09/26/2021 Starting week #7 of flower still picking caterpillar, and eggs of leaves, not to serious as we are on top of it. Starting the week with banana peel tea drench 2 gallons per girl, which is all she will get besides water till harvest. Still small flushes of pistils coming out I believe she (Hulk) is in final stage of flower (4) lots of orange hairs (pistils) but fresh one coming out daily albeit slower. Hopefully she fatting up in coming weeks. 09/28/2021 Week7 Day #3 Definitely seeing more calyx swelling. #1 is chunking up nicely #2 looks good little bud rot were caused from cattipillar poop! #3 coming from behind Will be last to harvest for sure.

Hallo zusammen 🤙. Habe heute das Männchen geerntet. Das Weibchen wächst sehr schön und macht keine Umstände.

✌️🎃 Thank you for checking my cultivation. 🤤 She's surprising me, how she's getting fat!

Привет друзья. Моей растихе сегодня 48 дней. Начал применять LST технику на 19 дне и продалжаю применять её через день, а 18 августа добавил ДЕФОЛИЗАЦИЮ С 20.08 ДЕФОЛИЗАЦИЮ делаю каждые 3,4 дня С 20.08 LST технику делаю каждые 4.6 дней На сегодняшний день влажность 50% Три дня назад заметил высокий Ph 7.9 С сегодняшнего дня Ph 5.8 Заказал погладитель влажности, отпишусь в следующем репорте. Не смотря на высокую влажность и высокий Ph, растение растёт хорошо, генетика радует. Всем мира и добра! https://t.me/smail_seeds #Smail_Seeds

6/14/2021: - Just when you think the shit isn't growing, you're three nodes deep, lolll - Plant and soil seem to be taking well to neem, karanja cake & kelp tea soil drench and foliar spray - No negative effects of spraying diluted mixed lacto + wild yeast solution so far - Combined some lacto + yeast solution with tea in a separate container. After fermenting overnight, smelled of butyric acid. Tossed it - Starting to see red in the stems - Plant is growing well - Thinking about transplant beginning or end of week 4

Nur Wasser und canna flush

How RQS Compares to Your Standouts Brothers Grimm (your "otherworldly" stars: Montel Iced Tea, Body Count, Bubbles Blueberry F4, Ricky’s Hash Plant, Black Tangi Tea) These are landrace-influenced, heirloom-style genetics with exceptional resin, unique flavors, and structure. They outperform RQS in quality, potency, and "wow" factor in your tents. RQS tends to be more commercial/hybridized for ease and yield, while Brothers Grimm prioritizes distinctive traits and consistency in experienced hands. Humboldt Seed Company autos (your top autos for resin, especially OG Triploid) Humboldt focuses on West Coast legacy genetics with heavy resin production. Clearly superior to RQS autos in trichome density and overall quality. RQS autos are faster and easier for beginners but often lack the resin "frost" and depth you get from Humboldt. Fast Buds (fast, flavorful, reliable autos — you like them a lot) Excellent speed and flavor profiles. You noted they're in a "different class" — fair point. Fast Buds emphasizes quick cycles and modern hybrids with nice terps, while RQS autos can feel more generic or require more coaxing. Quick Thoughts on Your Observations Brothers Grimm (Montel Iced Tea, Bubbles Blueberry F4, etc.): These are clearly the stars in your current setup. The strong smell, unique leaf morphology, and overall vigor in small pots show they're expressing well under your conditions. They reward careful growing with quality that feels special — resin, flavor complexity, and effects that fit your low-dose, functional style better than most commercial lines. Your homemade cross (Gelato 44 × Bubbles Blueberry F4 pollen = "Blueberry Knockout"): Nice work on your first intentional cross-pollination! Getting viable seeds and decent plants from a garage-level cross is a real win. It’s not "pretend breeding" — it’s exactly how many great lines started. The fact that it turned out "pretty nice" is encouraging. However, as you noted, combining a Royal Queen Seeds Gelato 44 (solid but commercial) with Brothers Grimm Bubbles Blueberry F4 (higher-quality, more unique genetics) creates a hybrid that can show the best of both, but also some inconsistency. If the RQS side brings easier growth but less depth, while the Brothers Grimm side brings the special traits, the offspring can be hit-or-miss depending on which phenos you kept. RQS Gelato 44 / Mike Tyson 2.0 vs. Brothers Grimm: Your experience matches what many growers report. RQS lines are generally more "user-friendly" and higher-yielding for beginners or volume grows, but they often lack the resin density, terpene complexity, and unique expressions you get from Brothers Grimm. The Tyson 2.0 collaboration added hype, but in your tents it landed at 7/10 while Brothers Grimm hit "otherworldly." That gap in quality is why you're leaning toward sticking with the professional, boutique genetics going forward. 3/30 11:17PM Gelato 44 & Punch Pie were nice right off the tree the little buds put me right to sleep last night!! The Autos are 7-10 but the Photos are 8/10

Didn't realize that it's been 4 weeks since I was on here last. Not sure if I over watered, nute burn or a deficiency but I am having a problem with my leaves going yellow and crunchy. I just gave straight RO water for a flush.

