Heute mal inklusive einem kleinen Video. Was soll ich sagen, ich habe in diversen Foren und auch hier das Problem geschildert und musste wohl feststellen, dass ich es tatsächlich geschafft habe mit Bio Dünger zu überdüngen und das wahrscheinlich mit zu viel Stickstoff. Ich habe mir die Trichome angeschaut und rechne mit einer Ernte in ca. 14-20 Tagen. Diese Woche wird das letzte Mal Blütedünger gegeben. Der Wachstumsdünger ist komplett raus. Ab nächsten Sonntag wird je nach Zustand entschieden, ob TopMax und die anderen Zusätze noch 1 Woche gegeben werden oder ob ich spüle. Ich werde die Töpfe auch nicht mehr voll saugen, da die Luftfeuchtigkeit kritisch wird (nachts 82%, tagsüber 65-70). Schimmel konnte ich noch nicht feststellen und auch vom Geruch her glaube ich, dass noch kein Schimmel vorhanden ist.

Einfach geil 😍

They grow amazing without any problems Day 38 I switch to bloom cycle 12/12 I defoilate her next week Day 39 she is preflowering such good strain I bet Buy new light guys philzon 2020 Pro led its lovely 😍

At about mid-week the canopy was becoming very full so I defoliated to let light hit all of the bud sites. I found an article that mentioned "Schwazzing" and it seems close to how the approach this grow has gone. They got heavy defoliation just before flower and then also a few weeks in. The broken stem has healed dramatically even though I didn't reconnect it but let it stay split. I put rooting gel in the wound and then duck taped it. Now it looks like its going to seal itself back up within a few more weeks. The light is intense, 70-75K LUX on the top of the canopy. I have a little room left to raise the top light before I have to start dimming it. Hopefully I can manage to keep them at max 75K LUX without dimming, or may try supercropping depending on how the stretching goes. This week all the side lights are on along with the main light. They all seem to be loving the light and the heat has been manageable. They are drinking about a half gallon of water a day and TDS started at 1100 and ended at 800 by the end of the week. * Pineapple Express 1 is the furthest along and I can already tell the smell is going to be amazing, very fruity. * Pineapple Express 2 is very lush but flowering a notch slower. * Pineapple Skunk has a concentrated number of buds sites compared to the others, I'm very excited for this one. Day Temp: 75 degrees F Night Temp: 65 degrees F

Semaine 2 de la végétation, purple shine arrivé à 4étage de feuilles , ça va être le moment de lui appliquer la première taille. Dans son air pot 1L purple shine développe un joli réseau de racinaires. Le 15/04 première taille application+ application foliaire de geisha, au lendemain de la taille purple shine semblait aller très bien l'apport foliaire geisha lui a fait un grand bien. Cette seconde semaine de végétation purple shine a commencé a profiter de tout les nutriments de croissance contenu dans la gamme terra samouraï de @shogun(terragrow, katanaroot, silicon, calmag, geisha foliar)

