Plants were left for 8 days between watering, the soil was very dry and plant leaves drooping. Watered them with 1 litre each yesterday but have noticed yellowing of leaves on the bottom. Thinking this might be due to under watering I am not sure. Apart from that the flowers themselves are looking fine. Night temps are now 18 deg and 24 daytime and humidity at 50% I have also now put in a small fan at floor level in the space of where the 4th pot was so this now gives lower air movement.

This week was great and full of gardening work Sol and Luna are flowering well, I'm feeding them with Top Bloom (1.5ml/L) and some Humifort (0.5ml/L). I removed some leaves trying to improve light penetration to the lower canopi Lola is getting in good flat shape and she is almost full green all along the branches and that's a good healthy sign I topped Juli this week as you can see and some days later I started to train her, her branches are strong and well developed as well as Lola's and Violeta's, they all are really healthy so far, I'm really happy Regarding Violeta, I also topped her this week and she is so alike to Juli, they are almost twins This last two weeks have been really sunny so I Grabbed them out almost every morning to recieve sun light and that's worth to mention because they love it

7/1 Chopped these babies down. Now they’ll be hung in the dark (full plant) at about 60/60 until they’re ready to go in jar. Hopefully about ten days, but these are small so idk if they’ll go that long. Will update when we get there Tried to update smoke report but it just keeps erroring out. I’ll try it again another time. :/ Meanwhile, I’ll leave some info here. This hasn’t even cured yet and wow. Wasn’t thrilled with what I could see the yield would be.. still not thrilled, but damn. The shits good. Perfect density, smell, and taste. It’s loud af and definitely potent. It’s pungent with a hint of sweet but not too much. Would absolutely grow again, but would grow more plants since the yields not there .. at least for me. 5.2 ounces - 2 plants. Buds no trim ;(

cant be happier with the results tbh!!!

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

I'm going crazy. These babies are delicious looking. I'm ready, been buying fucked up weed for 40 yrs. What was i thinking? I think I've lost the battle with the girls. But in a damn good way. Guys?::: I'm just letting them grow. I have no idea?

This week i made a plan for the plants feeding. For start gave a small portion of nutrients like 1/4 from the suggested to see the reaction of the plants. Day 21: fim one plant (the plant referred as cotyledons now is going to be mentioned as fim).In a few days will top the other one.

Third times a charm for uploading this week's vlog. 15ml Sb 15ml calmag 45ml PBPG

🍬 🍓 🍧🍭 🍋 🍹 Hello and welcome to week 2, dearest growmies!! 😘 Sherbet Schwarzenegger is doing great, she will be a big tree as it looks now! 💪 DAY 9 Watered for the first time 💧 DAY 11 Watered with nematodes 🐛 just 100ml of water each plant because the soil was still damp. Thanks APTUS Holland for supplying me with the nutes for this grow! 🙏 ❤️ I cannot wait to try them!! 🌱 🌞 Thanks @Sweet_Seeds for the beautiful genetics!! You guys rock!! 😘 ___________________________________________________________________________________________ Strawberry Cola Sherbet F1 Fast Version®️ This is an ultra-fast flowering, photoperiod-dependent, feminized strain with red flowers. It is also a first filial generation (F1) cross between a photoperiod-dependent elite clone of the famous Californian Sunset Sherbet and the autoflowering strain Strawberry Cola Auto. Strawberry Cola Sherbet F1 Fast Version®️ (SWS106) is an indica/sativa polyhybrid, although it is predominantly indica. The plants have large, dense buds covered with lots of highly aromatic resin. This strain has a very pleasant, potent, and complex aroma, with shades of red fruits and cola, earthy and woody hints, and fresh, citrus undertones. It has a happy, relaxing effect that stimulates reflective introspection, concentration, and insight. Data Sheet Strawberry Cola Sherbet F1 Fast Version®️ Variety: SWS106 Indica: 80% Sativa: 20% THC: 18-22% CBD: 0,1% Indoor Yield: 450-600 g/m² Outdoor Yield: 400-650 g/plant Indoor Blooming: 7 weeks Purple Flower: approximately 75% of the specimens Effects: Stimulating, Happiness, Relaxing Taste: Earthy, Citrus, Cool https://sweetseeds.es/en/f1-fast-version-seeds/3237-strawberry-cola-sherbet-f1-fast-version.html ____________________________________________________________________________________________ Setup: 140x70x200 cm Spiderfarmer tent 2x Monkey 16W fans (not oscillating) 1x Secret Jardin 30W 1x box fan 50W oscillating (on lowest level) LED Full Spectrum 320W AGLEX AGL-320W-MA 5,6 kg foldable, dimmable 864 pieces Samsung LH301H 864umol/s 2,7umol/J full spectrum white + RED 660nm + IR 740nm wavelength range 380-780nm covering 3x4ft APTUS Holland - https://aptus-holland.com 💚 Green Buzz Nutrients https://greenbuzzliquids.com/ 💚 ❗ Use code GD42025 for generous 25% discount (for orders of minimum 75€) Biobizz Lightmix + coco + wormcastings + perlite Carbon Active Granulate Filter 125/360 cm³/h PrimaKlima exhaust EC 125-400/240 cm³/h