Picking the odd leaf off but it's pretty much just doing its own thing other than having to feed her . She smells really nice with lots of bud sites and has some visable trichome production now .

Week is going pretty good several leaves have two different colors is going well this is different than growing auto in size so far excited to see what happens

Hey fellow green thumbs! 🌿💚 The day has finally come—our Auto Northern Dragon Fuel from Super Sativa Seed Club has been harvested! After an exciting journey, we’re thrilled to share the details of this incredible plant’s final stage. Let’s dive into the harvest report! 🌟 Harvest Details: Day 75: Harvest Day • Harvest Date: Day 75 • Harvest Method: Our beautiful Auto Northern Dragon Fuel was harvested yesterday. After weeks of careful nurturing, the time was right to bring in this amazing plant. 🌿🌼 • Preparation: Before hanging, we meticulously cleaned the plant, removing all leaves without trichomes to ensure a smooth drying process and to enhance the quality of the final product. 🌿✂️ Current Drying Process: • Method: The entire plant is now hanging upside down to dry. This method helps maintain moisture levels within the buds, allowing for a slower and more even drying process. 🌿🔄 • Environment: • Temperature: 18-22°C (65-72°F) • Humidity: 50-60% Maintaining these conditions is crucial for achieving a perfect dry and preserving the plant’s aromatic and flavorful profile. 🌡️💧 🌟 Plant and Bud Characteristics: Auto Northern Dragon Fuel: • Bud Structure: Dense and sticky, with an impressive trichome coverage. The buds are beautifully formed, showcasing the robust genetics of this strain. • Aroma: Even in the drying phase, the rich and potent aroma is unmistakable. Expect a delightful scent that hints at the powerful experience to come. • Trichomes: A thick layer of trichomes covers the buds, promising a potent final product with a great flavor profile. 🌿✨ 🌟 Care Tips: • Drying Process: Patience is key. Allowing the plant to dry slowly will enhance the final quality, preserving both flavor and potency. Ensure good airflow around the hanging plant to prevent mold and mildew. 🌬️💧 • Trimming: Once the drying process is complete (typically 10-14 days), it will be time to trim the buds. This is where we’ll shape the final product and get it ready for curing. ✂️🌿 • Curing: After trimming, curing the buds in jars for at least 2-4 weeks will further enhance the flavor and smoothness. This final step is essential for achieving the best possible smoking experience. 🍁 🌟 Genetics Spotlight: Auto Northern Dragon Fuel: • Characteristics: Known for its robust structure and dense buds, this strain has shown remarkable resilience and impressive bud development throughout the grow. The final product promises to be potent and flavorful, thanks to the thick trichome coverage and rich aroma. • Harvest Expectations: High-quality buds with a strong aroma and potent effects. The slow drying process will ensure the best possible preservation of cannabinoids and terpenes. 🌍🌿 Fun Fact: Did you know? 🌿✨ Drying the entire plant slowly helps retain more terpenes, which are responsible for the plant’s aroma and flavor. This method also helps preserve the potency and quality of the buds, resulting in a smoother and more enjoyable experience. For all the in-depth action and detailed explanations, head over to my YouTube channel! 🎥✨ I’m sharing all the tips, tricks, and step-by-step guides to help you get the best results from your grow. This week’s harvest has been particularly exciting, and there’s so much more to explore and learn together! 👉 Join me on YouTube Link in my profile 👈 🌟 Conclusion: Harvesting Auto Northern Dragon Fuel at Day 75 has been a rewarding experience. With the plant now drying, we’re eagerly awaiting the final product. Stay tuned for updates on the drying, trimming, and curing process, and get ready for a high-quality harvest! Happy growing, and see you next time! 🌿💚✨ #SuperSativaSeedClub #HarvestReport #NorthernDragonFuel #PlantMagic #GardeningJoy #NatureLovers #PlantPower #InspireGrow #YouTubeJourney

Primeiro mês de floração, ótimas plantas, super saudável, fertilização ok, folhas com. Um verde bonito, rega e alimentação todos os dias. Plantas satisfeitas.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Que pasa familia, vamos con la primera semana de floracion de estas FBA2506 de FastBuds. De las 5 plantas, retiré una y me quedaré con 4 , preselección. La tierra que utilizamos que está en la publicación anterior es top crop all mix, Por supuesto el ph se mide en cada riego y se mantiene en 6.2, regando cada 48 horas e intentando mantener la humedad un poco alta al principio. Las próximas semanas vamos viendo cómo avanzan. Hasta aquí todo, Buenos humos 💨💨💨

These girls are going good so far.i really botched my last grow so I'm trying to be way more careful.less harsh nutrients for veg.i will start in on lower doses when flowering starts.