**Encontrarás la traducción a español al final de la descripción** From/Desde: 23/09/19 || To/Hasta: 29/09/19 From day/Desde día: 63 || To day/Hasta día: 69 If you like this week, please hit a like, it costs you nothing! 👊. Thanks in advance 😉! -----IMAGES & VIDEOS----- I'm sorry to not having more Alice timelapses, the tent is too small to record some decent videos due to Alice size, a think that I must have in mind for upcoming grows. -----WEEK SUMMARY----- One week more that Alice overpass my expectations, I'm really not having any time to do nothing to her, but she's still beauty. Those buds are looking amazing on it's start, I can't wait more to see those full buds formed. I'm not vey proud of using mineral s#@ts, but i already tested it and results are really appreciable. Anyway I'm not using it in excess, just the day 29 and probably at October 8, just 2 applications. I'm also using Bloombastic, Organic PK Booster & Overdrive. -----WATERING CALENDAR----- 25/09/19 DAY 65 - 3 l with Rhino Skin, Bud Candy, Big Bud, MegaBud (1 g/l) @ (1.9 EC | PH 6.4 | 25.7ºc) 29/09/18 DAY 69 - 4 l with all week nutrients -(MegaBud) @ (1.65 EC | PH 6.2 | 25ºc) *****ESPAÑOL***** Por favor, si te gusta esta semana dale un like, no te cuesta nada 👊. ¡Gracias por adelantado 😉! -----IMÁGENES & VÍDEOS----- Siento no tener más timelapses de Alice, el armario es muy pequeño y no me permite grabar videos decentes dado el tamaño de Alice, una cosa que he de tener en cuenta para futuros grows. -----SUMARIO SEMANAL----- Una semana más que Alice sobrepasa mis expectativas, no estoy teniendo tiempo para cuidar nada de ella, pero por lo que parece ni falta que le hace. Los cogollos se ven hermosísimos en su inicio, no puedo esperar a que se unan y engorden. No estoy muy orgulloso de usar mi@#¢das minerales, pero este producto ya lo he probado y los resultados fueron muy buenos. De todas maneras uso muy poquito, 2 aplicaciones durante todo el periodo de floración. También uso los demás PK's así que no hay problema. -----CALENDARIO DE RIEGO----- 25/09/19 DÍA 65 - 3 l Con Rhino Skin, Bud Candy, Big Bud, MegaBud (1 g/l) @ (1.9 EC | PH 6.4 | 25.7ºc) 29/09/18 DÍA 69 - 4 l Con todos los nutrientes semanales -(MegaBud) @ (1,65 EC | PH 6,2 | 25ºc)

Week 6

Took of the humidity dome sooner than I wanted. I swear it makes em stretch. Also turned up the light! Got get the RH up a bit but these babies are up outta the ground and doing their thing! This will be the first grow that I try to water according to the plant and NOT a schedule, therefore prob wont be watering much this week! __________________________________________ Not much to see, but not much to worry about! Gave em a little water just to get the top layer wet. Being much more patient and calm with these seedlings. 2 of them did stretch more than my liking but it shouldn't matter at all soon.

19/12 Ayer se regaron con solución nutritiva pensando en el ultimo mes de floración y considerando su respectivo tiempo de lavado.

Day 15 Topping applicated ✂️✂️✂️😁

Was a bit of rain, but she handled it quite nice decided to start LST this week.

This week I also had a few rainy days, although less than the previous week. I’ve been trying to keep the humidity around 58% to maintain a stable environment during flowering. Everything is still on track and developing well 🌸💪

Added Exhale c02 and top dressed in each pot with 1 tablespoon per gallon of growing medium my pots are 3.6. I added 3 tablespoons. It is my hopes that with adding the slow release dry amendments and once the c02 bag sarts growing my plants will finally grow. They are short but have 4 nodes at day 21. What is an exhale c02 bag? “The ExHale bag is a patented strain of mycelium that produces an abundance of CO2 without fruiting. This means that when our bag is activated, the mycelium grows, eating the substrate it comes with, giving off heaps of CO2 straight into your garden, and it does all this for 6 months - guaranteed!” At day 25 I am not impressed with the size of these girls? Hope they hit a growth spurt soon? Their internodes are stacked very nicely. At day 28 growth is very slow. Practically none existent since my top dressing at day 23. 2 plants have received a very minimal nutrient burn. As I do not have a soil ph tester? I will be watering with a ph of 6.0 rather than 6.5, hopefully that helps. ONWARD!

Yet another Quebec Cannabis Seeds cultivar that exceeds all my expectations This strain is gorgeous & extremely potent. The dry stage took about 9 days... which is a little bit quicker than I'm used to, but everything turned out well. I'm very happy with this strain and I would recommend it to everyone In under 100 days I managed to get just over 28 oz off of four plants. I think the gaseous CO2 is directly responsible for this and I will be using it for every grow going forward.

