Hey there. All photos and videos from flower day 27. Plants are developing pretty good. On flower day 26 (end of flower week 4) I started adding Green Sensation. See you next week.

Langsam sieht das aus, wie ein Canna Anbau. Sehr fein Alle Damen wachsen gut, die ersten Anzeichen einer Blütenphase zeigen sich. Recht schöne Farben in den Blättern... Alles gut. Uuuund es beginnt zu duften. Darf mMn gern so bleiben Zeitraffer der letzten Woche, heute mit Rucklern, am Ende der Bildreihe. Liegt am Arbeiten im Zelt, wo ich an die Kamera gestoßen bin und das Bild sich verstellt hat.

63 days from start and 3rd day flower and started adding flower fuel bloom booster to the water... 67 days 7 days flowering with second half of pics and 2 videos

i add some pictures and Videos of the two Strains from Epic Genetics the Epical widow and the Epic Spigol Field , Both have a so amazing structure and form , i uploaded a little late the diaries but better later then never.

Buds & frost stacking and fattening, See a little purple hue coming in. Vibranium enriching everything, terp profile already biting deep 🤯 I Love making cannabis media, capturing everything all with my beat up iPhone on iMovie so far. I'm saving till holiday season & will get a nice camera that I can connect with.. really liking the Sony a6700

I was seeing that this genetics has a problem with the leaves, it has white spots and leaves with a quite peculiar development. There is no plague in the indoor and the conditions I think are the right ones the euphoria is better now, more steady, I gave her 2 ml of bioheaven, 1 ml of biogrow and 5 ml of trimix pro.

Germination 07/09/2022 Hi to all the old and new growers out there. Spring has barely started but I'm so AMPED to start again. My first grow attempt was a disaster. I started to early for the season. I wasted some good seeds and those Blasted 🐌 🐌 snails messed up everything. Got up started again and took it as a learning curve. I had 1 seed left from the previous attempt and this had to be the golden ticket. The first important thing I learned was getting to the correct pH. Used a 1 liter jug not knowing that the pH down was very concentrated substance. Added 1ml of pH down to tap water with a base of 8.5+ pH and brought it down all the way to less than 4.5 pH. I probably tried like 5 times and realized that a single drop made a difference of about 2 pH. I got the feel of it and had to source a better water supply. I had the option of using tap water but didn't have the time to do a 24 hour airstone run ever time I wanted to water the plants. The local water supply shop was a better option. I got a consistent 6 pH and the price was decent. The Snail 🐌 Problem... I have a plan for those F**kers. We have 2 very nice hydroponic shops in my city. Here's the supply list: Freedom Farms Seed Starter GHE pH Up Kushy pH Down GHE pH Test kit Freedom Farms 10 liter fabric pot Simba Genetics: White Widow auto 🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱 "I find it quite ironic that the most dangerous thing about weed is getting caught with it." Bill Murray 🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱 Thanks for reading

Welcome Back!💚 Nach der dritten Woche entwickelt sich die Peach Frosting im Vergleich zu den anderen Pflanzen etwas langsamer und ist in etwa gleich auf mit der GG#4. Auch bei ihr warte ich definitiv mit dem topping, evtl. Bis sie in das Große Zelt umgezogen sind und individueller auf die unterschiedlichen Wachstumsbedingungen der Pflanzen einzugehen. Die Umgebungsgegebenheiten sind weiterhin optimal: ————— 🌞 Temp: 24°C bis 26°C 🌚 Temp: 18°C bis 19°C 💨 RH: 68% VPD: 0,7 kPa👍 ————— Grüne Grüße 🥦

Last week of veg,now start floração..

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Just water and mollases from here on out. Will be battling pests and bud rot fingers crossed

Hello growmies 👩‍🌾👨‍🌾🌲🌲, 👋 The #1 keep growing, the #2 keep growing, but turning a bit yellow, I don't know if stress or if need biggest pot, Will transplant in 11l next week. 💪 continues, topping, defoliation, training. In this end week all the others plant in flowering have been harvested, So I've managed the space, turned off one FC 3000, and 1 FC 3000 @25 % And down the filter fan. 💧 Give water each 2/3 day And vaporise plant with water + Plagron Roots (1ml/l) 0.5 l Water + Roots + Grow + Zym (1 + 4 + 1 ml/l) 0.5 l Water + Roots + Grow + Zym (1 + 5 + 1 ml/l) 0.75 l Water + Roots + Grow + Zym (1 + 5 + 1 ml/l) PH @6 💡Mars Hydro - FC 3000 25% 50 cm. Mars Hydro Fan kit Setting 4 Have a good week and see you next week 👋 Thanks community for follow, likes, comments, always a pleasure 👩‍🌾👨‍🌾❤️🌲 Mars Hydro - Smart FC3000 300W Samsung LM301B LED Grow Light💡💡 https://www.mars-hydro.com/fc-3000-samsung-lm301b-led-grow-light Mars Hydro - 6 Inch Inline Fan And Carbon Filter Combo With Thermostat Controller 💨💨 https://www.mars-hydro.com/6-inch-inline-duct-fan-and-carbon-filter-combo-with-thermostat-controller Anesia Seeds - High Mars 36% THC🌲🌲 https://anesiaseeds.com/product/high-mars/

