Todo va perfecto 😍

The hardest part of growing, is the time for harvest... I didn't do the norm, no 12/12 I do 10/14.. Do I harvest? I flushed her out, its only week 6 of flower, and I feel like there is plenty of time for these babies to bulk up... things are on cruise control, moon mintz is a 9 week flowering plant. She is looking absolutely BEAUTIFUL. This whole grow, except the hermie... has been a blessing. I love this plant, seeing my efforts going into these huge buds is very very amazing.

Plants are growing nice and strong. Buds are developing nicely, going to be some big cigares for sure! Fed them water with 200ppm calimagic this week. Switching to magsulphur in a couple of weeks. From here on out its like cruise controlling. Only have to switch the lights to 100% somewhere in the last 3 weeks of flowering. Just leave them the fck alone.

They are happy and healthy!! I cannot wait to get my timelapse camera going because I would have been able to catch these bolting this week! It is super cool how fast they doubled in size!

Buenas a tod@s... Empezamos con la primer semana de flora, se las ve muy bien de momento, crecen fuertes y uniformes, algunas hojas marcan exceso, pero v atodo bien... Esperomos sacar buena cosecha en lo q respecta a calidad y cantidad, q ver q sale, de momento q crezcan fuertes y sanas... Un saludos y buenos humos... 💪🏻🏻😎

4ta semana de.floración de nuestra Sherbet queen

Bloom : 3-Week Very Hot 🔥

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

This plant seems to have grown much denser and better than my first plant. I just got the ac infinity ventilation setup with controller 69 for my 2x2, still trying to learn, hopefully grow #3 goes even better. Stay tuned

Temperatura entre 22 a 29C 18/6 fotoperiodo Umidade entre 70 a 85%

420Fastbuds FBT2304 Week 9 What up everyone. Weekly update on these beauties. Getting some fade in the leafs on the bigger one and having to feed her almost 2x what I normally do of 2000ml about every day in a half. Besides that they seem to be on cruise control through the flower stage. The main colas are definitely swelling up as one could hope and to think they probably both have another 2 weeks before harvest it'll be interesting and exciting to see how big they'll turn out. Nutes will be stopped this week and they'll be getting only ph'd water for the remainder of flower. All in all Happy Growing

So we've hit day 49 with the girls! Everyone seems to be happy. The 2 little runts are now the biggest in the crop, they're super stretchy and about a week behind in flowering. I hope to be able to harvest all the plants at once as I plan to dry in my tent, but if I have to do a staggered harvest then, I guess I gotta do it. Nutes are listed above, everything has been working excellent so far. (I may be trying different coco nutes next run, as I'm suspecting the H&G set I'm using has contributed to the stretchiness of the girls.) UPDATE - DAY 51 - 09/01/21 Everything seems to be just fine at this stage in time. the runts are flowering slowly, so i hope they pick up sometime soon. 1 of the plants(the healthiest since day 1) seems to be a week or so ahead in flower. I'm still hoping to chop the whole tent down at the same time (Fingers crossed!). UPDATE - Day 53 - 11/01/21 The girls seem to be happy today. Pheno type 1 ( plant 1 + 2) - Much more bud production than the rest of the plants. pheno type 2 (plant 3 + 4) - runts of the litter are now the stretchiest out of the lot Pheno type 3 (remainder of plants) are inbetween pheno 1 & 2. I'm still hoping to harvest the majority of the girls at the same time, still have a while to go though :) Thanks for stopping by!

It's Day 54 Week 08 0f Flower For My 02 Kombucha Cream by atlasseed . And For My Snow White and SpliffStrawberry by Spliff Seeds Amsterdam . So Today I Started My Day By Checking My Tricomes On My 2 Kombucha Cream. The 02 Where Looking Fully Milky So My 02 Kombucha Cream Got Flushed TODAY with Some Flawless Finish by Advanced Nutrients . The 2 Received 80ml of Flawless Finish mix with 1OGallons Of Water Ph at 6.0. Tomorrow they will get Rinse off with ph balance water. Yesterday I watered my Snow White and SpliffStrawberry Ppm where down to 100ppm. All 4 Plants will get a nice ice bath in a few days. My plan is to check the Tricomes on the SpliffStrawberry In a few more days she was still Milky when I check her yesterday. I will chop her down next weekend. And the rest will get the chop at 30%Amber Tricomes. Happy Growing Growmies 🤘🏻