1/8/2023: chop day for the Newberry! Like the other plants, I will be drying the whole plant, along with the Orange Bubblegum in a 2x2 AC Infinity tent, with the temp and humidity as close as I can get to 60° F and 60% humidity. The portable AC unit and humidifier do a good job keeping me in range. This was very easy plant to grow. Other than a few nanners the last week in flow, I had no problems with her. Smells amazing and looks amazing too. Can't wait to try growing this one again.

Slow, precise, solemn. The Acapulco Gold doesn't run. Don't elbow. It just... takes its space. And he does it with authority. At the sixth week of vegetative, it began to show that calm power typical of true sative: slender branches, sharp leaves, and a structure that is being composed as a natural work of art. It doesn't make the noise of the most flashy, but those who cultivate with heart know it: This is a genetics that knows exactly what it wants to become. ⸻ 💧 Irrigation routine managed with precision: After the forced pause of the timer, I let the plant speak. Just one minute of irrigation a day did its job. The ground breathed, drained well, and she replied: No sign of stress, just balance. ⸻ Weekly nutritional formula: In the 50L tank I kept the flow constant with: • Grow / Micro / Bloom – Advanced Nutrients for the complete base • Sensizym, to keep the root system active and clean • B-52, which gives tone to each leaf and supports the push • ATA Clean, silent but essential for the health of the plant ⸻ 🧠 Growth impressions: The Acapulco is not growing. It's maturing. It's taking its form, like a rebellious bonsai that doesn't want to be contained. The SCROG network is waiting for you... and you will arrive when the time is right. The beautiful one? Every day it gets closer. His pace is slow, but he leaves his mark. ⸻ 🎯 Next goal: Guide her in the quadrants of the net with patience, while the rest of the team closes the vegetable carpet. When he shoots on 12/12, he won't need to chase anyone: The Acapulco Gold will arrive straight to the heart of the flowering, long, tall, intense. ⸻

Here we are. Week 2. On the Day 8 video, I give my method on how I produce nearly zero larf and huge buds. It's easier than most think 😉

I'm speechless......... I don't know what to say or think at this point. This strain is amazing!

Beginning 4 weeks of flowering ...! for any question or curiosity write me ... peace and love my friends 🤙👍🤟✌️

Ladys & Gentlemen 😉

There is a lot of variation in the phenos, a couple of purple in-between them, and different growth structures and sizes.

si, una va a su rollo

It's week three of flowering, and the ladies are doing really well. The net has been installed, and the plants have been moved into position. The Fishmix has been removed, and the Bio Grow fertilizer has been applied for the first time. I also defoliated and lollipopped both plants. Small buds are forming, and you can start to smell them. 💚💚💚

Everything still looking good