Bella tosta da tirare giù....non vedo l'ora di vedere i frutti 🍻

Aloha Freunde der Sonne 🙏 Wir sind kurz vor dem Ziel und das kann man schön deutlich sehen. Die schönen Farben und der Zuckerbesatz lässt sich sehen.

Ciao a tutti, eccoci di nuovo, sono passati 8 giorni dall'ultimo aggiornamento. oggi siamo arrivati al giorno 40 di fioritura, i fiori sono raddoppiati di dimensioni e sono gia duri come delle pepite che si riempiono di resina giorno dopo giorno aromatizzando tutto il locale di agrumi. Negli scorsi giorni ho avuto un problema di sovrafertilizzazione, dopo una mia prima analisi penso sia un accumulo di nutrienti immobili contenuti nei concimi AN che ho aggiunto alla mia solita fertilizzazione dato che volevo azzardare e vedere se ci fossero dei miglioramenti. Era dall'ultimo post che le piante iniziavano a mostrare segni di una concimazione troppo sostenuta, nella vasca l'EC era 2.4 e a partire dal giorno 35 dopo ogni 24 ore avevo un aumento dell'EC di 0.3-0.4, cosa che regolavo aggiungendo acqua riportandolo ad un valore di 2.4 e aumentando il PH a 6 per vedere se le piante riuscissero a metabolizzare meglio i nutrienti in eccesso, pensando che le piante lo avessero sopportato dato che le conoscevo e sapevo che potevano mangiare tanto tanto. ERRORE ***** il giorno 39 sono intervenuto cambiando la vasca e mettendo solo acqua con PH=5.8 che cambierò giornalmente almeno fino al giorno 41. quando poi tornero ad aggiungere i concimi ma ad una dose inferiore. per il momento posso dire che l'aggiunta dei concimi AN non ha avuto gli effetti desiderati sulla dimensione dei fiori. Quantità e qualità della resina e dei suoi terpeni non posso notare alcuna differenza dato che attualmente le temperature sono relativamente basse e preservano bene tutti i terpeni motivo a cui attribuisco il loro grande profumo che come detto è inebrianti, adoro chiudere gli occhi e annusare le cime PURA AROMATERPIA :P Vi direi addirittura per il momento di aver esagerato con i prodotti e ho pure speso soldi inutilmente creandomi un problema di concimazione

Very slow growing let’s see how it goes after the LST. Day 28 getting better but still not satisfied

Our sweet lady survived a week of raind and intense wind, the golden rope you see was helping the buds to stay still and to help save branches from breaking. The lady is super sugary and sticky right now, but the buds seem like they are not gonna thicken more than that. This plant has been stressed multiple times during her lifetime, from broken branches to light overdose, she has been kept away from direct sunlight since than, so this is the cause we attribute to this slower growth. Our biggest doubt is about harvest time. The buds do not seem big at all, but they look very orange and the breed's harvest is said to be in mid October, so we should start flushing! While I think we should wait untill the last week of the month, F. says i's almost time for drying. 😵😲 Looking at some pics of last year's harvest I am afraid this lady is not going to produce as much as we tought, maybe because this is our first experience with so many nutrients. Hope someone can help about harvest and buds overall look 😬😬

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Love every plant each one is growing differently stacking different even the visual difference of one strain growin two different ways combined smells of diesel, pez candy and lemons

Added co2 to tent, added molasses and big bloom to nutrients for pyramid purples. Looking to veg For one more week. Reminder my diary is from seedling so veg is more like 6-7 weeks instead of 8. STAY TUNED. Youtube search “ nugg man95” need ideas for videos!!

Tutto perfetto finito!!! Grazie a tutti per il supporto e a @Sweet_Seeds per la collaborazione ❤️🔥🌲

Hi As you can see my babies are close to the cut, I would say 2 weeks left. So now I’ll stop feeding them and let the nature do its job. Its for sure one of my best session

Wet, 20gr on the top. Trichomes were getting brown. Will leave the rest for a couple of days.

Barneys Farm Cookies Kush Organic soil Grow Diary Update 16th Feb 2020 Well the stretch has definately started and there are visible pistils showing at the nodes so my girls are Flowering!! Yay Both Girls are looking good although plant 1 has distinct red leaf stems that I am not sure about. It could be a deficiency or phenotype trait?? Feeds this week were as follows Day 1 Superthrive using the 1ml/3Litres ratio I made up 10L and gave the plants 5 each. Day 2 Nothing at all Day 3 Water only Day 4 Nothing at all Day 5 Water only Day 6 Seaweed solution and mycorrhizae Day 7 (yesterday) water with a tiny amount of liquid potash Also yesterday I posted a question regarding whether or not I should repot the girls before they grow any further. Well the general consensus was to go ahead and Transplant them so in the cool of the evening I went ahead and moved them both into bigger pots. I used all of the left over super soil from my auto grows earlier this year. Plant 1 got moved into a 75 Litre grow bag and plant 2 went into a 40L standard garden pot. So that means plant 1 is in a container almost 4 times the size of the one it was in whilst plant 2 is now in a pot twice the volume of the original container. I chose plant 1 for the bigger pot simply because the roots were definately starting to become rootbound in the smaller pot. Hopefully the extra room may lead to a better outcome (ie yield) Thanks for checking out my update and also thanks to all who provided input to my question yesterday. Grey_Wolf 16th Feb 2020 Grey_Wolf 2/16/20

Starting off week 9 and I'm impatient! This plant has been amazing since day 1. Came out super weird colored and finishing off with this beautiful purple! Will be growing this strain again for sure

Just water

Week 5, days 35-38 Ztrawberry 1 pheno & Damn Sour 2 phenos Both strains are on a very different path. Ztrawberry has been in a bigger pot since the start and after been put in an 11L pot. Wow, she has thrived. She's gotten so big. I've actually decided to flip her. Her nodes are grown and she is fully ready to flip and the process of waiting will be short. I gave her the last grow feed a few days ago. Already still having grow mix as she was moved into a solo pot of grow/light/pebbles 40-40-20 from plagron. She's pushing so hard. There is a few ph issues and a few other stuff. No nutrient defs so nothing that would stop her moving to the next phase. Ztrawberry has been put in 12/12. More pics coming soon from week 4 Damn Sour Both phenos have been stuck in a 2L pot and was only transplanted into each 2L pot. Been giving master root and Enzymes + silica for stress. They've only been put in 2L pots a few days ago. 1 was very stressful as I practically had to pull her up with as much of the roots as possible. They are the sane age as Ztrawberry but they had no space. I will uppot them to 9L pots in a few weeks once the root zone has recovered. I really should have left them and uppoted to a bigger pot. But been so long in that pot. They wouldn't have reached out which is what's happened to my 2 lemon photos I kept too long in a 20L hydro pot. Was really as waste of time by the looks of it. More pics coming soon Have had to PH to 6.7 and I used - on the silica feed which have been all on since they were transplanted. Ztrawberry 2 weeks ago & Damn Sours 2 dags ago.. Discount codes from sponsors for you 20% off Xpert Nutrients/KANNABIA with code:ggst 20% Zamnesias entire catalogue with code; ZAMMIGROW2024

The Gorilla Cookies FF is now outside. Unfortunately, I overwatered it while it was indoors, which slowed its growth, but it has recovered. We'll see how big it gets. I'll probably repot it again.

My first week went very well. 3 Runtz Muffin in the back (1 week) On the right DNA DJs Gold. (1,5 week) On the left should be Kings Kush CBD cutting from cutting, hope it will be back to life 😇

🍬