Have really started too uptake feed now and she is taking the same as the plants that are 1 week older on nutrients but drinking twice as much needing too be watered more often , also she has started too droop her leaves towards the end of the light cycle , but I've read alot have been have this , so maybe the blackberry would benefit for a 20 hour light cycle , bit the others are loving the light , she has also already developed the lovely purple colours all over her , and it's a sight too see that's for sure well what can i say about this little lady but wow . her bud production is super fast and she certainly likes too stretch up , she is drinking the same feed as the ones that are a week older and drinking twice as much as the rest too , she loves her food thats for sure , her colour is stunning and i could sit there all day looking as her beautiful buds , this is the most stunning plant ive seen i can not wait too try this lady , so far apart from the yellowing during veg that ive thankfully got on top of using cal mag at full strength ive had absolutely no other issues at all and as you can see she is no a lush green and loving life , i have added a very low dose of top shooter today and will increase that slowly over the next two weeks too no more than half the recommended dose ,

Sorry I started this current diary around week 5 , just before flip into bloom . You won't want to miss this one tho guys, some monsters are beginning to form . So far so good 👍

The second week of vegetation is over and watching the plant grow is a rewarding experience for me. Now that the plant is well-established, it is time to begin training it. This involves LST to ensure it reaches its full potential in this case. I look forward to discovering what this plant will become 😋😊

Week 9, day 57.... started this week with a feeding of pH 6.0 plain water. Hope she start to fatten up really soon. I'm going to take it a little light with the feeding this week because I gave her some nutrient burn.i also noticed some of her older leaves are getting a little yellow, is that something I should worry about? Day 58..... she's ok, took a few pictures of her leaves that has those dull spots. Hopefully someone can lead me in the right direction. I see very little progress with her buds swelling. I do have a heater in my tent which is right next to this plant(not facing or touching) and I was reading about heat stress, could it be that she's this tall because of it? I did switch around my 2 plants in the tent. I'll monitor and let you guys know in a few days. Day 59.....this plant is really big, she's taking up more than half of my tent. About the deficiency, I don't know exactly what it is but I tested the ppm runoff and it's about 3500 which is really high. I honestly never tested the ppm of my feedings. She's going to get a nice flush and I'll be monitoring my ppm from now on. He buds do seem to be fattening up slowly but it's noticable every day. Day 60.....well her leaves are looking better but you can see the nutrient burn on the tips. This plant looks very different from the rest of @fast_buds girl scout cookies. I just hope she swell up before she's ready to harvest. Day 61......took a look at her trichomes and to me they look milky. I don't know if her buds will get any bigger. 😥. Day 63......last day of week 9, gave her pH 6.0 plain water today. Took a macro shot of her trichomes, let me know what you guys think.

Día 15: 🔹 Primer riego con toda la gama de productos BioBizz, una EC ajustada a 900 y pH a 6.2. Le agrego Rootbastic para una mejora de las raíces. 🔹Sigo pulverizando las plantas con una EC de 400ml, con acti-vera y Rootbastic. Van de miedo, sin quemaduras ni signos de alguna carencia. 🔹Le pongo un higrostrato conectado al extractor y un humificador para mejorar las condiciones del cultivo. Día 16: 🔹Pulverizo las plantas 2,3 veces al día con Rootbastic a 0,1ml/ y Acti-vera BioBizz a 1ml/l Día 17: 🔹Riego según la tabla de nutrientes con una EC de 1000ms y pulverizo las plantas cuando se despiertan con el enraizante. Día 18: 🔹 Aplico foliarmente 2/3 veces al día una solución de Rootbastic a 0,1ml x litro. Día 19: 🔹Trasplante a maceta definitiva de 11 litros 🔹Aplico Special THC Plus foliarmente en base mínima establecida por el fabricante, ya que en unos 10 días aprox. la pasaré a floración. 🔹Riego con una solución suave de abonos EC de 900 y un pH de 6.2 Día 20: 🔹Aplico foliarmente 2 veces al día una solución de Rootbastic a 0,2ml x litro. 🔹Aplicación tierra de diatomeas en las nuevas macetas para evitar futuras plagas. Comentar que es la primera vez que la utilizo y ha sentado genial al cultivo. espolvoreo una cucharada sopera por cada maceta por encima del sustrato. Día 21: 🔹Descanso. Comentar que el trasplante las ha sentado genial.

Pflanzen jetzt in der ersten Blüten woche bzw. In der vorblüte wachsen sehr schnell und gut bin sehr zufrieden. Auf dem Balkon ist es einfach anzubauen.

Week 20/5 - 26/5 Final days!