Great week 3 for my lovely Gorilla Melon

baaaaaaaaaaaaaaaaaaaa

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We're still away, but the plants are being well taken care of. 📸🌿 The ladies are getting noticeably bushier, and my suspicion from the last few weeks seems to be confirmed. The stretch definitely seems to have kicked in, and now we're starting to see the first signs of flowering. The tomatoes are happily growing as well, producing plenty of flowers and already setting lots of fruit. 🍅🌱 Things are getting very crowded in the Balcony Jungle, but that's making the whole thing even more interesting. 😅🌱 Let's see how the plants develop from here — it's getting exciting. 🌸💚

Adding video

Everything is looking good so far. They’re all done stretching and the cheese and black garlic have stretched the most. I adjusted each plant with boxes to create a more even canopy. Buds are swelling up nicely. The two black berry breath plants are looking swollen and fantastic. I don’t like the structure and bud size of the black garlic plants and will not be running them again. Although, they’re getting quite keify and the breeder claims they have a genetic trait that make them put on most of their weight late in flower. So far I’m not too impressed by their size. The seedsman Badazz OG cheese has got good node spacing and structure but has very little trichs and smaller buds. I was just running the cheese to test old European genetics and my bias is starting to confirm my bias. Dutch and Euro genetics are shit. The slurricane #4 is looking fantastic in terms of frost but the buds are lacking a little in size. I’m going to do the 21 day strip today. I should have done most of this defoliation earlier in veg but right now is still fine. Ice cream cake #1 hermed which isn’t at all surprising so I scrapped her. At least it gives me more space to get in and tend to the rest of the plants. I got a pump sprayer to get in a bit closer to the plants as well.

This week the growth has been explosive, I thought by the end of last week that it stopped growing but I was obviously wrong! I’ve done a little more light LST and also tucking the leaves behind one another in order to expose the bud sites to as much light as possible. I’ve stopped giving the plant the Madame grow Jamaican bloom 28-25 PK now and I’m just feeding it the canna A + B with CalMag every other day and this seems to be a good amount. Although I think I will increase it to every day soon as the plants are getting far less run off than they used to so I assume the plants are drinking a lot more and drying the coco out much quicker than before

AG#1+6 bolted to showing male sacs & were pulled from tent, guess I'm glad it happened before flipping to 12/12 (today), I'm pretty certain the other 4 are female. I wiped the tent down & water sprayed the rest of plants to be safe. I did some more LST on AG#4+5 Plants seem to be recovering pretty well from the Cal-Mag deficiency, most burn is gone.

The outcome of the flowering was very surprising. Flowers pumped up the last 2 weeks, became hard without leaves inside the buds, developing an amazing rancid and musky smell . During the vegetative phase; the plant grew vertically with pretty good ramifications..I did a topping very late, just before flowering like in emergency to stop the stretch: the plant was a little bit shocked but never stopped growing with a big internode’s distance. The opérations finally gave a good result: forming and developing more blooming sites. But the whole stability of the structure was changed and the plant was bending dangerously till the harvest.

Whats up GD !!! ------------- GROWTH------------- Topped one of the plants, the bigger one (it is 3 days younger than the other) ------------- IRRIGATION------------- Watered both ladies, around 0.2-0.3l each one with Biogrow. ------------- NUTRIENTS------------- BioGrow 1ml/l --------------------------------------- Good vibes !! _04/04/2018_

