6/22 End of fist week in newly remodeled grow room! Clones did well with transfer from clone machine to grow rails. Got rid of the 3 inch neoprene Inserts for the sliced pipe insulation. Wrapping the pipe insulation around the root riot allows me to see the base of the plant and the root riot witch provides a good indication of moisture level in the rail. By zoning the high pressure irrigation, the pressure is running higher than the last round and I found my settings at 3 minutes every 30 min too much water. Added 10 minutes to root dry time to 40 minutes off. Seems to have done the trick and leaf curling has diminished. 😀 All set for new round. Get the last round of lids at greenbud.life Open enrolment till July 4th. Get signed up before then!

Stunted 1 got an Oz. The Other Stayed Small And Responed To LsT Great Lil Bush Produced Roughly 3-4 Oz. Thanks For Following Along

budding up nicely now. One pheno looks to be growing different bud formations and is much more frosty. O stupidly didn't take a cut of this in veg so I've taken a flower cut to reveg and try monstercropping.

To get higher temperatures I placed the growbox near the radiator, dimmer still at 25%, boiled tap water also this week, this guaranteed me an ideal for the beginning, from now on I will use mountain water which will allow me to use less fertilizer.

10 juillet , Jour 48 cro+48 : Sayez moitié du stretch je commence à compter maintenant pour être sûr on change de nutriment

Venerdì 2 febbraio facciamo un bel flush, svuotiamo il serbatoio cambiando acqua, partiamo da 50 lt di acqua demineralizzata Aggiungo 200 ml di cannaflush e lascio girare per 24h Sabato 3 febbraio svuoto il serbatoio con la soluzione cannafluh e metto in circolo altri 50 lt di sola acqua osmotica per altre 24h. Domenica 4 febbraio svuoto nuovamente i serbatoi di sola acqua, e riempiamo di nuovo con 75 lt di acqua e questa volta Aggiungiamo i soliti nostri nutrienti: 135 grow 90 micro 45 bloom 75 sensizym 75 calmag 75 rhino skin 75 nirvana 75 bud candy Ec Ph6.2

Hi all! Not all that much to report. Flowering in going well with the girls producing more and more crystal looking trichomes and steady bud growth. There is definitely a noticably more pungeant smell every day and I get lovely wafts of gas in the mid afternoon air after the tent lights turn on. I have just been continuing the feeds of water and liquid seaweed. The girls are drinking more often (now about 5 litres each every couple of days) but it may also be due to the hot weather lately. I did amend my topsoil again with my nutrient amendment mix as I had noticed Pheno 1 was looking a little light in her usual strong dark green. As you can see she has responded well and has some more colour in those cheeks. Ive made another video for you all to enjoy (at least i think so!) and included a pic of my feeding/potting station. Its an old Tea Trolley made by either my great grand father or great great grandfather. I love this trolley and its had a lot of use but I cant say its ever been used for its intended purpose! 😂 Feel free to drop me any questions or a like on the diary if the mood grabs you 😏. Anyway, until next week ladies and gents! ✌️

What to say ? Outstanding genetics and gargantuan nuggs on this lemon AK stinks like citrus/lime more and more day by day. Believe me this one is different i can’t wait to pop another one of these. Takes a bit time to rippen because of it’s heavy sativa lineage but the buds clearly lean on the indica side becausw of the monster density and tightness S/O my boys and gals from fastbuds

This week the strawberry pie has come along fine, she is as low as i can get her and has probably finished stretching. All 4 strains in the tent are quite close in development still. Notes Day 50 manually feed this weeks nutes Day 51 nothing Day 52 nothing Day 53 autofeed water. Day 54 nothing Day 55 autofeed this weeks nutes Day 56 big defoliation. 538 ppfd, 34.8 DLi. Back in a week Take it easy.

Middle 2 plants stretched a lot week 3 of flower. They were growing slower in veg so I flipped to flower as soon as their canopy reached the net (barely LST these 2 plants with the net given their slower growth). Then week 2-3 of flower they took off. Did some defoliating to expose bud sites further down with the intent to increase yeilds.

This strain has easily become one of my top 10 favorites over the past year, to smoke and grow.

Feed log: RKA x TCP #1 — D: 70 - 8.5L - [ph 6.2] SI[3ml] ,Vega[6ml] , Flores[20ml],Ca/Mg[4.1g & 3g ] INPUT; [1.486 EC] OUTPUT; 2.5L ,6.1 pH , 3.65 EC RKA x TCP #2 — D: 65 - 7.5L - [ph 6.2] Si[6ml] ,Vega[6.2ml], Flores[22ml], Ca[4g]/Mg[2.2g] INPUT; [1.58 EC] OUTPUT; 2.5L pH 6.3 [2.398 EC] Nr. 1 requires an increase in water next irrigation to bring that EC down lol! Nevertheless she’s doing great. Nr. 2 is nearing harvest, no new white pistils in sight, so I’ll start initiating the flush next irrigation 👍 just plain RO water for 7 days. For the next indoor batch I’ll be running 50/30/20 soil, coco, and perlite for even better control! Smell observations; Pheno #1 — citrus + spice with a slight banana peel note 😅 Pheno #2 — citrus + spice (no banana peel note) What do you guys think the yield will be? 😱😉

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

I have now put all 8 cuttings from the nutriculture x stream into the growtool 0.8. the best 4 cuttings stay in the ScrOG.

got the camera issue fixed and will get a time lapse up tonight :) The pH issue is back where it drops to about 4.6 by the next night and i think thats causing the brown spots on the leaves. Im starting to see some owange hairs so im thinking she has about 2 weeks ish left.

Doing great so far this week. This for girls to see major swings and temperatures and I do feel that for that, but I am doing everything I can to create a consistent environment.

This will be the last week i will Feed. I m keeping TDS at 400PPM and PH at 5.8. This week I took out the Silica Blast, Great White and also stoped the CO2. Also I lowered the water temp to 66 degrees. Lights on temp is between 75 and 80 degrees, lights off between 65 and 72. I’m trying to keep humidity as low as possible around 45% week 10 will be flush week.

We're starting to make some progress, leaves are looking good. Gaining some decent height, not too much. I'm probably going to top her, so I'm keeping an eye on the optimal time to do that. This week, I did not water, as the soil was sufficiently hydrated. So not much to report here! Thank you for stopping by this week and hanging out! 😉💚✌️🍃😊