COntinued to apply small amounts of pressure with LST but aside from that, letting her do her thing. Had to leave her for a few days and she got dehydrated, after a feed she perked up again but she's now started sucking all the nutes out of her lower growth. She has a lot so I'm hoping it doesn't affect the harvest. Would have preferred this to begin with my flush. For more content on all my grows please check out my Instagram! Link is on my profile!

week intel: its time for second pruning they grew up too fast and need second pruning as below : first i remove big fan leaves and only leaves then let them rest for 1 day then the second part of pruning will get done that is removing branches based on these conditions: 1-if the branch is very low and never can make it to the top , 2- if branch is in shade even after pruning fan leaves , 3- if there are too many branches at the small space then non of them will get resources so if there is no space for branch then , they must get remove. everything is perfect! stresses : pruning big fan leaves and lower branches + a little E.C stress around 1.7 once a week feeding: i feed them 3 times this week with this order : day 1 : i feed them heavy with silicate +base nutrients(calcium & micros + Bloom) about 884 ppm - 1.7 e.c to cause a little stress. day 3 : i feed them low dose of Feeding Booster + Karbo Boost around 325 ppm - 0.6 e.c to let them recover a little but not fully recover still a little stress will caused. day 5 : i feed them with low dose of Top-Max + B-52 around 213 ppm - 0.4 e.c to let them recover the stresses to get ready for another stress next week. guide of the week : no more stresses from now on till the end and from next week i'll reduce the amount of nitrogen and calcium to below half to the end.

Week 9 flowering Water 🚿 only

She’s growing

Strong seedling

Absolut keine Probleme, einfach nur Leitungswasser.

Ha sido una de las mas productivas de las 8 que tenia en el pequeño armario. Voy a repetir esta cepa en mi siguiente cultivo ya que me ha encantado.

Once again had no issues had very good growth on all my plants, mother plant seems to use about 12/15l of water every 4 days just have to keep on top of that. Topping I did couple of weeks ago went a bit side ways as some plants seem to have 3 nodes at the top some how, Think is will be the last week in veg going to change light times next week to start flower, What would people’s views be on defoliation on the before flower should I do it now while there in veg or when I change the light cycle

The Mandarin Squeeze sisters are growing good. One took dominance of course. That plant was hst today. So the canopy of the two is closer together. I also lollipopped the bottoms out. I took a few clone clippings as well. Everything is looking good at the moment. Thank you Spider Farmer, and Terpyz mutant Genetics. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. Thank you Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g

she grows healthy ... with top crop complete substrate... the days are cloudy and under the temperature ... let's hope as we go with it ..

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Respect for all of you, brother farmers! masters and beginners! thank you again for gathering on the pages of my diaries! we carry out our work with dedication and live on ambition! Come on guys!🙌👽🙌 WE WANTED TO CELEBRATE WITH YOU OUR 3 YEARS OF AGRICULTURE ON THE PLATFORM. GREETINGS TO THE FRIENDS OF @GROWDIARIES WHO MADE THIS POSSIBLE!

Hola amigo! 💐 Cuarta semana para estas Dos Green Crack F1 Automatic. 💐 _ LLENO DE BOTONES _ Ellas son realmente rápidas, de momento estoy muy contento con cómo funciona esto para mí. Siempre he tenido un poco de rechazo a las automáticas, no les voy a mentir 🤞. Ahora ese pensamiento desaparece y he aprendido la técnica ideal para darles tamaño en su momento vegetativo 🤜🤛 La línea de @xpertnutrients me convence mucho, el agua inicial tiene un pH de 7.7 aprox y con la mezcla en el orden adecuado el pH se regula sólo! Trabajan en sincronía con el suelo vivo del fondo, que contiene la poca humedad de la maceta textil. Ph: 6.1-6.5 EC: 700 PPM 020+/020- HR: 65% 5+5-. C⁰: 19-26% Manta térmica 24 x 7 con plato. . !! .19 horas de luz: 2 x TS600 LATERALES. !! .15 horas de luz: + 100Watts CENTRAL. !! . La idea es tener un pico de luz asimilando la naturaleza pero sin dejar de lado los soportes laterales, el led central trabaja dos horas después y se apaga dos horas antes del ciclo lumínico diario 🤜🤛 PREPARÁNDOSE PARA LA EXPLOSIÓN DE LUZ QUE VIENE!

Day 64 (2020-07-12): Watered at 5.8 PH Day 67 (2020-07-15): Starting flush of CBD Crack. Water only @ 5.8 PH. Continuing to feed G14 for another week. 5.8 PH. Day 70 (2020-07-18: Continuing flush of CBD crack, water only at 5.8. G14 gets the same MC dose @ 5.8

🌱 Grow Diary Update 🌸 What’s up! It’s Week 5, Day 2 of flower, and the girls are looking super happy. 🌿 I had a little hiccup earlier in the week—PPMs started getting a bit high, so I had to hit them with some plain pH’d water to level things out. 💧 Now they’re back on track and coming out at a nice 900ppm. Smooth sailing again! 😌 The room’s starting to smell amazing, and these buds are getting crazy sticky!

Compound genetics got magic in those beans! All buds were dense and after the cure smelled amazing.

Another week in the books! Solid week with good growth rate using Aqua Flores and CalMag. Plant is still stretching and my focus has been trying to get better coverage on each of the longer sides of the tent. Honestly, I'm already happy with it but I guess i keep shaping it for a week more. The middle part is already grown above the netting, but there are no empty space in any direction really, so I'll let them grow and do supercropping later if needed. I've read from many places that you shouldn't defoliate during the first two weeks of flower but there are just too much foliage, leaves overlapping each other and blocking airflow and light. I've done few sessions of removing excess leaves trying my best not to get carried away with it. At the end of this week I also started to remove some of the branches. Either they we're too low and had no chance to reach the canopy level, or they were too close to each other. In that case, I removed the weakest looking one competing for the same spot. After next week, I'll be doing more aggressive defoliation and pruning, deciding which branches to remove. I will split that to few sessions to avoid stressing the plant too much. Moisture has been totally out of control, going over 70% RH. Lot of rain outside and plant drinking heavily. That's one reason I've been removing some of the leaves. That's not the correct solution though, and I ordered AC Infinity's Hydrone 5 dehumidifier. Hope to get it soon next week and get the RH in range. EC has been significantly higher and the plant seems to love it. Solution started at 1.7 and slowly drifted down towards 1.3. I have topped the res with fresh solution, and will let it go down next week and do a full res change. Light is running at 75%, around 800 ppfd (Photone app measurement).

We are 3 days into flush. I flush with plain water. It is day 47 and yes I’m flushing early. Only a few amber trichomes to be seen but that’s gonna change rapidly. Last time under this same set up I went to day 60 and found a few pods. So 60 is a day or 3 over. Was gonna go with 50 and see what it looks like. If they need a few more days they will get it.