Intermediate Results Overview This grow was intense! Setting up the grow consumed so much of my time and focus that I started slacking at work, and it took me a month to get back on track. But hey, what’s the point of a job if it gets in the way of growing? 😉 In the end, everything worked out, and I gained invaluable experience. This was my first grow using coco coir. At first, I didn’t get it, but then it just clicked! Now I’m hooked: "I’m here to stay." Coco is more controlled than soil, flushes easily, and you can introduce beneficial microbes, which thrive in it. My main takeaway from this grow? If you buy coco, don’t forget CalMag! Next time, I’ll definitely install HEPA filters at the intake. The amount of dust was insane, and the grow box pulls air like a vacuum cleaner. Watching the timelapse, you can see the box sucking in every bit of dust. I vacuumed the intake filters weekly. The plant was incredibly sticky, but that also meant it caught a lot of lint and fibers between trichomes, especially visible under a microscope. Smoking microplastics? No, thank you! --- On CO2 CO2 only works if everything else is dialed in. If the plant experiences stress from deficiencies or overfeeding, you can forget about it. Since CO2 supplementation requires turning off the exhaust fan, it’s hard to manage temperature and humidity. The plant releases so much moisture that RH jumps to 80% within minutes. It’s doable, but definitely a challenge. --- On Magnetic Fields No clue what’s happening here yet, but it’s fascinating! I’ll test again with a control sample. --- Nutrients Dreams do come true—I’ve tested almost everything Advanced Nutrients offers. It wasn’t all smooth sailing; their feeding charts need adjustments for your conditions, and you usually need to feed less than recommended. Overall, I’d say the nutrients performed 100%, and I see no reason to switch. I’ll stick with them for future grows. --- Strain This strain is reliable, though not the most productive. It flowered exactly as advertised and delivered a frosty finish. It tolerated all my mistakes like a champ—especially mold. Despite an abandoned SCROG plan turning the plant into a bouquet, there wasn’t a single mold spot, even in the densely packed lower buds that got almost no light. Zero mold issues! --- Aroma As advertised: pine, wood, and citrus. At first, I thought it smelled like grapefruit, but now I’m leaning toward bergamot. Bergamot with a classic weed aroma—a recognizable twist on the usual scent. During the grow, the smell was strong, but the carbon filter handled it perfectly. --- Flavor It’s too early to say, but the flavor is definitely there! Embarrassingly, all my past harvests tasted the same—like nothing. Just smoke. This one has a distinct sour taste. I’m excited to see how it develops after curing. --- Effect Too early for a full review, but I love what I’ve tried so far. The high lasts about three hours, with euphoria and relaxation. It’s the perfect evening strain. I’ve smoked a lot over the years, but I’ve never experienced true euphoria—until now. Guess I’ve been stuck with garbage and ditch weed before. 😅 It’s not a strain for productivity or chores, but it’s perfect for chilling, watching something, or chatting. No anxiety, just great vibes. It feels like having a beer after a long day: you relax, and life feels good again. --- Roots The roots were healthy—maybe too healthy! While the AirPot (20L) prevented root circling, it didn’t eliminate it entirely. There were dead zones at the bottom where roots circled around the perimeter. A dense root mat formed at the bottom (so dense you couldn’t poke a finger through it), which likely contributed to salt buildup. Breaking through that mat required more water, and I suspect this caused EC to spike 1.5x the next day if there was no runoff. Next time, I’ll mix some pumice with the substrate at the bottom, about 3–4 cm deep. --- Timelapse I only got the timelapse running after the switch to flowering, so it’s not from the beginning. Still, it’s an incredibly useful tool for understanding growth rates. I’ll definitely use it for future grows. Comparing yesterday to today is one thing, but rewinding a week to see how things were is game-changing. I recommend it! You can even use an old phone with a timelapse app if your camera doesn’t support it by default. --- What’s Next I’ve grown fat buds before, but I’ve always neglected curing. This time, I’m doing it by the book with full control. Drying in the grow box with RH controlled at 50–60% (averaging 55%) for a slow, even dry. Temps are kept between 20–23°C, with frequent venting to keep it below 21°C for terpene preservation. After 7–10 days, when small stems snap with a characteristic sound, I’ll trim and jar them with humidity sensors. For the first two weeks, I’ll burp the jars twice daily, then reduce to once daily for the next two weeks. After that, I’ll monitor the RH sensors and adjust as needed. I’ll share the details after curing is complete. After drying, I’ll weigh the buds, take photos, and share another post in a month or two after curing to report on the flavor and aroma. For now, I’m taking a breather, fine-tuning my setup, and preparing for my next grow: Wizard Trees - Zangria S1.

budding up nicely now. One pheno looks to be growing different bud formations and is much more frosty. O stupidly didn't take a cut of this in veg so I've taken a flower cut to reveg and try monstercropping.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

10000 ml jeden 3 Tag in der zwanzigste Woche pH-Wert: 6,2 EC-Wert: 1,1 mS/cm Temperatur: 24ºC Luftfeuchtigkeit: 60% Schädlingsbekämpfung: / Düngemittel: Sie bekommen ab jetzt Brenneseljauche da sie im Outdoor Bereich ist. Besonderheiten: Wir mussten sie jetzt toppen da sie zu hoch wurde und das Dach berührte, es besteht die Gefahr von Schimmel oder das die Blätter Schlächter wachsen. -Tag 136 immer noch in vegetative Phase 😖 -Tag 137 Heute hat sie 10l Wasser mit 1l Brenneseljauche bekommen

This week the temperature rised a few degrees, so the lamp had to be lifted 5 cm to keep things not so warm (around 27.0 ºC. Still using Big Bud, Bud Candy and Powder Feeding Long Flowering. The Cream Mandarine F1 and the Azure Haze odor is getting sweeter everyday!

Week six! Bunny is stretching like crazy, I don't think she likes the mylar sheeting privacy shield I have put around the greenhouse. I will have to replace this with some form of whitewash. Day 37 - Photographed and fertigated 5l each. Day 39 - Photographed. Bunny seem to have realised she has more space now and is stretching out in all directions, but mostly UP! Special thanks to St Aubins Genetics for providing the seeds for this grow. Check them out at www.staubingenetics.com

I don't like the color of the leaves, doesn't look healthy to me. But she's finally developing flowers. She definitely came a long way from being a disfigured seedling. True Surviver 👍

Hola amigos arrancamos nuevo cultivito, por ahora os traigo los videos que subo a YT como ya sabéis le estoy dando caña al canal, buscarme allí, me llamo como aquí, xmackobox. Poco mas, se empezaron a germinar el día 14/02/24. Algunas se pasaron a maceta el día 16, otras en 17 y se terminaron de plantar en maceta definitiva de 11 L el día 18/02/24. Para la primera semana de crecimiento ya meto fotos detalle de todas. **ACTUALIZADO** 26/02/24 llevamos 12 días desde que se empezó a germinar, todas brotadas perfectas excepto 1 que como veis parece atrofiada o con algún problema, no desarrolla el ojo principal es decir su punta apical. Esperaremos a ver que hace esta plantita :D

Moving forward, blooming nice, this second gen is taking form and gaining weight. A few weeks and we will have a nice harvest. Tent is nicely populated and filled. Once i have setup the “semi scrog” it has conformed to it in a couple of days and did a massive difference. It really opens the canopy and create a huge surface to take advantage from the light as opposed to letting it go naturally. I’m defining the technique as semi scrog because i did not setup the net in a traditional early way knitting in veg... It was done later.