach 900ppm or aorund 1.8EC will leave it here fro the remainder of Veg. Prob will do for 2 more weeks then flip to flower as I just topped them and want to give them some time to recover. NPK ratio of 7-7-14 1:1 equal parts grow/bloom. Grow=8-4-15 Bloom=6-10-14 Boost=1-15-30 "not yet used it yet" Also took some clones from the plants as well, took two main cuttings from each plant, forgot to do the one so its not shown in the first video up the updated clone pics later in the week. If any of these impress me then the clones will go outside and grow there all year for a extra special harvest. Or I'll give them out to some friends and family maybe a little gorilla gardening project, but I will wait before getting ride of them all as I'm still kicking my self in the ass over the Blue Cindy loss. really liked that plant and wish its clones I gave out where still aorund. Lights doing well. The V1 spectrum is good on the medic grow mini sun-2's 240w. No issues so far, dimmed at 80% till flower is initiated then up to 100%, Will test out 13/11 I think as the schedule to give them some more photons for an extra hour vs 12/12 . Till next week. ***Sponsored Grow*** Official Website: https://medicgrow.com/ + https://www.kannabia.com/en Facebook: https://www.facebook.com/medicgrowled + https://www.facebook.com/kannabiaseed/ Twitter: https://twitter.com/medicgrow + https://twitter.com/kannabiaseeds Instagram: https://www.instagram.com/medicgrow420/ + https://www.instagram.com/kannabiaseedsint YouTube: https://www.youtube.com/channel/UCNmiY4F9z94u-8eGj7R1CSQ + https://www.youtube.com/c/KannabiaSeedCompany Growdiaries: https://growdiaries.com/grower/medicgrowled https://growdiaries.com/grow-lights/medic-grow + https://growdiaries.com/grower/kannabia https://growdiaries.com/seedbank/kannabia

Hello everyone 😎 A wonderful genetic thank you Dutch ❤️‍🔥🤩 The trim was super easy the buds are FAT & FROSTY full of resin 🤤 I’m very happy with the harvest 134g !! For the light i’ve used the Mars Hydro FC-E6500💡

flush time.

I'm going to feed some high nitrogen fish emulsion, I feel like she's way too nitrogen deficient

Top speed

Die Buds sind schön fest geworden und ich finde der Pheno sieht auch wunderschön aus. Die rote Färbung sieht auch mega gut aus!