D29 Topped all her main node sites, going from 4 to 8 branches. Defoliated canopy to reduce overlap and promote airflow since I saw minor bites in my leafs. D31 ALL my new growth looked brown? This combined with the increasing biteholes in my leafs told me I had to act. I suspected the brown growth to be a root/overwatering issue so made sure to hold off on watering for now. For the bugs I used a 3% hydrogen peroxide dilluted 1:10 in a spray bottle with water. Sprayed leafs bottom and top till drenched, kept coming back every day to spray whenever i felt like it. D34 No increase in any signs of bugs, all new growth was completely green, new branches growing out. Seems like the treatment worked and decided to feed again since soil 10cm deep was dry. 4L with 0.5:1000 calmag 1.5:1000 grow and 1:1000 PR. Watering slowly to ensure even distribution of water throughout soil, want that rootmass to grow huge! D35 Weather forecast for upcoming weeks looks amazing, moved her outside again. Since the autos im currently running need light priority for early vigorous growth, my Frisian lady had to make do with very low PPFD levels (80-250). All things considered she performed really well this week recovering from bugs, root issues and very low light intensity.

3-24 Silica 1.5, cal/mag 6, micro 6, flowers 6, frost nugs 3, green sensation 1.5, slf 1.5, drops 1.5 ppm in 710 ph 6.0 Runoff 1375 ph 6.9 She still rockin 🤘 3-27 6ml cal/mag, 1.5 ml slf-100, 1.5ml drops of balance, 1/2 tsp recharge. She will get a full feed, next feed. Gave recharge b/c she only got cal/mag, so why not do some good while washing out salts. Ppm in 325 ph 6.0 Out 995 ph 7.0 See how she do 😁🤘

Day 135. Girl stinks a hell, cant move her to smaller tent and my new fan is delayed, so is new diary. Still in doubts what to do, dont want to postpone next run deep into summer, too hot at mines ... Day 137. Girl was moved to new home, humidity was at highest 50, hope during night i wont get bud rot, have no outfan still... Day 138. Girl was fed with last nutes, from now just phed water, hope she will last 3 weeks minimum. Have a feeling that she dont like it, but got humidity in mid 40ties maybe we will make it ;) Day 140. After filter instalation i created negative presure, plus inside fan moved air and tent was too small for this girl, her walls were breathing, so one head rubed heavily, all glued to flat ;)) Had many budrot cases and they were starting from a lot smaller incident, prevention is the key, plus i want to try out that stinky beuty ;)

Start of day 84 ...... January 1 2022 Start of week 12 ........ 58 DAYS INTO FLOWERING 😕 LOOKS LIKE THERE GONNA GO A LITTLE LONGER THEN EXPECTED ? 😕 ( HAPPY NEW YEARS😋 🎅 🎄) ( SMELLING GREAT ) !!!!!!! Check out the full grow video on latest weekly update Super Exceptional Growth Daily Still adjusting LST when needed and leaf tucking....... Water Only when needed but its drinking more every otherday and adjusting lights when needed...... Rain Water Only ....... ( DAY 26 AND BOTH NL 1 & NL 2 SHOWED PREFLOWERS ) ( DAY 49 AND RESIN PRODUCTION HAS STARTED ) ( DAY 57 , EQUIPMENT FAILURE , main FAN , over heated😡 tripped breaker , reset light timers , lost a DAY, REPLACED new Main Fan 😁 back up running 👌) ( DAY 70 DID ITS FINAL FLUSHING TODAY TO GET RID OF ANY BUILDUP ) ( DAY 77 AND IT SHOWS A SLIGHT DEFICIENCIE MAYBE A CAL/MAG GETTING CLOSE TO END OF LIFE ) IM ALSO DOING VERY LITTLE, SLIGHT DEFOLIATION ( DAY 89 AND ALL IS GOOD , THERE FATTING UP ) DAY 89 .....NL 1 SHOWS CLEAR TO MOSTLY CLOUDY RESIN HEADS , STILL AWAY TO GO ....... DAY 89 .....NL 2 SHOWS MOSTLY CLOUDY RESIN HEADS , JUST WAITING ON THE AMBER TO GET STARTED , GETTING CLOSE BUT MORE TIME NEEDED...... I hope you enjoy my growlog...