inició florales

Hey there, fellow plant enthusiasts! It’s time for another exciting update on our magnificent P.C.R.s as they journey through their second week of flowering. Buckle up, because things are getting wild in the grow room! Our P.C.R.s are on a growth spurt like no other! They're reaching for the stars and filling up the entire room with their lush foliage and budding flowers. It's like a jungle in here, and I’m loving every minute of it! The energy in the room is electric, and you can practically feel the excitement buzzing in the air. With all this growth, our grow room is bursting at the seams! These plants are not messing around—they’re taking up every inch of space and demanding attention. It's like they're saying, "Look at us, we're the stars of the show!" And let me tell you, they're stealing the spotlight with their beauty and vigor. As we approach day 21, the anticipation for defoliation is real. But our P.C.R.s have other plans—they're playing hard to get! Despite their reluctance, I’m keeping a close eye on them and patiently waiting for the perfect moment to give them a little trim. After all, a little pruning goes a long way in ensuring optimal light penetration and airflow, leading to healthier and happier plants. Defoliation is like a mini makeover for our plants—it removes excess foliage, allowing more light to reach the lower buds and promoting better airflow throughout the canopy. This not only improves bud development but also reduces the risk of mold and pests. It's like giving our P.C.R.s a spa day—they come out looking refreshed and rejuvenated! Week 2 of flowering has been nothing short of exhilarating! Our P.C.R.s are growing like champs, filling the room with their vibrant energy and undeniable charm. While we wait for the perfect defoliation moment, we'll continue to shower them with love and attention, nurturing them every step of the way. Shout Outs A big shout out to @aptusholland for their incredible products that keep our plants thriving. And to the amazing community at Grow Diaries and all our followers, your support and enthusiasm fuel our passion for growing. Let's keep the green revolution going strong! Until next time, happy growing, and may your gardens be abundant and bountiful! Genetics - P.C.R. @Art_Genetix_Team https://artgenetix.world/ Nutricion @aptusholland https://aptus-holland.com/ LED Power @Lumatek and @viparspectra As always thank you all for stopping by , for the love and for it all, i fell blessed to have you all with me for one more love journey Thank you Thank you Thank you , you guys are great and have been amazing , thank you for everything ! #aptus #aptusplanttech #aptusgang #aptusfamily #aptustrueplantscience #inbalancewithnature #trueplantscience #dogdoctorofficial #growerslove
 With true love comes happiness , Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so ! Growers love to you all

Hi everyone! The girls—or actually grandmas by now 😄—are 89 days old (40 days of veg / 49 days of flower). The leaves are slowly turning yellow, and some of them are starting to show purple tints. I’ll keep feeding them this week, but next week I’m switching to plain water only. Harvest should be in about 2 weeks. They smell amazing and are covered in resin. I'm really curious to see how they’ll kick! 😅✌️🍀

❤️Divine Seeds

The princesses follow their rhythm 54 cm😄 i have rotated them to grow uniformly😁, temperature 26º C ☀️, humidity 65% 💧, irrigation 500ml/plant, water one day with nutrients and another day without nutrients💦💦😋 binaural sounds 60min/day🎼😋👍

This Old Dung Heap update. These ladies are pushing hard on the basket and net, they are dying for the flip.

Que pasa familia, vamos con la primera semana de floración de estas GG4 Sherbet Fast Flowering, de FastBuds. Agradezco a Agrobeta todos los kits obtenidos de ellos 🙏. Vamos al lío, El ph se controla en 6.2 , la temperatura la tenemos entre 21/24 grados y la humedad ronda el 50%, 7 litros de sustrato. Iremos viendo cómo avanzan. Agrobeta: https://www.agrobeta.com/agrobetatiendaonline/36-abonos-canamo Hasta aquí todo, Buenos humos 💨💨💨

So a bit of a setback this week to report. We took a direct hit from Tropical Storm Ophilia on Friday/Sat and Monday i had a dead limb. Dont think it was the storm though as it wasnt broken at all so im thinking some type of boring worm or something. Chopped that limb off and havnt looked back. Finally saw some sunlight for the first time in over a week yesterday! Cooler temps i have cut back on water from 4 gal/ day to current 2 gal/day. Still feeding top scratch every 3 days or every three waterings. Keeping up with mold and bug issues, very little of either, Lost Coast Plant therapy and BT are my friends. Hope everyone else is having good harvests this fall, till next week!