Welcome back to my summer grow🙂 Everything is still in need for more, more light - more nutes - more airflow and last but not least, more ir/uv 😎 Also gaining weight so that’s also great 😊 Hope to see you again next week 😎 ------------------------------------------------------------------------------------------------------- SpectrumX LED🔥 @medicgrow 880 Watt⚡️ 2x UV/IR LED panels 💥 2.7 μmol/J🔥 Full Spectrum V1,F1,VS,FS🌈 Display with PPFD & Live spectrum Light measurement: Apogee MQ-610 & Apogee DLI-600. Fertiliser: Organics Nutrients https://www.organicsnutrients.com/en/ Green Buzz Nutrients Discount Code: GD42025 Grants 25% with a minimum Order value at 75 Euro. https://greenbuzzliquids.com/en/shop/

Hey! Welcome to week 9 for Karen! Week 8 is now complete so please go and check it out 🙏. Big week last week... massive. Day 57: Fertigated 6l. Height 40cm. Day 58: Scent has stepped up again and I'm noticing some of bud sites starting to develop frost. Day 58.5 Flushed with 20l of PH & CalMag. Day 59: reorganised tent Day 60: Fertigated 3l. Karen has put on a load of frost in the last 24h. I mean seriously. Smell stepped up again. Height 44cm. Day 60.5: I have had a really good look at other KKA grows. I think Karen is going to need a few extra weeks. I think she will be ready for harvest in about week 14. So I think we have about another 4-5 weeks to go. Day 61: Adjusted the LST a bit. She's frosting rapidly now. 😍😍🤩 Height 45cm. Width: 60cm x 70cm Day 61.5: It is only 8 days since I *heavily* defoliated and I think I probably should do it again already. Things are progressing well at the moment though so I am trying to resist doing it too soon. She is still stretching. Day 61.75: Right, I have done some research and I have made a decision,. I'm going to give Karen 2 full weeks from the last defoliation on day 53, so on day 67 (i.e half way through next week) I will defoliate and perform final LST just to space out the colas a bite more at the "top" of the plant. Incidentally, Nesia is now easily the same spread as Karen.. Nesia is going to be much bigger than Karen. Check out Nesia here: https://growdiaries.com/diaries/161801-grow-journal-by-unorthodoxdude If you are interested in the stunted Big Bang Auto - Bertha - who is 2 days younger than Karen, check her out here: https://growdiaries.com/diaries/158111-grow-journal-by-unorthodoxdude - in the current week I have added various photos of the non-cannabis plants in my tent. Who knew basil flowers were so pretty? 😊 Day 62: Fertigated 3l Day 63: Height 47cm width 65cm x 75cm Week Summary: Another big week with a plant barely recognisable from herself a week ago. As well as the ongoing stretch she has started to frost over this week and I am hoping this continues because more and more is appearing all over the place.

Day 72 Jungle Jimmy 70 cm / Day 73 Pink Cookies 102 cm: They had some time on their own and I was surprised, how they liked it. Look at their development during the last 3 days 😍 Day 73 Jungle Jimmy 70 cm / Day 74 Pink Cookies 102 cm: I removed some fan leafs. Nothing else to do today. Day 74 Jungle Jimmy 70 cm / Day 75 Pink Cookies 102 cm: Nothing to do today. -------------------------------------------------------------- 🙏 Thanks for visiting and follow for daily updates 🌱

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

This week was real great today is day 103 an these girls are all drying out for 12- 14 days ! Then will be ready for trim and cure! Keep your eyes peeled for next week , will have more photos when we get to trimming! Cheers everybody Happy grows🤙

Outside right now untill there is room in the tent Day 15: Looks good 👍🏻 watered with rain water 👌🏻 keeping the soil moist 🌧️ Day 18: looking good and watered 🌊. Watered with rain water and 1 ml/l Hesi Boost, 1 ml/l Cal Mag, and 1 ml/l Green Sensation. EC at 1.0 and a pH of 6.4 . Day 21: looking good and watered again. She's starting to flower ?, need to move her to a bigger pot. Watered with rain water and 1ml/l Powerzyme, 1 ml/l Hesi Boost, 1 ml/l Cal Mag, 1 ml/l Bloom Complex and 1 ml/l Green Sensation. EC at 1.0 and a pH of 6.4.